No Wasted Ink Writers Links

No Wasted Ink Writers Links

Happy Monday! No Wasted Ink has a new top-ten of interesting writing related links for you to enjoy. During my own surfing of the internet, I earmark craft articles that I find useful and engaging and share these with all of you.


Writing Rogues, A Study o Batman: The Animated Series
Whose POV Should It Be?
The Joys of Scrivener – My Favorite Software for Organizing Your Book-In-Progress
Achieving Immortality Through Fiction
Writing Rules vs. Writing Fashion: Should Writers Follow Fashion Trends?
Everything You’ve Always Wanted to Know: Hybrid Publishing
A Display Hack for Your Story’s Outline
Using TikTok to Sell Books
Affiliate Income For Authors
Why You Should Know Who Your Narrator Is Talking To

Claim Your Writing Place by Deanna Rasch

Photo from Deanna Rasch

Facebook reminded me this week of a trip four years ago. I had the rare and wonderful privilege of spending almost two weeks immersed in writing, steeped in the power that place can exert on creativity and identity.

I applied, in the final year of my MFA in Creative Writing program, to a writing residency in Ireland – a place I’d always dreamed of visiting. Except for the briefest of trips across the border into Mexico and Canada, I was a Gen X-er who’d never traveled outside the United States. I had a list in my pocket of places I’d visit and a current passport, should the opportunity (and funds) ever arise.

Likewise, the MFA was a goal I’d held close for, well, decades, if I’m honest. The program ended up opening the door, as well, to this dream of international travel. My gratitude for this has only grown in the past year, through all the isolation and restrictions.

It took almost two days to make that trip from Colorado to our final destination – an inn on the island off the coast of Ireland called Inis Oirr. It was a “planes, trains, and automobiles” kind of trip. Two planes, a bus, a small ferry boat, a horse drawn buggy (for our luggage), and a hike up a steep cobbled road from the docks, to be exact. The trip was like winding back the decades, one mode of transport at a time.

I’m remembering, as I write this, the crowded Galway park, full of locals enjoying the warmth of a relatively rare sunny day. Our cohort assembled to await the ferry, lying about on the greenest of grass (which is not a myth, by the way ; ) I fell asleep for a bit, exhausted from the travelling, feeling somehow safe in the midst of all that activity. Then came the crisp, refreshing wind in our faces as the ferry boat bumped its way over the rough open sea to the island. The thrill of seeing the island rise up out of the water ahead, crowned by a diadem with castle jewels. The fishy smell of the docks as we hopped off the swaying boat. The clop of horses’ hooves on the cobbles. The lilt of a warm greeting from the innkeeper in Gaelic. The savory smell of fresh seafood chowder for dinner, served with stories from fishermen playing pool nearby about the catch of the day.

Feel that sense of place? : )

I could add a few bumps along the way, to be sure. But I find myself recalling mostly sensations, memories that make me smile. Experience again those spacious moments. Walks by the sea. Sunsets so late at night. Lovely language and kind community. The writing the immersion opened in me.

Perhaps it’s in sharp contrast with feeling so confined much of the past year, between lockdowns and perpetual smoke and ash last summer from the fires here in Colorado. The feeling of loss all around – its own sense of place.

Ireland was an embodied experience of what I’d vicariously tasted as a teen, exploring the strange new worlds of science fiction and fantasy. Places that (as a young queer person who wouldn’t find acceptance for years to come) inspired feelings of hope and belonging in a wider world. Settings and societies that expanded my definitions and horizons beyond the messy, violent urban neighborhood I grew up in. Written by authors who knew how to create new potentialities by conveying a strong sense of place.

John Varley, for example, in his classic Gaia Trilogy, transported me to Titan, the being/world whose 12 distinct lands he personified on the page. Each place – and Gaia as a whole – acted as a foil for the astronauts stranded there (and those soon to follow) requiring characters to confront their limitations and biases. Allowing them to discover fuller identities (including sexual identities). To reach unexpected potentials beyond the limited selves they were on arrival. All through sustained interaction with a place far beyond their current experience.

Anne McCaffrey’s Dragonriders of Pern series pulled me into world where the dragons, themselves, were inextricably tied to the biology of a world inhabited by a people who were (in the original trilogy) beginning to question their ancestry. Their sense of place. Where individuals were questioning their identities as this evolution began. Where young people could empower themselves, be supported in putting hard situations behind them, and pursue their gifts. Could use them in service of surviving, thriving, and creating in this place. Responding to questions whose answers challenged every assumption they’d held about their connections with each other, the dragons, and Pern.

I’ve found myself rereading these and other authors with this talent in the past year. Reaching, almost obsessively, for that expanded sense of place, as my outer world shrank to the size of my apartment. For that spaciousness I’ve always found on the page. What I’m now enjoying, again, through the pictures of my time in Ireland. Revisiting that lived experience of revising, in a deeper way, my sense of place in the world. Seeing it reflected in my writing.

We can be of service, I believe, as writers, by reaching beyond the experience of place we know. Not by appropriating others’ stories, their unique sense of “place.” Rather, by reading those stories – real and fantastic. Stretching our own lived experiences, where we can. Cleaning out head junk that likes to whisper, “What you’ve known is the only place.”

Think of the impact we can have, dear writers, if we work at conveying, as best we can, insights we glean by taking deep dives into place. Imagining less limiting futures. Creating stories and worlds our readers want to visit – even revisit – that expand their own definitions, as others’ stories have for us. The hope and resilience we can help bring to a “place” that really needs it right now. ❤


D.M. Rasch is an author of LGBTQ+ speculative fiction (and an occasional poet) who lives in the Denver, CO area with 2 sister kittens who are pretty tough in the editing department. She holds an MFA in Creative Writing and balances being a working writer with her work as a Creative Coach, Mentor, and Editor (as Deanna M. Rasch) in her business, Itinerant Creative Content & Coaching LLC . Find her publications on the linked Amazon page and look forward to upcoming publications: a YA science fiction novel Freedom’s Cost, as well as the first in a series related to her story At the Movies, recently featured in Other Worlds Ink’s anthology, Fix the World: twelve sci-fi writers save the future.
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Eccentric Orbits 2 edited by Wendy Van Camp

Eccentric Orbits 2 - anthology of speculative poetry

Fabulous science fiction poetry and scifaiku by a talented international group of poets. There’s robots, there’s aliens, there’s intergalactic war, there’s the eternal quest for peace, and there’s love found and love lost. Underneath all, is the quest, the truth, and the realization of humanity.

Eccentric Orbits 2 is my debut as a poetry anthology editor. I am humbled by the quality and variety of poetry that was submitted for this volume. The book is available in paperback via Amazon, or via paperback and pdf through the publisher, Dimensionfold Publishing.

Author Interview: Nicole Weaver

When I asked Author Nicole Weaver to describe her writing style, she replied: “There will always be consequences in my novels.” Please welcome her to No Wasted Ink.

My name is Nicole Weaver. My day job is in a research and development lab where I use scanning electron microscopes. It is incredibly cool. That said, my passion is creating stories. From tabletop roleplaying, to video games, to reading and writing stories, I adore sharing imaginations with other people. My favorite stories are generally Sci-fi and Fantasy, but I love a good horror book too. I am a trans woman, and my pronouns are she/her.

When and why did you begin writing?

I have always been told that I write well. Friends and family alike used to regularly suggest that I take up writing. I took it more seriously when my college professors started suggesting it as well, but I still wasn’t sure writing was for me. Then, in 2017, I was dealing with a common problem among Dungeons and Dragons players. My campaign of over a year had fizzled due to conflicting schedules. This pushed me to finally sit down and think about which parts of running a campaign I enjoyed the most.
Some people love the technical side of fitting the rules together into a seamless encounter. Others love to play practical jokes on their players. The answer for me is that I love to tell stories and I adore the look on someone’s face when they are recounting events from our shared adventures…so here I am.

When did you first consider yourself a writer?

I wrote an 8,000 word short story, poured my heart and soul into it, and was told it sucked. Rather than giving up, I wrote it again from scratch, attended some writing classes, and rewrote it again.

Can you share a little about your current book with us?

Encrypted takes place in a world that was nearly identical to our own until around 2009 when a completely unexpected total Solar Eclipse occurred. Later that day, some people discovered they possess special powers that seem to break the rules of physics. Levitation, fire generation, telepathy, all this became possible to the people who would eventually be known as Primes.

As if that wasn’t a big enough shock, enormously powerful creatures known as Daemons appeared across the Earth that same day, bent on devouring any living thing they come across. So far, all attempts at nonviolent solutions have failed in a rush of gnashing teeth.

Samantha Gray, is a girl far from the worst of the Daemons, still trying to unlock who she truly is. Before now, she has had few opportunities to make choices about her own future. The only thing she really knows about herself is that she hates the Primes who abuse their powers and force everyone else to live by their arbitrary and self-serving rules. Samantha hates Heroes.

What inspired you to write this book?

I wanted to write a story about an LGBTQ protagonist where that is the least interesting thing about her. Our lives and stories are so much richer than which letter of the alphabet shows up in our descriptions of ourselves.

Do you have a specific writing style?

I would say I have a distinctive style, but not a specific style. Though only the first novel has been published, I have three worlds I am writing in, the superhero World of Primes, an Isekai story of Purple Lightning Games, and my fantasy Clock Universe. Each of them is written purposely in a different style distinctive to that world.

How did you come up with the title of this book?

I was in my third or fourth draft when I made a pun to one of my Beta Readers about the title. However, the more I thought about it, the more I realized the title fit the novel extremely well. In a very real way, Samantha is an enigma to herself at the start of the book. Her fight to find out who she is forms the backbone of the story.

Is there a message in your novel that you want readers to grasp?

It was easy growing up to see how the people with power were only willing to allow me to pursue happiness of a very specific kind. They made it clear that I would only be allowed to pursue happiness on their terms.

I hope everyone who reads Encrypted is encouraged to fight tooth and nail for their happiness, and not for some cut down version that someone else decided they are allowed to have. Be stubborn. Be strong. Most of all, understand that sometimes those things mean hiding who you are until you have the power to control your own life.

Are experiences in this book based on someone you know, or events in your own life?

In some ways, yes. Samantha definitely picked up my snark, and one of the major characters is based on my partner. The events are entirely fictional, but I brought them to life with my own emotional experiences growing up around people who I couldn’t trust.

What authors have most influenced your life?  What about them do you find inspiring?

Some of the modern authors are Brandon Sanders, Patricia Briggs, and Laurel K. Hamilton.

The most inspiring thing about them is the size and intricacy of the worlds they create. I still read their incredible stories and think about why their characters are so engaging and fun, even while writing my own novels.

If you had to choose, is there a writer would you consider a mentor? Why?

Brandon Sanderson. I have listened to every year of his Creative Writing courses on YouTube, multiple times. I strongly believe I would not be a writer if I had not come across his videos. I was already impressed with his skills, but he absolutely shines in those videos as he shares the craft we both love. If I ever get the chance to meet him in person, I will have a huge thank you ready for him.

Who designed the cover of your book? Why did you select this illustrator?

Matt Akin. He was recommended by a mutual friend. After seeing his art, I was instantly excited to be working with him. He was extremely nice and helped reduce my stress as a self-published author by keeping the process relaxed and friendly.

Do you have any advice for other writers?

Stick your ego in a jar with an airtight lid and let it suffocate. Writing is an iterative process that requires we viciously tear into our own work and cut out the pieces that do not fit. For every book, I keep a word document for the sole purpose of saving the paragraphs I loved too much to delete, but that had to be removed to improve the story.

Another important idea is that when someone gives you feedback, don’t instantly change something. Instead, pay very close attention to why they are suggesting the change.

Do you have anything specific that you want to say to your readers?

It is okay to be scared. It is okay to be unsure about who you are, all of us are at various points in our lives. It doesn’t matter if it’s because you are LGBTQ, or simply because you have no idea what you will do with yourself in a life of uncertainties.

Take a deep breath and focus on what you can do to make the situation better. Even if the only thing you can do is keep your head above water for a few months until another opportunity comes along.


Nicole Weaver
Boise Idaho

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GOODREADS

Encrypted


Cover artist: Matt Akin

AMAZON

No Wasted Ink Writers Links

No Wasted Ink Writers Links

Welcome to the No Wasted Ink top-ten writer link list. These are links to articles that I find organically as I surf the internet and found to be informative and interesting. I hope you find them to be that too.


Short Stories as an End Goal
Heroes and Villains
How To Enjoy Writing
Enter Late, Leave Early: A Great Piece of Writing Advice for Chapters
Writing on Message: How to Separate Moral and Theme
Using Pop Culture References in Fiction
How to Teach World Terms Without Confusing Readers

Naming Fictional Characters: 10 Tips to Avoid Pitfalls
Which Comes First: Character or Plot?
Writing an Exclusive Audio Novel

Author Interviews * Book Reviews * Essays * Writer's Links * Scifaiku

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