No Wasted Ink Writer’s Links

writers-linksWelcome back to another Monday of writer’s links. This week the articles cover everything from fanfiction to publishing in online lit magazines. There is a humorous essay about 50 shades of grey you won’t want to miss. Enjoy!

It’s a Fanmade World

The Trouble with Indie Math

Picking Up the Torch: The Golden Age of the Continuation Novel

Publishing With a Small Press: Straddling the Indie-Traditional Gap

Marketing And Sales For Novelists

Do you make mistakes writing fight scenes?

Why Writing is So Hard

All You Need to Know About Publishing in Online Lit Mags

Dave Barry Learns Everything You Need to Know About Being a Husband From Reading 50 Shades of Grey

25 maps that explain the English language

Journals: Taping into the Creative Process

My Moleskine Pocket Notebook and Cross Beverly Fountain PenHandwriting is a skill that tends to be overlooked in our day and age. We spend much of our time typing on keyboards or poking at screens with fingers. The art of putting a pen to paper seems old-fashioned. Many people have given up on this quaint practice of putting pen to paper. Yet, many studies have shown that the human brain is more apt to remember details that are written on paper than on a computer screen and when we write by hand, the parts of the brain more connected with creativity are stimulated than by the act of keyboarding.

There is a real advantage for those who continue to use paper bound journals in their writing process. One of the first benefits is you will be practicing your handwriting skills. If you know cursive, use it! When I first moved to using paper bound journals, I noticed that within a month my handwriting became legible after years of only printing. My cursive is readable again.

Whatever you write with a pen stays in your memory longer. When I take notes at seminars or write down information in my pocket notebook on the fly, I remember where the information is stored and can find it easily based on knowing its place in my notebook. This is not true with programs such as Evernote or Onenote. When I take notes electronically, I must use the search functions because the information moves on the “page” to different locations.

Many studies have shown that when you write with a pen and paper, you tap more deeply into the creative places of your brain. This makes paper journals perfect for brainstorming ideas or even writing the first draft of your book. Writing by hand is slower than typing. It allows you to engage your thoughts into your writing more fully than if you are flying away on a keyboard.

There are many different ways to use a journal. Each type serves a different purpose, but all of them will help to preserve and improve your handwriting skills, offer a writer insight into their creative process or create unique archival opportunities. Below I will list a few of the different types of journaling you might consider.


When you travel it is always a good idea to keep your tickets, hotel information, travel documents and itinerary in one place. This is the first purpose of assembling a travel journal. Before you go, you can research all the fun things to do in the location and plan when you can experience all the region has to offer. There is a second function to a travel journal, keeping a record of what you did on the trip. Many people like to write down details of their day, take photos or sketch images of where they are, gather small tokens or papers along the way and store them all in the journal. Even if you don’t have time to write while on the trip, if you take a few notes, you can put together a beautiful presentation of the trip afterward with all the materials that you collected. It can become an instant art journal of your experience.


As a writer, your dreams are often fodder for future stories. There we develop places and characters that spring to life from our unconscious. Keeping a dream journal is a great aid for capturing this information. It helps to keep a journal at your bedside and to write down your dreams the moment you awaken. Don’t be surprised when a glorious plot you spent the night with evaporates with the dawn, but a dream journal is a way to capture that glory before it fades.


A daily diary is often the first form of journal that people think of when they consider journaling. It is the act of writing down what you did, felt and saw on a given day. Sometimes such journals are filled with emotions and angst, but when used correctly, a daily journal can provide much insight into your past and can evoke memories. When I write in my daily journal, I tend to be more factual. I try and record what I see and where I was. What thoughts and feelings the events provoked in me and who I spoke to, where I went and what sort of media I was engaged with. I make a point to write down descriptions of people and places in order to recall them more clearly at a later time. If I am trying to recall an event of the past, I can look back and see what thoughts were important to me at the time and sometimes this helps me remember more clearly.


Have you ever lost perspective on all the blessings in your life? That is an issue that a Gratitude journal addresses. The concept is to write down three good things that happened to you each and every day. Later on, when you look back at the positive things in your life, it can be uplifting to your spirit. This is a good type of journal to use a dated planner with.


The commonplace journal used to be a very typical journal style. It would be a book where the author would write down what they had learned and their opinions on the information. For instance, if the author was reading a book, they might write down passages in the book that they found interesting and then write their opinions along side the passage. This gave two benefits. First, they were copying work from the “masters” and getting these words into their minds via the process of copying by hand. Then they added the element of their own dissertation to add more meaning to the work. Jack London was known to use this type of journal style to improve his writing without the benefit of schooling. By exposing yourself to literature and copying it, you tend to pick up those writing styles into your own writing. These commonplace journals were great aids in the education of people for many centuries.

Morning Pages

The concept of Morning Pages was developed by artist Julia Cameron in her book The Artist’s Way. The concept is to write three pages of writing in the first hour when you wake up in the morning. This is not to be confused with a dream journal. Your morning pages can be about any subject you choose, the writing doesn’t need to be proofed in anyway and in fact, writing in a stream of conscious manner is the idea. According to Cameron, the morning pages allow you to warm up your writing for the day and lets you dispel negative feelings or thoughts that might be accumulating within you. So it has therapeutic value as well as limbering you up to write your prose for the day.

These are only a few ways that a paper bound journal can be used to aid in the creative process. You can do any of these types of journals on the computer screen if you wish, but you will be missing out on the tactile sensation of handwriting, seeing your script improve, and losing the benefit of slowly down and giving yourself time to think more clearly about what you are writing.

Do you already use a paper journal? What sort of journaling do you do and what is your notebook of choice?

Author Interview: Vanessa Knipe

When I asked Vanessa to describe herself as a writer, she answered: I can never settle to one genre – I’ve written stories from Space Opera to Epic Fantasy – so I hope that everyone who loves Science Fiction or Fantasy will find something I’ve written that they can enjoy. Please welcome author Vanessa Knipe to No Wasted Ink.

Author Vanessa KnipeMy name is Vanessa Knipe. I’m a widow bringing up an autistic son. I hold a BSc Hons Biochemistry, and trained as a biochemist to work in the NHS as a Scientific Officer working with blood. I’m a real vampire – all right for you purists I’m a phlebotomist. After my husband was killed in 2001, I couldn’t work the shifts with a disabled child so I had to leave work. As there was nothing which would allow me to work, I filled my time with writing stories. I took writing courses with the Open University – a Online University primarily for more mature students who cannot attend a brick building – in order to learn how to turn my scribbles into books people wanted to read. I gained a Diploma in Literature and Creative Writing and one day, when the house repairs don’t take all my spare cash, I will take a Masters degree. It is a joy to me to help other people who want to write.

When and why did you begin writing?

I started writing when I learned to write. After my mother’s death I found a package of stories and cartoons I’d written and never knew she kept. There was a lovely series of cartoons that I drew where a monster growled outside rich houses threatening them into giving gifts which the monster then gave to the poor people. I had no idea she was interested – she said nothing to me. I was eleven when my English teacher gave me a grade of 60/60 for an assignment – not because it had perfect spelling and grammar but because she had laughed herself silly over a story I had written. That’s when I decided I wanted to be a writer, but as I grew up I took onboard my parents’ views that writing wasn’t real work and instead I took Biochemistry.

When did you first consider yourself a writer?

In 2006, when my first book, Witch-Finder, was published. Before that, I never allowed myself to hope that anyone would want to read my stories.

Can you share a little about your current book with us?

I had two books out this year, Shadow and Salvation and Pill Wars, but I’ll concentrate on the Urban Fantasy, Shadow and Salvation. It’s a short story collection and the latest in my Theological College of St Van Helsing series: think Van Helsing goes on holiday in St Mary Mead and you have the tone of the books. A Secret Branch of the Church of England – nicknamed the Witch Finders – hunts demons which have been driven into the United Kingdom over the years because it’s surrounded by water and that makes it a good prison for spiritual creatures. The older Witch Finders are burning out and the pool of potential recruits is too small. This book starts by showing two regulars in the College when they were in training and ends with a hope of change for new recruits.

What inspired you to write this book?

This book needed to address the fact that in the previous books only rich, upper class men ever get to be Witch Finders and what happens when the Leader of the College, Laird Alasdair Dunkley, tries to expand the pool of recruits. The first words I had for this book were “Do you have an Archbishop’s license to experiment with basilisks?” To me there is a whole world of inspiration in those words. I often find hints of my stories in the news or in the activities of people around me. If I am stuck I will ask my friends on Twitter or Facebook to challenge me to write a story saving the world with some everyday item. This time it was frozen peas and a tin of paint.

Do you have a specific writing style?

For the St Van Helsing Books I like to have an ordinary object help defeat the demon, something like talcum powder or a butter dish – I like to keep a little humour to lighten the demon-fighting.

How did you come up with the title of this book?

It reflects the soul of the chief Witch Finder – he is one of the foremost Dark Mages in the country, yet he refuses to use his powers for evil.

Is there a message in your novel that you want readers to grasp?

I not sure I do messages. The closest one would be always do what you think is right, even if you have to stand alone.

Are experiences in this book based on someone you know, or events in your own life?

The first ever Witch Finder story has a man selling his soul to the devil to win the annual village vegetable competition. I grew up in a village in Yorkshire and know the intense competition there is to win these prizes. In Shadow and Salvation I have looked to the mythology of the UK. There are four stories about ‘Black Dogs’ – including the Barghast in York – these come from my son’s acting. He starred in a play where he had to recite the whole of The Black Dog of Newgate jail (mentioned in the first story of S&S) while around him the rest of the acting club enacted the scenes. In my head all my characters are played by well-known celebrities – it makes it easier to describe them.

What authors have most influenced your life? What about them do you find inspiring?

Andre Norton, she had me asking at NASA how one became an astronaut. She has such a breadth of work that it encourages me when when I don’t stick to one facet of SF&F and the current really successful writers write on one theme. Alan Garner who wrote about the mythology of the British Isles, which first made me realise how deep the folk stories are in this country. John Wyndham who wrote in the 1970s with the overhang of the Cold War and the threat of nuclear war, his Trouble with Lichen is the reason I chose to be a Biochemist. More recently I admire Jim Butcher, who made me realise that magic and the modern world could co-exist.

If you had to choose, is there a writer would you consider a mentor? Why?

I learn from every book I read, what works and what chimes false, that makes every writer I ever read my mentor. At the moment I am listening to Rayne Hall and Chuck Wendig – I find their advice fits with the way I think.

Who designed the cover of your book? Why did you select this illustrator?

My publisher designed the cover, though I have a say in whether I like it or not and can change elements. That’s why I like working with the indie publishing houses; they allow more input from the author.

Do you have any advice for other writers?

Find the best way of editing for you, so that it never becomes a chore. I learned that hating editing meant I was doing it wrong for me.

Do you have anything specific that you want to say to your readers?

Thank you, I appreciate that you chose my books when there are so many choices out there.

Book Cover Shadows of SalvationVanessa Knipe
York, North Yorkshire, United Kingdom


Publisher: Rob Preece at

Shadow and Salvation


No Wasted Ink Writer’s Links

writers-linksWelcome back to another Monday of No Wasted Ink Writer’s Links. This week I have a nice grab bag of links about general writing tips, typewriters and a nice article about giving presentations that should be useful to any new author thinking of doing a live reading. Enjoy!

The Last of the Typewriter Men

12 Character Writing Tips for Fiction Writers

Why Research is Important to Your Memoir

For Writers on the Verge of Writing Spectacularly Complex Characters

Self-publishing lets women break book industry’s glass ceiling

Writing Women Characters as Human Beings

How Amerigo Vespucci Recognized A New World

Find Out Why Your Awesome Protagonist Is Boring Readers to Death

Tips When Writing Multiple POV Novels

20 Tips for Giving Fabulous Presentations

Scifaiku: Orbiting Secrets

Orbiting Secrets, a Scifaiku poem illustration

Orbiting Secrets

In stationary orbit
city in the clouds
learning secrets

*poem published in Far Horizons Magazine – February 2015

A Scifaiku by Wendy Van Camp
Illustrated by Wendy Van Camp

Inspired by concept sketches by NASA of a proposed floating scientific station in the clouds of Venus.

Author Interviews * Book Reviews * Essays on Writing * Writer's Links

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