Tag Archives: science fiction

Book Review: The Practice Effect

Book Name: The Practice Effect
Author: David Brin
First Published: 1984

David Brin is an American scientist and writer of hard science fiction novels. His work have been New York Times Bestsellers and he has won multiple Hugo, Nebula, Locus, and Campbell awards. Brin was born in Glendale, California. He graduated from the California Institute of Technology with a degree in astrophysics. He followed this with a master of science in applied physics and a doctorate of Philosophy in Space Science from the University of California, San Diego. He currently lives in Southern California with his children.

The Practice Effect begins when scientist Dennis Nuel is barred from access to the Zievatron Project by fellow scientist and rival, Bernald Brady. Not only is Brady jealous of Nuel as a scientist, but there is a love triangle between the three that complicates their relationship. The Zievatron is a device that allows access to parallel worlds, a sort of portal into alternative realities. When the machine is activated and travels to an alternate reality, the return mechanism malfunctions. The two scientists realize that only Dennis has the skills to fix the machine. The only issue is that he must go into the alternate world in order to do this and retrieve the project.

Dennis follows the Zievatron into a parallel universe, where he is still on Earth, but in a world with significant differences from the one that he has left. The local inhabitants, a people known as the Coylians, speak English, but their society is a far cry from the modern day. It is more medieval with a structured class system. Gradually, Dennis learns that this society is built on a fundamental change of the Second Law of Thermodynamics. Instead of objects being created to show their full potential and then gradually decaying over time as is normal in our reality, in this world objects only need to have a crude base. As the items are concentrated on by human thought, they are “practiced” and physically improved over time. Thus, a rough hewn stick can be practiced into a sword. A crude homespun garment gradually becomes a fine silk suit. The class system evolved so that the wealthy and privileged use the under classes to practice their goods into a beautiful and complex perfection.

Dennis’ arrive causes a stir because he not only has the ability to make items that work at the start and with practice become wondrous, but he uses his knowledge of technology from his own world to create things that the natives have never seen before. He becomes known as a “wizard” and falls under the attention of a local Baron named Kremer.

As he slowly puts together the materials that he needs to repair the zievatron and return to his home, he is pulled into the politics of this alternate world and finds himself pitted against Baron Kremer, who not only wishes to rule the world, but has plans to use Dennis for his own ends. Dennis must use his knowledge of science from our world and combine it with the strange practice effect to stop the Baron, repair the zievatron, and return to his home.

The Practice Effect Book CoverAuthor David Brin has written novels that are certainly more famous than The Practice Effect. The Postman was made into a movie starring Kevin Costner and his Uplift novels have won numerous awards. His current writing is far and above a better level of craftsmanship than in this early work. While this novel had a poor plot, weak characterizations, and unremarkable romantic relationships that were soon forgotten, the creation of this alternate world where the laws of nature are different and the physical and social ramifications of this are shown in a delightful and unique way. This is a clear forerunner to his development of science to propel the plot in his later novels. The concept of the practice effect itself makes this novel one that you should take a look at in addition to Brin’s other more well known works. To me it was as if the world was a character all unto itself. I kept wanting to see more of how the practice effect changed the lives of these people. Although I read this novel many years ago, I have never forgotten it and I feel it is a work that needs to be called attention to. Otherwise, you might miss out on a truly unique science fiction experience.


Book Review: The Probability Broach

Book Name: The Probability Broach
Author: L. Neil Smith
First Published:1980
Prometheus Award for Best Novel Winner: 1982

L. Neil Smith started life as an Air Force brat who traveled with his family all over the United States, never settling in any one place. He was interested in music, languages, science and history. His love of sharpshooting in competition began through a joint program of the National Rifle Association and the Boy Scouts. His path to the rank of Eagle Scout was paved with “more sharpshooter bars than I can remember”.

The young L. Neil Smith was interested in music. His first “real” job was that of a banjo player at the local Shakey’s Pizza Parlor and he was the leader of several small garage bands including the “Shady Grove Singers”, “The Roughriders” and the “Original Beautiful Dreamer Marching Jug Band”.

He preferred to read science fiction more than any other genre and was influenced by authors such as Arthur C. Clarke, Theodore Sturgeon, and Isaac Asimov. The two most influential writers he read were Robert A. Heinlein and Ayn Rand. Smith recognized the connections of libertarian ideas between these two authors and these ideals guided him toward his own philosophical and political beliefs.

His readings led to political activism. In 1972 he joined the Libertarian Party. There he was influenced by the libertarian teacher Robert LeFevre which helped to cement his ideas. Later he would serve on the Libertarian national platform committees in 1977 and 1979. Smith ran for President of the United States twice on the Libertarian platform, once in California and again in Arizona, but both times he gained only a tiny fraction of votes.

In 1977, Smith felt frustrated by the course of American politics and wanted to help produce change. He began work on a science fiction novel, originally entitled The Constitution Conspiracy, where he thought to do for libertarianism that Uncle Tom’s Cabin did for Abolitionism or Edward Bellamy’s Looking Backward did for socialism. This project was picked up by Del Rey in 1980 and became the alternate history and science fiction novel The Probability Broach, the first of 21 novels published by the author thus far. While it did not have the impact on society that Smith had hoped for, it is still considered one of the better examples of a libertarian utopia.

In 1979, Smith created the Prometheus Awards, a writing award to honor libertarian fiction. An independent panel was selected to pick the winning novel and the prize offered was a gold coin, then worth $2,500. Due to the cost of the award and lack of formal organization, the Prometheus Awards fell into limbo the following year. In 1982, the Libertarian Futurist Society revived the Prometheus Award for best libertarian novel of the year and they started a second annual award called the Prometheus Hall of Fame which is designed to honor classic libertarian fiction. The prize for both awards is still a gold coin, representing free trade and free minds, mounted on an engraved plaque. Starting in 2001, the offered gold coin is now a full ounce in weight. L. Neil Smith has won three Prometheus Awards down through the years, each time selected by independent panels.

Currently, L. Neil Smith is still interested in sharpshooting, being a lifetime member of the NRA, and plans to resume competitive shooting as he finds the time. He lives in Fort Collins, Colorado with his wife Cathy and daughter Rylla. He continues to write novels and political essays about libertarianism and remains a political activist.

The Probability Broach is the first novel of a series set in an alternate history, the so-called Gallatin Universe, where a libertarian society has formed on the North American continent, and is known as the North American Confederacy. The story opens when Officer Edward William “Win” Bear, an officer of the Denver Police Department in an United States that is controlled by an anti-business, federalist government. Officer Bear is assigned to investigate the murder of physicist Vaughn Meiss, who has been shot down for mysterious reasons. His investigation leads him to the scientist’s unusual lab where an “interdimensional conduit” projects him into a new and confusing North America. In this alternate universe, a change in the wording of the US Constitution has given rise to an alternate world that reveres self-reliance, the encouragement to carry firearms by all citizens, and the recognition of all sentient life as citizens, including gorillas, dolphins and chimpanzees who live along side humans as equals. As Win learns about this new world, we the reader are also introduced to its new customs and ideas of freedom.

Win tracks down his counterpart in this alternate universe, a gumshoe named Ed Bear, and together they work to solve the case of Meiss’ murder which they learn was part of a “Hamiltonian” forces plot to take over the North American Confederacy. As they travel to warn the NAC Continental Congress of the pending threat, Ed and healer Clarissa Olsen are kidnapped, leaving Win and congresswoman Lucy to reveal the pending plot and then to rescue their friends. In the end, the evil Federalist Hamiltonians are routed, Gallantinian interests are restored, and happy endings ensue.

I happened upon The Probability Broach when it was first published in 1980 in my local book store and still own my first edition paperback copy to this day. It was L. Neil Smith’s first novel and I feel that it is the best of the North American Confederacy Series that followed it. Interspersed between the action of gun-toting gorillas, dolphin scientists and various duels are conversations about life in an Libertarian style utopia and the right to carry firearms. The Probability Broach is a thinking reader’s novel, one that presents ideas about a new society, wrapped up in a fun adventurous read about an “alternate history” that came about due to a single word change in the US Constitution.

One of the main functions of science fiction, in my view, is to offer up new ideas of how life might be like under a different political system or different culture. Sometimes those new ideas are horrifying, dystopias where humanity is unable to escape from the thumb of an oppressive government, but other times they make you stop and think that perhaps things could be different in a more positive way. The Probability Broach, whether you agree with Libertarian ideas or not, is certainly a novel that will make you stop and re-examine the way we do things and give you a better understanding of what Libertarianism is in general. I recommend this novel on that basis, as a way to discover new concepts while enjoying a fun, alternate history, science fiction story.

The Probability Broach Book CoverNorth American Confederacy series:

The Probability Broach (1980, unexpurgated edition 1996, graphic novel 2004)
The Nagasaki Vector (1983)
The American Zone (2001)
The Venus Belt (1980)
Their Majesties’ Bucketeers (1981)
Tom Paine Maru (1984)
The Gallatin Divergence (1985)
Brightsuit MacBear (1988) [first in new series set in NAC universe]
Taflak Lysandra (1989) [second in new series set in NAC universe]


Author Interview: Lindsay Leggett

I met Lindsay via twitter where I chat with many fellow writers and authors. I am pleased to introduce her to you here on No Wasted Ink.

Author Lindsey LeggettMy name is Lindsay Leggett and I currently reside outside of Toronto but originate from Northern Ontario. Beyond writing, I am also an editor, marketer, and hobby collector. Some of these hobbies include learning languages and many instruments. It can be a problem.

When and why did you begin writing?

I’ve been writing since I can remember. I think my first ‘novel’ was about thieves who stole my cat. It was ten pages and included (horrendous) illustrations. From then on, writing became as big in my life as breathing. Poetry, short stories, epic novels; you name it, and I was working on it. I’ve since learned how to rein in my imagination (sort of).

When did you first consider yourself a writer?

I began seriously writing my first novel when I was around twelve years old. All of my teachers were very supportive in this endeavour, and even though that book was never finished, I still use pieces of it in current writing.

Can you share a little about your current book with us?

Flight is the story of an Ace Harpy Hunter (kind of like a super FBI agent to fight genetically mutated monsters) who is on the run from the oppressive Elder Corporation. After she’s discovered and asked to return to help the threat, she begins to uncover a great secret both within the Corporation, and within herself. It’s an action dystopian with a healthy dose of forbidden love and sci-fi badassery.

What inspired you to write this book?

The original first scribblings of Flight were actually based around vampires (before the new-age vampire craze), but I chanced upon some art with Harpy characters—beautiful creatures with wings and no emotions. This developed into the story of a Hunter with a hatred toward the government and her discovery of a Harpy who’s been living among humans in secret. That’s all I can reveal.

Do you have a specific writing style?

I think my writing is fairly visual, with a lot of focus on inner turmoil and the contrast between what we believe is happening with what is actually happening. Add some sarcasm, action, and blood, and you’ve got Lindsay Leggett.

How did you come up with the title of this book?

Flight had some truly horrendous first titles. One day, I rode a friend’s horse named Flight, and a lightbulb flicked on. So, my title was actually stolen from a horse.

Is there a message in your novel that you want readers to grasp?

Flight is very much about realizing who you are and finding what is right for you, even if it might not seem right to your society.

Are experiences in this book based on someone you know, or events in your own life?

There is a theme of loss which is related to my life. Flight’s protagonist Piper has lost her brother, which plays a big role in the novel. I lost my father when I was a child, so much of this aspect of the book plays on my own experiences and emotions.

What authors have most influenced your life? What about them do you find inspiring?

Margaret Atwood has always been a big influence for my writing, as well as Ray Bradbury and Chuck Palahniuk. I think that they are all pioneers in dystopian, Sci-Fi, and experimenting with their work, which has always appealed to me.

If you had to choose, is there a writer would you consider a mentor? Why?

So many writers have been a great support and inspiration through me over the last few years. Meredyth Wood read early incarnations of the book. Maggie Stiefvater has also been a role model for me since her first book came out.

Who designed the cover of your book? Why did you select this illustrator?

I ended up creating my own cover. I’ve worked with some covers in the past, and I just couldn’t resist when I found this particular photo. It was a lot of work creating my character in the cover, but I loved every minute of it. It’s incredibly rewarding to be able to be proud of something you designed yourself :)

Do you have any advice for other writers?

Don’t give up, inform yourself about the industry and the craft of writing, and don’t push too soon.

Do you have anything specific that you want to say to your readers?

I hope my readers love the world of Flight as much as I do, and find themselves in any of the characters. I also hope they love Piper and Asher, and want to see the rest of their story. Also, any of my readers are automatically awesome, so I’d love to say that above all. You are awesome.

Lindsey Leggett - Flight Book CoverLindsay Leggett
Toronto, Ontario, Canada

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Author Interview: Patrick Dearen

Patrick and I met via membership in several Edgar Rice Burroughs forums on facebook. He has a great writing style in the forums and his new book sounds like it is a real winner to those of us that enjoy classic science fiction. I am very pleased to introduce him to you all here on No Wasted Ink.

Author Patrick DearenI was born in 1951 in Sterling City, Texas. When I was 10, my mother presented me with Edgar Rice Burroughs’ Tarzan of the Apes, a gift that helped shaped my life. I earned a bachelor of journalism in 1974 from The University of Texas at Austin and worked as a reporter for two daily newspapers in Texas. My wife Mary and I have a son, Wesley, a recent college graduate who serves as first reader for my novels. My favorite pastimes are backpacking and playing ragtime piano. We make our home in Midland, Texas, where my wife is managing editor of the daily newspaper.

When and why did you begin writing?

When I was 14, a teacher suggested I consider writing as a career. Thrilled over the prospect of emulating my hero – Burroughs – I went home that afternoon and began my first novel.

When did you first consider yourself a writer?

From the moment I sat down and wrote that first line as a kid, I thought of myself as exactly that—a writer. But forty-seven years later, I’m still learning.

Can you share a little about your current book with us?

Although the first two of my 20 books were science fiction novels, Starflight to Destiny is my first sci-fi work since 1980. Here’s a teaser:

A deep-space archaeological dig shrouded in mystery…
Clues to the location of a legendary power in the reaches of the galaxy…
A man and a woman, each of them holding half the answers, both of them defying a totalitarian government.

Together, Blake Sharrel and Rhonda Gregory embark on a starship quest to find the Leijan, an enigma that holds the fate of the cosmos. It’s an epic journey filled with peril: a crew of pirates ready to slit their throats, a planet where intruders are crucified upside down, and a chase across countless light years of unexplored space.

From one planet’s Valley of the Skull to another planet’s City of the Skull, and on to a derelict spacecraft orbiting a black world, it will be a Starflight to Destiny.

What inspired you to write this book?

My science fiction roots run all the way back to Burroughs, but I’ve also found that my work in one genre fuels another genre. Since 1982, I’ve researched and written extensively about lost treasures of the Southwest. Starflight to Destiny is actually a lost treasure tale, although this treasure is a lost power and the setting is interstellar space rather than a Southwestern wilderness.

Do you have a specific writing style?

I learned early on never to emulate another author stylistically. Over the decades I’ve developed my own style, although I’ve always felt that a competent writer should adapt his style to the subject matter. My works range from documented history to folklore to journalism to westerns to sci-fi, and each genre demands its on style.

With that said, Starflight to Destiny most closely resembles the works of Leigh Brackett and the mature Edmond Hamilton, with a large dose of Burroughs.

How did you come up with the title of this book?

A title should attract a potential buyer’s attention, but also be true to the subject matter. “Starflight” immediately indicates science fiction and an interstellar journey. And as readers will find out, “Destiny” could not be a more appropriate term for what my characters find at quest’s end.

Is there a message in your novel that you want readers to grasp?

On one front, I want to stress the importance of perseverance, which I think is the key to success in almost anything, whether it be writing or interpersonal relationships. It’s always easy to throw your hands up and give up, but that frame of mind won’t gain a person success in writing, much less in a marriage or in the relationship with his children or friends.

When I completed the manuscript for my first nonfiction book back in the mid-‘80s, I suffered through 75 rejections. At that point, I faced a choice: I could either give up or I could persevere. I chose the latter. I changed the title – that’s all – and started through the same publishers a second time. After I had endured exactly 100 total rejections, an acquisitions editor snapped it up.

With another manuscript, a novel about hobo life in the Great Depression, I went through 17 drafts over a 32-year-span before it was good enough to find a home. It’s no accident that I titled it Perseverance.

Are experiences in this book based on someone you know, or events in your own life?

Even in science fiction, I draw upon my own experiences, shaping them to fit my needs. First love, last love, forever love, never love . . . Who hasn’t gone through at least some aspect of the intricacies of interpersonal relationships?

There’s a lot of Humphrey Bogart’s Rick from “Casablanca” in my main character in Starflight to Destiny, but there’s also a lot of me.

What authors have most influenced your life? What about them do you find inspiring?

I’ve already mentioned my admiration for Burroughs and Leigh Brackett. For my buck, Burroughs was the greatest storyteller ever, and Brackett was the master stylist. Every time I read one of her works, I’m so awed by her incomparable style that I think I might as well give up writing.

I also admire James Oliver Curwood, whose Kazan, the Wolf Dog is on a level with Burroughs’ Tarzan of the Apes and The War Chief as my all-time favorites. Jack London’s The Call of the Wild is high on my list too. Do you note a trend? High adventure is the common element in all of my favorite authors’ works, which is something I pursue every time I go backpacking.

If you had to choose, is there a writer you would consider a mentor? Why?

From the standpoint of authors as persons, rather than writers, I had the utmost respect for my dear friend Paul Patterson and his one-time student, the acclaimed western author Elmer Kelton. I dedicated books to each of these late, great men, most recently my novel To Hell or the Pecos, which is dedicated to Kelton.

Patterson, one of the last old-time Pecos River cowboys, guided me into folklore and Old West history in the early ’80s and was my chief consultant on all things western. Kelton went to bat on my behalf numerous times as I sought contracts with publishers for my documented histories about the Old West.

Who designed the cover of your book? Why did you select this illustrator?

I chose a spectacular deep-space photo from the Hubble Telescope, and Lee Emory of Treble Heart Books used it in designing what I consider an eye-catching cover. I think it may be the most attractive cover of any of my 11 novels.

Do you have any advice for other writers?

In a question-and-answer session back in college, I asked Larry McMurtry what advice he would give an unpublished novelist. He replied, “Write regularly. You may have all the talent in the world, but if you don’t have the energy and dedication and perseverance to sit down and write, you’ll never get anywhere.”

Let me add this quote that I have framed over my work station: “The real trick is to keep on writing when no one cares whether you do or not, to keep on writing in the face of loneliness and fear.”

Do you have anything specific that you want to say to your readers?

Expect more than a simple space opera in Starflight to Destiny. Maybe reading it will help point you toward your own destiny.

Starflight to Destiny book coverPatrick Dearen
Midland, Texas

Starflight to Destiny
Treble Heart Books

Lee Emory, Cover Designer

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Author Interview: Glen Robinson

Being a writer of steampunk or alternate history novels myself, I was very delighted to discovered Glen Robinson with his interesting mix of fictional and historical characters. Glen writes his steampunk novels under the pen name of Jackson Paul. I hope you’ll join me in welcoming him here at No Wasted Ink.

Author Glen RobinsonMy name is Glen Robinson. I am a professor of Communication at a small university outside Fort Worth, Texas. I have been happily married for 37 years and have three grown kids and one grandson. I have been teaching for 14 years and before that I was a book and magazine editor.

When and why did you begin writing?

I have had a passion for writing ever since high school. Every job that I have taken since college has been one that either called for me to write or allowed me time to write on the side. I write because, as a Christian, I feel I have something to say. And I write because I enjoy it—some projects more than others.

When did you first consider yourself a writer?

I have wanted to be a writer since I was in high school in the 70s, but my first book was published in 1983, so I guess that’s when I first officially considered myself a writer. Although even today, during the writing process, there are times when I feel I haven’t learned enough to consider myself a writer. But everyone goes through that.

Can you share a little about your current book with us?

I am working on several projects at present, but the book we are talking about here is “Tom Horn vs. the Warlords of Krupp.” I probably had more fun writing this book than any of my other book projects. It’s a tongue-in-cheek look at a steampunk America and Europe, the last years of the Old West, and alternate history. The story is littered with real historical characters, who as far as I know never met each other, but could have. The premise is that Tom Horn, a western gunslinger, is recruited by old friend Teddy Roosevelt to escort his 16-year-old niece Eleanor Roosevelt to Vienna. The Krupp Weapons Corporation is intent on making World War I happen (early actually), and a summit peace meeting in Vienna is intended to stop the war. Eleanor has a special talent of persuasion, and Roosevelt thinks she can help prevent war. But the Krupp people send assassins and other bad guys to stop them on their trip.

What inspired you to write this book?

Since moving to Texas in 1998, I have been inspired by the heritage that is around me here. I am also a big fan of alternate history.

Do you have a specific writing style?

My background is news writing, so I tend not to be too flowery with my writing. I especially love to allow my main character to develop a distinctive voice, and follow that whenever it happens. That’s a lot of the fun of this genre and this particular story. Also the contrast between Eastern and European “sophistication,” versus Western directness and simpleness.

How did you come up with the title of this book?

I look at it as along the lines of old serials of the 50s, so I tried to find something that would fit that mold.

Is there a message in your novel that you want readers to grasp?

If there’s any message, it’s that simpleness is not always stupidness. Sophistication has its own issues.

Are experiences in this book based on someone you know, or events in your own life?

You mean like falling from a dirigible, being chased across snow by Germans in a steam-powered tank, or launching a glider from the top of the Eiffel Tower? No, most of the experiences are pretty well made up.

What authors have most influenced your life? What about them do you find inspiring?

I like Orson Scott Card, Tom Clancy and Jerry Pournelle. I like how Card can weave spirituality into an otherwise straight science fiction story. I like Clancy because of his dedication to giving technical details that suggest credibility. And Pournelle was an early writer that got me inspired about the possibilities in my own writing.

If you had to choose, is there a writer would you consider a mentor? Why?

Right out of college, my mentor was a fellow named Arthur Milward. He mostly wrote short stories for Reader’s Digest, Redbook and Saturday Evening Post. But he was very good, and had a lot of good advice for me. I miss him a lot.

Who designed the cover of your book? Why did you select this illustrator?

I teach a class called Applied PR and Advertising, and one of my students suggested I look on deviantart.com for an illustrator. The cover art is by Mateusz Ozminski, also known on Deviant Art as artozi, who lives in Poland. He gave us a good price. The typography was done by my son, Matthew Robinson.

Do you have any advice for other writers?

Yeah lots. That’s why I teach writing classes. But in a nutshell, you have to keep trying, no matter what anyone else says. And keep your priorities straight.

Do you have anything specific that you want to say to your readers?

I hope to do a sequel to Tom Horn one of these days. In the meantime, check out my many other books under my name or my pen name Jackson Paul on Amazon or on Smashwords.

Tom Horn Book CoverGlen Robinson
Cleburne, TX
Author of 11 published books in Christian suspense, steampunk/alternate history and science fiction.

Tom Horn vs. The Warlords of Krupp
Prevail Publications
Cover art by Mateusz Ozminski

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