Book Name: Glory Season
Author: David Brin
First Published: 1993
Nominated: Hugo 1994 and Locus 1994
David Brin is an American scientist and writer of hard science fiction novels. His works have been New York Times Bestsellers and he has won multiple Hugo, Nebula, Locus, and Campbell awards. Brin was born in Glendale, California. He graduated from the California Institute of Technology with a degree in astrophysics. He followed this with a master of science in applied physics and a doctorate of Philosophy in Space Science from the University of California, San Diego. He currently lives in Southern California with his wife and children.
“A living planet is a much more complex metaphor for deity than just a bigger father with a bigger fist.”
― David Brin, Glory Season
To understand the basis of the culture of Glory Season, you must go back three thousand years when a scientist named Lysos, the founder of the human colony on the planet of Stratos, used genetic engineering to change their local strain of humanity so that their reproduction was based on seasons. Men are sexually receptive in the summer and women are in the winter. When a woman conceives in the summer, she produces a mix of her own genes and that of the male, having an equal chance for a boy or girl child. When a woman conceives in the winter, she always produces a female clone of herself. Finally, the men of Stratos have been changed so that they are less aggressive during the times that they are less sexually receptive. The result is that most of the people of Stratos are successful group of women clones.
Into this feminist social backdrop, a pair of twins are born to a “hive” of clones called “Lamatia”. They specialize in commercial import/export banking. Maia and Leie are welcome to remain with the hive of their birth, like all variants born of the clone sisters, until they reach their majority. Then they will be thrust out into the world to survive as they will. The twins create a plan to pass themselves off as two members of a larger hive and hope to work as sailors on the seas of Stratos to make their fortunes. As “vars” (variants) they would be considered social inferiors, but as sisters of a “hive” they would lose the stigma.
Events prevent the two sisters from carrying off their plans. They are separated by the ship masters to work on different ships instead of remaining together. Leie is lost at sea and Maia, is injured while battling pirates. Maia leaves the sea and instead takes a job on a railroad while she tries to reconcile the loss of her sister and heal from her wounds. During this time, she becomes involved with a plot by “Perkinites” to eliminate men from an isolated valley and later the entire world of Stratos. Maia attempts to inform the planetary authorities and is put in prison by the Perkinites for her efforts.
Maia remains in prison a long time and discovers that her fellow prisoner is a male interstellar visitor from an untampered branch of humanity. This visitor is seeking a devise known as a “Jellicoe Former”, it is an advanced manufacturing facility that can act as a 3D printer for complicated, technological devises. On Stratos, a pastoral and low-technology society, the Former’s existence would be an eruption of new ideas that would change its stable society forever. Renna wants the machine in order to create items that would repair his spaceship and allow him to return home.
In the end, a climactic battle between political radicals, freed vars and a group of virtuous male sailors will determine the fate of the world and Maia’s personal destiny.
World building is an aspect of speculative fiction that sets it apart from more traditional genre. The author takes an idea of making an aspect of their world different from our own and uses it to explore new ideas of society and technology. To me, this is what sets great science fiction apart from the pretenders. David Brin is a master at this skill. Before he started his story in Glory Season, he had looked at the reproduction cycle of aphids; they reproduce clones of themselves during times of abundance and sexually reproduce during times of stressful environmental change. This gives them a reproductive advantage. Brin applied this concept to humans, using the pretext of genetic engineering to create humans who use this cyclic idea of reproduction, then applied the concept to their world and culture. What I found intriguing about his idea is that instead of making the clones part of a mechanical process, which is how traditionally cloning is displayed in science fiction, he made it a new biological process where sex and relationships took on new forms with his redesigned humanity. Since only women have wombs, they rise to predominance in his stable fictional society.
The plot of Glory Season is decent, but not stellar. I still would recommend the book despite this. The culture that results from this new innate biologic process is alien in feel and yet retains enough humanity to allow the reader to feel sympathy for the characters and the problems that they face in the plot. It is worth exploring. My only real regret is that Glory Season is a stand alone novel. I would love a sequel so that I could return and see more of this unique and intriguing world.