Tag Archives: science fiction

Author Interview: Rhett C. Bruno

Rhett Bruno is a science fiction/fantasy author who puts an emphasis on developing unique characters within their world. I’d like to welcome him to the readers of No Wasted Ink.

Author Rhett C. Bruno​I’m Rhett Bruno. I grew up on Long Island and have been writing since before I was young. Ever since I was little I to creating worlds or stories. At first it was with toys and games, then drawing, but by High School I dedicated myself entirely to writing. I just found that it was something I was better at than drawings. It has always been something I do on the side, however. During the day I practice architecture in westchester county, ever since I graduated from the Syracuse University School of Architecture.

When did you first consider yourself a writer?

I first considered myself I writer when I got offers ​from small presses to publish The Circuit: Executor Rising.” So only recently. I don’t think I really improved as a writer until I started reading a ton of books in order to study science fiction. It was always something I ​had to do. It calmed me and left me satisfied.

Can you share a little about your current book with us?

My books is an adult science fiction novel published by Mundania Press. It is set in a grim future where the Earth has fallen and humanity now lives in contained settlements throughout our solar system (A place humans have begun to call The Circuit). Grass, trees and other animals are a rarity. The story is fast-paced, explosive, and revolves around four characters whose lives are intertwined because of the actions of Cassius Vale, the enigmatic former council member of the New Earth Tribune.

What inspired you to write this book?

My initial inspiration came from watching classic science fiction movies/shows like Star Wars and Star Trek and noticing how artificial gravity is just kind of an accepted technology. After doing some research I found out just how far-off most of the theories are and came up with the idea of us finding a new element (Gravitum) deep in the Earth that gives us the ability. When I was thinking up the story I wanted the notion that human curiosity has repercussions to be prevalent and so that was when I decided that the mining of Gravitum would be what unsettled the fragile nature of our homeworld. While that is never directly stated in this novel, it is intended to be implied. Everything else sort of evolved around that idea of Earth being a shackle that humanity is bound to even after they evolve beyond the planet’s surface.

Do you have a specific writing style?

I don’t think so. I think it’s constantly evolving. I used to focus a lot more on description, but I wanted The Circuit to move along at a brisker pace. I always hoped it would be something perfect to read during a train commute to work. Fitting since the history of the Circuit is based upon large-scale, public transportation.

How did you come up with the title of this book?

The series name has been set in stone since before I even started the first chapter. Something about The Circuit resonated with me after I decided to name the setting the Kepler Circuit (After 17th century astronomer and mathematician Johannes Kepler). Executor Rising, another of my novels, took a little longer to come up with. When I submitted the book to publishers the subtitle was Progeny of Vale, but since there are really four main character it felt unfair to have one of their names in the title. Executor is a position within the New Earth Tribune that plays a large role in the first novel. When I thought of it I immediately told my publisher to update the contract. It was so obvious that I don’t knew how I didn’t think of it sooner.

Is there a message in your novel that you want readers to grasp?

I think there are plenty of messages about humanity sprinkled throughout the series, but I really want the readers to each have a unique experience in their reading of it. I want them to take out of it whatever they feel. I guess if I had to pick any message it would be about the dangers of curiosity; that there are repercussions for everything that is done in the name of it.

Are experiences in this book based on someone you know, or events in your own life?

Actually no. I tried my best to disappear into the world and craft all the characters around their own experiences.

What authors have most influenced your life? What about them do you find inspiring?

More than anyone Robert E. Howard. His Conan stories are unbelievable, and there is so much energy in his writing that it is a shame he was taken so early in his life. Other writers I hold in high esteem are Tomothy Zahn and Frank Herbert. The way they balance multiple characters and multiple perspectives is masterful. I didn’t really know if it was something that could be done effectively until I read their work.

If you had to choose, is there a writer would you consider a mentor? Why?

I guess it would be Robert E Howard. Only because his stories were the first that I really ate up. I wanted to write with the same vigor that he had, and hopefully one day I’ll get close!

Who designed the cover of your book? Why did you select this illustrator?

Adam Day. He was a close friend at college and really is an amazing artist. I wanted to work with someone I knew to design an original cover that I could really be proud of and I trusted him to do an awesome job. Personally I think he exceeded my expectations.

Do you have any advice for other writers?

Same as you’ll see anywhere else. Keep writing. Also, make sure you get feedback from other people. It’s so easy to get lost in your own little world as you work that you forget you’re writing for other people. So you have to get opinions and read other similar work to really start to understand what the public may actually enjoy.

Do you have anything specific that you want to say to your readers?

I guess it would be to give my book a try and really give it an honest review. I went to Architecture School so I know how vital constructive criticism can be to get better at anything. So if you don’t like my book, and you actually read it front to back, let me know why!

The_Circuit__Executor_Rising Book CoverRhett C. Bruno
White Plains, NY

GOODREADS
TWITTER
FACEBOOK

Cover Artist: Adam T. Day
Mundania Press

The Circuit: Executor Rising
AMAZON
BARNES & NOBLE
KOBO

Book Review: The Many-Coloured Land

Book Name:The Many-Coloured Land
Author: Julian May
First Published: 1981

Julian Clare May was born on July 10, 1931 to Matthew M. May and Julia Feilen May. She grew up in Elmwood Park in Illinois and was known as Judy May when she was young. She was the oldest child and had three younger siblings.

When she was in her late teens, she became interested in science fiction fandom and published the fanzine Interim Newsletter. In 1950, she sold her first professional short story Dune Roller to John W. Campbell’s Astounding Science Fiction. It was published along with her illustrations in 1951 and credited to “J. C. May”. Later that year, she met Ted Dikty at a science fiction convention in Ohio. They fell in love and got married in January 1953. May stopped writing science fiction after selling another short story, Star of Wonder, to Thrilling Wonder Stories in 1953.

May and her husband had three children, with the youngest one born in 1958. Beginning in 1954, she wrote thousands of science encyclopedia entries for Consolidated Book Publishers and two other encyclopedia publishers. In 1957, May and Dikty started Publication Associates, a production and editorial company catering to small publishers. From 1956 to 1981, May wrote at least 250 books for children and young adults, mostly non-fiction books about science, history, and short biographies of popular celebrities at the time. Her pen names for non-fiction work are Ian Thorne and Lee N. Falconer.

In 1972, May’s short story Dune Roller was adapted into film as The Cremators. Here, she was credited as “Judy Dikty”. She became interested again in fandom and in 1976 attended the science fiction convention, Westercon. She created a diamond-encrusted space suit costume for the event and got into thinking about the kind of character that would use that kind of suit. Soon, she began compiling ideas that would eventually be used for her Galactic Milieu Series. The Many-Coloured Land, the first book in the Saga of Pliocene Exile, was published in 1981.

“You have always been alone, always self-centered and fearful of opening yourself to other persons, for to do so is to risk rejection and pain. But it is a risk we are born to take, we humans.” -Julian May

Humans have been discovered by benevolent aliens and are now part of a seemingly utopian society called the Galactic Milieu. The different beings of the federation have different kinds of psychic powers and can do interstellar travel. The price to pay for being part of the Galactic Milieu is that humans have to follow strict rules and think within the thresholds. Humans who have not developed their powers yet are not happy and want a way out.

In France, a researcher has found a one-way portal to the Pliocene Era. Because it has no other use, the portal has become a way for misfits to escape the current society. So far there have been more than a hundred thousand people who have made the journey to the past.

Eight non-psychic humans prepare to go through the portal and they spend time getting to know each other before being sent through the gate. They are given survival training and a kit that will last for several years. Each one of them has his own reason for wanting to go: Aiken is a convicted felon who chooses exile over execution, Felice is a temperamental athlete who has been banned from the games, Bryan is an anthropologist looking for his lost love, the Roman Catholic nun Amerie has lost her faith, Elizabeth once had metapsychic abilities but lost them after a traumatic accident, Richard the xenophobe is being sued by an alien space crew for all his properties, Claude is a paleontologist, and Stein dreams of being a Viking.

Once in the Pliocene Era, however, the group discovers that Earth at that time is not the wilderness they expect but is already inhabited by two warring alien groups: the Tanu and the Firvulag. The Tanu have strong psychic powers and have turned almost all humans into slaves. The male humans are separated from the female and the women are used for breeding. The humans are then ranked according to their metapsychic abilities. The Tanu use collars called torcs in order to control the humans. The gold torcs that the Tanu wear control the silver and gray torcs worn by the slaves. Humans with strong latent powers are made to wear the silver torcs while those without latent powers but have other skills are given the gray ones. The first group, made up of Richard, Claude, Felice, and Amerie, devise a plan to escape.

When I first picked up this book at the bookstore, Julian May was unknown to me as an author. The book had been recommended to me by friends that loved science fiction and so I thought that I would give it a chance. It turned out to the be right choice. The Many-Coloured Land was the first novel by this author and it was the start to the Saga of Pliocene Exile series and of a fruitful writing career. A month or two after I picked up the book, I noticed that most of my friends were reading it as well. There was a buzz about it. Here we are 30 years later and the books still read well and is recognized by serious science fiction readers. Ms. May has gone to write several interesting series and is still publishing today. I feel that The Many-Coloured Land is a good introduction to her body of work, but it should not be the last novel of hers that you enjoy. I still own the first edition paperbacks to this series, a bit yellow with age, and continue give them a place in my library.

Many-Coloured-Land-book coverThe Saga of Pliocene Exile

The Many-Coloured Land (1981)
The Golden Torc (1982)
The Nonborn King (1983)
The Adversary (1984)

Author Interview: Leslie Ann Moore

I’ve know Leslie for many years and I’ve been a big fan of her previous fantasy trilogy. When I learned she had a new steampunk series coming out, I asked her to come here and share more about it with us here on No Wasted Ink.

Author Leslie Ann MooreWhen my mother was pregnant with me, one of her favorite singers at the time was Leslie Uggams, which is why I’m Leslie Ann Moore. I’m a doctor of veterinary medicine by profession, but I’m a writer by passion.

When and why did you begin writing?

I’ve been blessed since childhood with a vivid imagination, and a penchant for inventing stories out of the ferment of creativity which resulted from that. At age twelve, the very first thing I ever committed to paper, and yes, back then, it had to be paper, was a poem about a horse. I showed it to my mother, who, of course, told me it was the most wonderful poem she’d ever read. Really, what else was she going to say? So, I took her at her word and submitted it to a national horse enthusiast magazine, and lo and behold, it got published!! I haven’t written much poetry since.

I didn’t do much writing at all throughout my late childhood and teen years. I was at the stage in my life where I needed to read, voraciously, in order to study and absorb how great writers did what they did. I devoured all the classics of sci-fi and fantasy, essentially training my own artistic mind in the techniques of story structure and style, against the day when I was finally ready to produce something of my own.

In high school, I created my own newspaper for a history class assignment. Rather than write a standard report on the defeat of the Spanish Armada by Elizabeth I of England and her scrappy little navy, I wrote it as a series of articles from imaginary reporters on the scene, and laid it out in newspaper format, complete with drawings I did myself in place of photos. I got an A+ on it! My mom still has that project, lovingly preserved.

When did you first consider yourself a writer?

In 2001, when I began work on my first novel, Griffin’s Daughter. Until then, I really didn’t think of myself as a serious writer–I was more of a dabbler. I’d written some short stories for a creative writing class during my undergrad days, but that was it.

Can you share a little about your current book with us?

A Tangle of Fates is the first installment of a new trilogy, the overall title of which is Vox Machina. Genre-wise, it’s soft sci-fi, with steampunk flavorings, a lot of politics, adventure, some mysticism, and a dash of romance. For those familiar with screenwriting terms, the log-line would be ‘Snow White as revolutionary.’ Another log-line could be ‘Snow White meets The Terminator’. Both of those should give you a good idea about the general plot. This series is very different from my Griffin’s Daughter trilogy, which was a romantic fantasy.

The book has already gotten glowing reviews from, among others, Howard Hendrix, a Hugo and Nebula Award nominee, and Emma Bull, one of the inventors of the urban fantasy genre back in the ’80’s.

What inspired you to write this book?

I wanted to write a story based on a traditional fairy tale, but turn it on its head. In so many fairy tales, the female is passive. She’s there only as a prop for the male hero to rescue. Or, if she is the center of the tale, she’s the victim of manipulative, malign forces, and still ends up needing a male savior. The Vox Machina Trilogy, of which ATOF is the first book, takes the story of Snow White and transforms it from a tale of a helpless girl needing rescue by not one, but eight (the seven dwarves, plus the Prince) men, to one of a girl rising up from the ashes of her former life to become the savior of not one, but two nations.

Do you have a specific writing style?

I’ve modeled my style after two wonderful fantasy writers–Janny Wurts, and Kate Elliot. I like to think of it as Neo Victorian. It’s a lush, complex style, full of beautiful similes and uncommon word choices. Some would call it ‘purple’ or ‘flowery’. It’s definitely not in fashion these days, particularly with American editors, critics, and other ‘gatekeepers’ of the literary world. The common wisdom is that modern readers lack the patience for long, complex sentences and lush imagery. Everything is supposed to be short and unembellished. I don’t buy that. Both Janny and Kate have vast fan bases, and continue to sell lots of books.

How did you come up with the title of this book?

My fianceé and I were having dinner at Marie Callendar’s, and we were brainstorming ideas. He pointed out how all of the character’s fates were intertwined. I imagined a big ball of string, all tangled up, thus, the title was born.

Is there a message in your novel that you want readers to grasp?

All my books have overt political themes. The Vox Machina Trilogy deals with political repression and racial injustice, and how a small group of committed individuals can overthrow an entrenched regime. The main message is that it’s not impossible to effect radical change in a society. It just needs brave people to stand up and fight for what’s right.

Are experiences in this book based on someone you know, or events in your own life?

Only insofar as I’m alive in these times, and angry about the many injustices I see in our society and others around the world.

What authors have most influenced your life? What about them do you find inspiring?

James Herriott, who wrote All Creatures Great And Small, about his life as a country vet in England during the 1920‘s and 30‘s. He made the veterinary profession come alive for me and inspired me to become a vet myself. Strange, though, I didn’t read those books, thinking, hey, I can also be a writer as well as a vet. I never connected the two. I think I was too young.

Much later, in 2001, I went to the Los Angeles Times Festival of Books and attended a panel about writing fantasy fiction. Terry Brooks, the author of the best-selling Sword of Shannara series was one of the panelists. I’ve read a lot of his work. He talked about how he’d been a lawyer, and it had taken him many years to transition from full-time lawyer to full-time writer. He’d had years in between where he wrote books and practiced law. When I heard how he’d persevered until he achieved his goal of quitting law to support himself on his writings, I knew I could do the same. I’m not there yet, but soon.

There are other authors who’ve influenced my writing life. I’ve already mentioned Janny Wurts and Kate Elliott, both of whom helped me to develop my voice.

If you had to choose, is there a writer would you consider a mentor? Why?

There isn’t anyone I know personally that I can say has been a mentor, but of the many writers I admire, Janny Wurts is the closest. I study how she puts together sentences, and her breathtaking imagery, as if I’m in a master class and she’s the teacher.

Do you have any advice for other writers?

Write every day, if possible, even if it’s only a few paragraphs. Study writers you admire, learn how they do things, then emulate them. Know proper grammar, in whatever language(s) you write in. Then, when you break the rules, you’re doing it as a stylistic choice and not out of ignorance. Learn how to critically analyze other people’s criticism of your work. Everyone has an opinion, but not everyone who reads your stuff will have the necessary insight and abilities to offer useful advice. It’s OK to reject suggestions as crap, even if it’s from someone you trust. In the end, you are the boss. Write what you want to write.

Do you have anything specific that you want to say to your readers?

Thanks for coming along on this wonderful journey with me. There are many more stories I want to share, and I hope I can bring the best of them to all of you.

MHTangleCoverLeslie Ann Moore
Los Angeles, CA

A TANGLE OF FATES

GOODREADS
FACEBOOK
AMAZON AUTHOR PAGE
SMASHWORDS

Book Review: Solaris

Book Name: Solaris
Author: Stanislaw Lem
First Published: 1961

Stanislaw Lem was born on September 12, 1921 in Lwow, Poland. He was Jewish, but he and his parents were able to survive the Nazi occupation during World War II by using falsified documents. He was raised as a Roman Catholic, but later would turn from this faith and declare himself to be agnostic. Lem was quoted as saying, “for moral reasons … the world appears to me to be put together in such a painful way that I prefer to believe that it was not created … intentionally.” He worked as a science research assistant during his college years and it was during this time that he began writing his stories. Later, during the Nazi occupation of Poland, he worked as a mechanic and welder, becoming active in the resistance. When the Polish territory Kresy became part of Soviet Ukraine, he and his family moved to Krakow. His father, a doctor, wanted him to study medicine at Jagiellonian University and Lem enrolled but he intentionally failed his finals to avoid being forced to become a military physician.

Lem began writing poetry, stories, and essays while working as a research assistant. The Man from Mars, his first science fiction novel, was released as a series in a Ukraine magazine called New World of Adventures. During the Stalin regime, when works had to be approved by the government before publication, he had to include in his books content that put socialism and communism in a good light. When the de-Stalinization period in the Soviet Union started the “Polish October”, Poland celebrated a rise in political free speech. Free of the shackles of having to bow to the promotion of communism in his writing by the Soviets, Lem wrote 17 books from 1956 to 1968. It was during this time that he met and married Barbara Leśniak, a radiologist, in 1953. Their son, Tomasz, was born in 1968.

One of the novels during this busy writing period was his highly popular novel Solaris. In the book, Lem presents the recurring theme of how futile it is for humans to understand things that are extremely alien. Solaris has had three screen adaptations: a two-part Russian TV film in 1968, a full-length Russian film in 1972, and a 2002 Hollywood film.

In 1973, despite being ineligible due to his non-american status, The SFWA awarded Stanislaw Lem an honorary membership. Lem accepted the membership at that time, but thought of American science fiction as ill thought-out and poorly written, being created to make money instead of the formation of ideas or new literary forms. After Lem’s work was published in America, and he became eligible for a regular membership, his honorary one was rescinded. It was thought that this was intended to be a rebuke toward Lem and his contempt for American science fiction writers, certainly Lem seemed to think that it was. Many SFWA members protested Lem’s treatment, including Ursula K. Le Guin, but Lem declined the regular membership, even though the membership fees were offered to be paid by a fellow member.

Starting the 1980s, he focused more on philosophical essays and over the years became critical of science fiction and pessimistic about modern technology. He also had a falling out with his previous agent Franz Rottensteiner, who contributed in introducing him to Western readers. In 1996, Lem was awarded the Order of the White Eagle, Poland’s highest decoration of merit for civilians and military personnel.

Lem died on March 27, 2006 of heart disease. The urn containing his ashes was laid at Salwatorski Cemetery. Although he declared himself an agnostic, Lem’s funeral was conducted in accordance with Roman Catholic rites at his family’s request.

Man has gone out to explore other worlds and other civilizations without having explored his own labyrinth of dark passages and secret chambers, and without finding what lies behind doorways that he himself has sealed. – Stanislaw Lem

The planet Solaris is covered by a vast ocean that is possibly a giant, sentient organism. Scientists, referred to as Solarists, have been studying the planet and its ocean for decades. They have been recording and elaborately classifying the complex phenomena that happen on the ocean’s surface but they do not really understand what those activities mean. The psychologist Kris Kelvin travels from Earth to the Solaris Station, a research station hovering near the planet’s surface, and meets Snow and Sartorius, two of the scientists there. He finds the station in chaos and the scientists near madness. Another scientist, Kelvin’s acquaintance named Gibarian, has killed himself just hours before.

The crew has aggressively bombarded the ocean with high-energy X-ray as part of an unauthorized experiment shortly before Kelvin’s arrival. The ocean has responded by creating exact copies of people from the scientists’ most painful memories. These mysterious human-like beings with superhuman abilities are in the ship and are psychologically tormenting the researchers. The visitors and the real humans differ from each other sub-atomically – the visitors’ bodies are made of stabilized neutrinos that give the visitors great strength and regeneration capabilities.

The visitors of Snow and Sartorius are anonymous but Kelvin encounters Gibarian’s visitor, a “giant Negress”. Kelvin also meets his own visitor: a duplicate of Rheya, his lover who has injected herself with poison when he left her. Rheya does not know that she is just a copy. Kelvin feels conflicting emotions upon seeing her but decides to lure her into a shuttle then eject her into space to get rid of her. A second Rheya appears with no memory of the shuttle and this time, Kelvin decides to stay with her because he is still in love with the original Rheya. The second duplicate, however, hears a recording made by Gibarian and learns that she is just a copy and is not really human. She drinks liquid oxygen to end her life but her body heals itself. The other Solarists work to discover a way to destroy the visitors but Kelvin decides that he will protect Rheya no matter what happens. Later, the researchers decide to record Kelvin’s electrical brain impulses and beam them into the ocean. Nothing happens at first, then Kelvin begins having weird dreams. Several weeks later, a strange ocean storm occurs and Snow sees a possible way for humans to communicate with the giant alien organism.

Solaris-bookcoverMy interest in the author began when I saw the 2002 movie Solaris, staring George Clooney. It intrigued me and I went on to read the novel and look at other works by Stanislaw Lem. He has a literary style to his writing that conveys deeper ideas than many science fiction novels do today. If you haven’t checked out work by this classic science fiction author before, Solaris would be a good one to sample first.

Author Interview: Kate Wrath

Kate Wrath lives in the desert Southwest and writes science fiction and fantasy novels. I’m pleased to welcome her here on No Wasted Ink.

Author Kate WrathI’m Kate Wrath. I’m a writer and an artist. I live in the Southwest with my husband, my two girls, and my big dog (he would be upset if I left him out).

When and why did you begin writing?

I started writing fan fiction with my friends when I was twelve. It quickly became an obsession, and before I knew it, I was writing my own stories. I had written thousands of pages by the time I started high school, and it just kept adding up from there.

When did you first consider yourself a writer?

That’s a difficult question. I know a lot of writers who have different milestones they feel they need to reach to be considered a writer—paying the rent with their writing, getting an agent…. I think I’m more in the camp that I just am a writer, because that’s who I am. It defines me. People who don’t know I write don’t know me at all. I’ve felt that way for so long that I couldn’t tell you when I first thought of myself that way.

Can you share a little about your current book with us?

Yes! I have just released E, a dystopian novel about a girl who has been “erased”. She’s lost her memories, her family, her whole identity, and she is thrown into this harsh world where everything is set against her. It would be really easy for her to just give up and die, but she won’t. She does what she has to, and she manages to scrape a life together, but that’s only the beginning. Everything she loves is endangered by conflicts that are happening around her, and if that’s not enough, her unknown past is also calling to her. There’s a lot of action, but the story is character-driven, so prepare to get attached to the cast. E is a bit of an emotional rollercoaster ride through danger, romance, friendship, despair, and love in its purest form. I am continuing the story in a second book that I hope to have out by the end of the year.

What inspired you to write this book?

E was entirely subliminal, at least to start with. Most of the time I work off of inspiration. An idea strikes and I run with it. With E, I wasn’t planning to write a novel. I’d been working on another long-term project, and was feeling a bit burnt out on it. One night, I just felt like writing. For me. I had no idea what I wanted to write or what it would be about. Just that it was something new. I sat down with a pen and notebook and began writing, literally not knowing a single thing that would come out on the page. Needless to say, I was a little surprised. For a few days I just went with it, and let the story take me where it wanted. Several days in, I sat down to type it up and thought, Wow, I’d really better figure out where this is going. So I approached the rest of it in a more organized fashion, though I wanted to keep the spontaneity of it, so I allowed myself a lot of freedom, and wrote with a lot of unknowns.

Do you have a specific writing style?

I write a broad range of things, but the one thing that is common in all my writing is that it is character-focused. When I read a book, I want to know the people in it, and if I finish the book and I don’t, I feel unsatisfied. Plot is important, yes, but I feel like the most intriguing plots are born out of the intricacies of the characters and how those all play together. I really know my characters—sometimes too well—and I think that my readers will walk away feeling like they are real people. They are complex and they have reasons for what they do, and they’re not the canned stereotypes you find everywhere. I mean, seriously, there is nothing I hate more than the villain who wants to bring misery to the world “just because”, or the hero who cannot be corrupted. I’ve never met anyone that flat, and you won’t meet anyone like that in my novels either.

How did you come up with the title of this book?

E was my working title, meaning it came to me quickly and out of the blue. Several people have commented on it. Peculiar. One letter for a title. Shouldn’t I give the audience more? The answer is: no. I like its ambiguity. It’s a very important letter in my novel—it’s almost too obvious what it stands for. But the truth is it means a lot of things. And I like things that mean a lot of things. J

Is there a message in your novel that you want readers to grasp?

There is not so much a message, but there are some important themes. As a writer, I put a lot of thought into the decisions I make in my writing, and it is always exciting when someone really “gets” what it’s all about. But often readers aren’t looking for that stuff. Maybe it makes it through subliminally. But I think that’s the thing about a good story—you can enjoy it on a lot of different levels. With E, I think there is an entertaining read and a moving story on the surface, but for readers who want more, there is definitely more to find.

Are experiences in this book based on someone you know, or events in your own life?

No, not directly. But it would be impossible to write a novel that doesn’t draw on my own life journey, so in a way, yes.

What authors have most influenced your life? What about them do you find inspiring?

I have to say, recently I read Markus Zusak’s The Book Thief, and I was just blown away by all the depths of it, and the poetry of the language. I also adore Suzanne Collins for wrapping up The Hunger Games trilogy the way she did. She didn’t take the easy route, or even the most sellable story, but she said what she had to say, and she did it without preaching. I think the books were so much more powerful and profound for that decision. I really respect that.

When I was growing up, I read a lot of different things. My mom read us a lot of the classics, and those were very happy times. I love Shakespeare, for the language, and the many layers, and the great switcheroos. I could talk a lot about all the books I love, and how they have influenced my life, but I can’t say I ever thought much about authors or truly appreciated the craft of their works until I became one myself.

If you had to choose, is there a writer would you consider a mentor? Why?

If I had to choose… I’d say Wendy and Richard Pini (even though I don’t know much about them), because I got my start and found my passion writing Elfquest fan fiction… ah so many years ago. So in a way they are responsible for me becoming a writer.

Who designed the cover of your book? Why did you select this illustrator?

Me! It took days on end, lots of coffee, and it is a wonder my computer survived. I really think graphic designers must be the saints of all saints. They must have endless patience. Or maybe they just know what they’re doing.

Do you have any advice for other writers?

Keep writing! Haha, that’s actually a joke because when you go to a writer’s conference you hear that so many times you just want to choke on it. But yeah, really, keep writing. The more you write, the better you get. Also, don’t worry too much about taking advice from other authors (like me), or trying to fit yourself into a box that someone else has contrived. One thing I’ve learned from talking to other authors is that the author experience is different for all of us. Do what you’ve gotta do. Do it why you’ve got to do it. And do it in your own timeframe. Oh yeah, and develop a thick skin, and be as dogmatic as a rabid pitbull, because there is no one else out there (no matter how much they love you) who is going to believe in you as a writer as much as you do. So yeah. Keep writing! Rawr!

Do you have anything specific that you want to say to your readers?

Thank you. Authors are not authors without readers. *Big hugs*

E Book CoverKate Wrath
Southwest, USA

FACEBOOK
TWITTER
GOODREADS

Cover Art: Kate Wrath

AMAZON