I am a great lover of historical fiction novels, so when the opportunity came to interview Gabriele Wills, I was glad of the chance. I hope you’ll enjoy her interview as much as I did, here on No Wasted Ink.
My name is Gabriele Wills. Born in Germany, I emigrated with my family to Canada when I was a young child. Always a dreamer, I’ve also been an educator, literacy co-ordinator, and website designer, but my real passion is writing. I have five historical novels in print. Married to my university sweetheart, I am also the proud mother of an accomplished daughter, with whom I just co-authored a Young Adult novel.
When and why did you begin writing?
A few decades ago, when my husband and I moved to Ottawa for his new job, I couldn’t find a teaching position, so I decided it was the perfect opportunity to fulfill my dream of writing a novel. This was my first attempt at a story set in my favourite place, Muskoka. It wasn’t bad, and gave me lots of practice to hone my writing skills, but – fortunately – it still resides at the bottom of a storage bin.
When did you first consider yourself a writer?
As a child I wrote stories or made them up just to entertain myself. So I was convinced I was a writer even with that never-to-be-published first novel. I felt more confident that the second one was viable, especially after reworking it dozens of times, and went on to write a third in my spare time. When a British literary agent picked up these two books, I felt I could finally, really and truly call myself an author. I’ve been writing full time for the past eight years.
Can you share a little about your current book with us?
The Summer Before the Storm is set during the Age of Elegance in Muskoka, which has been the summer playground of affluent and powerful Americans as well as Canadians for well over a century. Amid the pristine, island-dotted lakes of this legendary Canadian wilderness, the young and carefree amuse themselves with glittering balls and friendly competitions.
But the summer of 1914 promises to be different when the ambitious and destitute son of a disowned heir joins his wealthy family at their summer home on Wyndwood Island. Through Jack’s introduction into the privileged life of the aristocratic Wyndhams and their social circle, he seeks opportunities and alliances to better himself, including in his schemes, his beautiful and audacious cousin, Victoria. But their charmed lives begin to unravel with the onset of the Great War, in which many are destined to become part of the “lost generation.”
This richly textured tale takes readers on an unforgettable journey from romantic moonlight cruises to the horrific sinking of the Lusitania, from regattas on the water to combat in the skies over France, from extravagant mansions to deadly trenches – from innocence to nationhood.
What inspired you to write this book?
Ever since I first discovered Muskoka as a teenager, I wanted to write about its fascinating past. I was lucky to spend time at my friend’s summer home – known as a “cottage” – which had been built by her great-grandfather in 1879. We used to dance to old gramophone records from the turn of the century, and heard stories about the wealthy cottagers who spent summers on the lakes, often owning entire islands. Many were industrialists and bankers from the U.S. who arrived by private Pullman coaches with as many as twenty-seven servants in tow. I was hooked!
Do you have a specific writing style?
I have a general idea of the storyline, but when I start writing, the characters invariably take over the plot. I’ve tried reining them in, but they will have their way! And honestly, they sometimes take the story in a completely different – but always better – direction than what I had anticipated. So for me, writing is a daily adventure, as I never quite know what they’re going to get up to next.
How did you come up with the title of this book?
Because much of the novel is set in the summer of 1914, just before the outbreak of WWI – in which Canada was immediately embroiled – I wanted to have “Summer” in the title. As soon as I envisioned the war as a destructive storm, it just seemed perfect.
Is there a message in your novel that you want readers to grasp?
I’d like readers to have a deeper understanding of that cataclysmic time in world history. The generation that was young and idealistic at the outbreak of the war was decimated, but even those who survived were forever scarred by their experiences. I don’t think that anyone should ever forget their sacrifices.
One of my fans said it best with this comment: “I attended the War Museum in Ottawa, and with your characters in mind, I could see Chas flying high in his plane! Attaching a soul to the stories and pictures we looked at brought a whole new human meaning to me. It was no longer something we once learned about in school – it had a face, a life, a love, and a tragedy.”
Are experiences in this book based on someone you know, or events in your own life?
No, but many of the events are based on real ones. I have a few aviators, for instance, so their exploits are drawn from memoirs and biographies of famous aces. Women’s roles as volunteer nurses and ambulance drivers were heavily based on real women’s often remarkable – and unsung – wartime contributions.
What authors have most influenced your life?
The Brontës, Thomas Hardy, Daphne du Maurier. My husband and I did a literary pilgrimage to Yorkshire, “Wessex”, and Cornwall as part of our honeymoon trip to England, because I wanted so much to see the evocative and inspiring landscapes where my favourite authors had lived and which they described so enticingly in their novels.
Who designed the cover of your book? Why did you select this illustrator?
I used a photograph that my daughter had taken of an antique wooden boat that was not only typical of the era, but also one of the those actually built in Muskoka, which has a rich heritage of boat building. I thought the picture conveyed the impression of an idyllic summer day. Then I learned how to use a computer program that allowed me to design the cover.
Do you have any advice for other writers?
Read widely. Keep writing, and then rewriting. Persevere. Network with other authors, because writing is a lonely profession, and connections as well as support are crucial.
Do you have anything specific that you want to say to your readers?
To enhance your experience of The Summer Before the Storm, check out my annotations on Book Drum. Under the “Bookmarks” tab, you’ll see vintage and modern photographs and videos that illustrate various aspects of the book. You can listen to a loon call, if you’ve never heard one, and link to all the music quoted in the book.
If you enjoy my novels, please tell your friends and book clubs. And I appreciate hearing from you!
Gabriele loves to recreate an era in which she can immerse herself, by weaving compelling stories around meticulously researched facts. If you want a glimpse of her world, visit her book trailer on YouTube.
Happy Thanksgiving to all my American readers of No Wasted Ink. I hope you have a wonderful holiday filled with family and friends gathering and enjoy lots of turkey. This week, I have some interesting links for you. The first one is not about writing, but about a certain mental process that would prove interesting in character building, others are articles about general writing habits. Enjoy!
Heather and her husband Chris Dunbar are both members of a writing cabal that I belong to. They both have an author interview pending in the works, but I also invited Heather to do a writing space post here at No Wasted Ink. I think you’ll agree that her writing style and tools are unique.
I’m Heather Poinsett-Dunbar, one of the coauthors of the Morrigan’s Brood series. Where do I write books? I suppose the 64 thousand dollar question really is where don’t I write books.
I write the first draft with the hubby, Christopher Dunbar, at a variety of places. Generally, since we’re both trying to be gluten-free, we go to several Asian places in the neighborhood. We pull out a legal notepad from what we call the ‘man-purse’ (since Chris usually carries it) and a pen. Yes, we’re that old-school. Then we start writing. We go from one ‘scene’ to the next. Why do we go out? Because we share a house with three cats who talk a lot.
Mandi: Lamia, blah, blah, Strigoi, Deargh Du.
A: EI is not cooperating. Looks annoyed.
MA: Strides in and interrupts them. Who took all my #$@#$!ing bloodmead???
And so on.
Sometime after that, I generally go to my office (the HeatherCave), light incense and candles, turn off phones, and start typing or talking (I use a speech-to-text program that works for the most part, but it also translates Gaelic names into the most delightful nonsensical ravings). If I’m just typing out our notepads, I’ll play music. Generally, it has to be in a language I don’t know or instrumental, as I will start singing along if it’s in English. Right now, I listen to Corvus Corax, Omnia, Faun, Clannad, Dead Can Dance, Vas, and a lot of soundtracks and trailer music. However, I like to get a musical impression of the historical era that we are writing about.
Other times, I work on the road if we’re at an event or book signing. When I can, I type at lunch at work, but my office is my favorite place to type and think.
Right now, there is a pile of 10 notepads waiting to be transcribed, as my job is a tad stressful of late. Hopefully, I will get back into the flow of things very soon.
Generally, after typing out the dialogue that Chris and I wrote, I go through and add details. I am a librarian, which means I basically research as a hobby. So, I go through our print reference materials in my library at home and then I start accessing historical electronic databases that will help me add a bit of realism to our writings. We’re both history nerds, so this is a lot of fun for us both. Once I’m done, I send things back to Chris, he reads and adds to the draft, I accept or add changes, and boom, it scampers away to the editor.
If you’d like to read more about our adventures in authoring, be sure to visit our blog!
I’m busy working on book II of my Alice trilogy for Nanowrimo this month, however I don’t want to miss sharing some interesting writing links with you all. Pour yourself a nice cup of coffee, have a nice sit down, and enjoy these links from No Wasted Ink.