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Author Interview: Patrick C. Greene

I grew up in the Pacific Northwest and was seeped in the legends of Bigfoot, or the Sasquatch as the Native Americans in the area call them. Naturally, I found myself interested in a fictional story based around these old legends. I want to welcome Patrick C. Greene and his novel Progeny to No Wasted Ink.

Author Patrick C GreeneI’m Patrick C. Greene; actor, martial artist, horror geek, comicbook nerd, metalhead, cineaste, father, husband, philosopher and…oh yeah; author.

When and why did you begin writing?

My father was a journalist and novelist so I had a good bit of exposure to the business as a child. I was writing, in a sense, before I knew how via drawings and telling nonsensical stories, even if nobody was around.

When did you first consider yourself a writer?

In about the seventh grade, I decided I would be a writer. I was small for my age, and easy target for bullies, and of course the “weird kid”, so at some point, I decided to learn how to defend myself and quickly became obsessed with martial arts, setting my interest in writing aside to train and learn all I could about fighting. I didn’t start writing again seriously until right after high school, when I was pursuing a career as an actor and decided to write my own screenplay to star in, as Stallone did with Rocky. I started knocking out short stories as well, just for fun. Ultimately, coming to a place of calling myself a writer was a gradual process that took many years.

Can you share a little about your current book with us?

In PROGENY, Owen Sterling is a successful author who has just bought a large tract of forest land from a Native tribe. Soon after moving into his new house, he experiences a series of strange events that lead him to believe a family of sasquatches lives close by, and further, that they are potentially quite dangerous. He refuses to let local hunters come anywhere near the property, coming off like an aloof, wealthy outsider. Zane Carver, the alpha male of the locals, decides to ignore Owen’s directive, and takes a group of hunters, including his increasingly rebellious fifteen-year-old son Byron along. Pretty soon, the inevitable happens-hunters and monsters cross paths in a tragic manner, and the result is a game of cat-and-mouse that favors the creatures, forcing Zane and company to seek shelter with their old nemesis Owen.

What inspired you to write this book?

I’ve always been intrigued by Bigfoot, and I was always trying to come up with a way to write something about the phenomenon, without resorting to the usual band of teens being offed with Bigfoot as a stand-in for a slasher figure. The idea of a three-way struggle appealed to me, as it blurs the lines between “good” and “bad” and makes potential outcome less predictable.

Do you have a specific writing style?

I’m tempted to say “neo-splatterpunk” because I read a lot of stuff from that era. I’m not one of those writers that finds no value in gore (though it can be overdone). I think literal viscera can be used to underscore figurative viscera, and a visceral experience is definitely what I hope to achieve. I am an emotional guy so I write about people in highly emotional states. I believe readers want to care about their protagonists, beyond even whether they will come out all right by the end, but also what it would mean if they didn’t–what that protagonist might potentially leave behind.

How did you come up with the title of this book?

PROGENY relates to the three father/son relationships that are highlighted in the story, especially Owen and Zane. Owen, the writer and Zane the hunter both have boys with whom their relationships are not ideal. Both are struggling, in different ways, to bridge that gap, to build some foundation for a long-term relationship as the boys grow, and the night of the siege is the crucible for that.

Is there a message in your novel that you want readers to grasp?

As a father, it was important to me to address for myself what that means. It’s dedicated to my oldest son Deklan, an exceptional writer in his own right. His mother and I broke up when he was still very young so I haven’t had as much time with him over the years as I would like. The message, I suppose, would be to treasure every moment with your child.

Are experiences in this book based on someone you know, or events in your own life?

Not so much the horror elements, but some of the clumsy efforts by Owen and Zane to maintain good relationships with their own sons are very much influenced by my own experiences, not just as a father but also as a son. All the characters have pieces of people I know.

What authors have most influenced your life? What about them do you find inspiring?

I think Poe suffered from depression, as I have from time to time, so the way he used it and created from it is inspiring.

If you had to choose, is there a writer would you consider a mentor? Why?

Definitely Vincent Hobbes, because he has bent over backwards to make sure PROGENY and the short stories I’ve submitted for THE ENDLANDS have been top notch. He always has time to help other authors and offer encouragement and I’m very grateful.

Who designed the cover of your book? Why did you select this illustrator?

Jordan Benoit is the cover artist, and I couldn’t be happier! His work on this and THE ENDLANDS is intriguing, mysterious and captivating. I wish I could take credit for choosing him but he was hired through PROGENY’S publishers, Hobbes End.

Do you have any advice for other writers?

Yes, and it’s nothing you haven’t heard before: if you’re driven to write, you should be doing it. If the ideas are pounding at your brain seeking release, then release them, dammit! If you love your man or woman then write about it. If you’re afraid that the words just won’t come when you try to write, then write about that. The more you write, the better you’ll be at it, and the more you’ll want to write. So go! NOW! Do it!

Do you have anything specific that you want to say to your readers?

I want to hear from you guys! Love my work or hate it, or find it pointless-let me know. And thanks for the time you set aside to read PROGENY or my short stories or even just this interview. I love having the opportunity to tell you a story!

Progeny Book CoverPatrick C. Greene
Asheville, North Carolina


Progeny was published by Hobbes End Publishing, LLC

Book Review: Les Miserables

Book Name: Les Miserables
Author: Victor Hugo
First Published: 1862

Victor Hugo was a genius who would have excelled at any medium he undertook. He was a poet first and then a novelist and dramatist. His hobby of sketching was such that it is said that had he chosen to become a painter instead of a writer, he would have out done the masters. He is remembered as one of the more well-known French Romantic Writers of his time. In France, Hugo’s fame comes more from his poetry, but to the world he is best regarded as the author of two novels, Les Miserables and The Hunchback of Notre-Dame.

Hugo was born two years after Napoleon Bonaparte came to power as Emperor of France. His father was an officer under Napoleon and later became the administrator of several provinces under the Emperor. Due to his career, the Hugo family was forced to move often during Victor’s childhood. His mother, a devout Catholic and royalist, grew tired of the travel and settled with the children in Paris. She then had much influence over Hugo’s early beliefs and interests during his early years because of this, but during the events that led up to France’s 1848 Revolution, Hugo rebelled against his Catholic Royalist education and upbringing and instead embraced the ideals of republicanism and free thought.

Victor fell in love as a young man with his childhood friend, Adèle Foucher. They had five children together. His first child died as an infant. His eldest daughter, Leopoline drowned at the age of nineteen along with her husband who perished trying to rescue her. Hugo learned of her death while in traveling in the south of France with his mistress, learning about her death impersonally while reading a newspaper at a café. Hugo wrote many poems in honor of his daughter, but never quite recovered from her loss. Later in life, Hugo would also lose his two other sons and his wife.

When Napoleon III took power in 1851, Hugo left Paris and went into exile. He lived in Brussels, the Channel Islands and then to the smaller island of Guernsey in 1855. Although Napoleon III proclaimed a general amnesty in 1859 when Hugo could have returned to France had he wished, the author stayed in exile and refused to return until Napoleon III was forced from power as a result of the defeat of France in the Franco-Prussian War of 1870. After the Siege of Paris, Hugo returned to France where he remained for the rest of his life.

Hugo’s early work brought him fame at an early age. His first collection of poetry published when he was twenty years of age earned him a royal pension from Louis XVIII. His work was a reflection of the romanticism that was popular in France and combined with his new passion for Republicanism. Unfortunately, it was his political leanings that lean to his exile from his home country. However, as he continued to publish, he revealed himself to be a natural master of lyric and creative song. Much of Hugo’s poetry has been adapted to music and become the inspiration of many musicals and operas.

After the success of his poetry, Hugo began to work on longer works. His first full-length novel was The Hunchback of Notre-Dame. It shamed the city of Paris into restoring the Cathedral and it inspired a renewed appreciation for pre-Renaissance buildings which fueled the tourist trade for France.

The author began the planning for his next major novel which would feature social misery and injustice as early as the 1830s, but he would take seventeen years to complete the manuscript for Les Miserables and publish it in 1862. It was an instant success with the first installment of the novel, labeled: Fantine, to sell out within hours. The book would have an large impact on French society and the novel remains his most remembered work. It is celebrated around the globe and has been adapted for film, television and the stage. Les Miserables the Musical is one of the most long running musical productions in history. I’m sure the new Les Miserables motion picture will also be a huge success.

Les Miserables can be translated from the French as The Miserable, The Wretched, The Wretched Poor, or The Victims, but in English the publishers have chosen to keep it in its original French title. Even the musical is usually referred to as “Les Mis”. Perhaps the translation is too dour for popular tastes to describe what is considered one of the greatest novels of the nineteenth century. The story begins in 1815 and finishes in 1832 during the June Rebellion, the novel details the lives and interactions of several common people, focusing on the struggles of an ex-convict named Jean Valjean and the steps he takes to gain redemption. The story of Les Miserables is incredibly complex and details the misery that the common people of France lived in. From the corrupt innkeeper’s family, to Fantine who dies while trying to support her illegitimate child Cosette, to the struggles of Jean ValJean and his nemesis Javert, and finally the students who fight against the royalist army and lose their lives. The misery transforms into poetry and through their suffering you gain a sense of hope for the human race.

Perhaps the best description of this masterwork comes from Victor Hugo himself:

“So long as there shall exist, by virtue of law and custom, decrees of damnation pronounced by society, artificially creating hells amid the civilization of earth, and adding the element of human fate to divine destiny; so long as the three great problems of the century – the degradation of man through pauperism, the corruption of woman through hunger, the crippling of children through lack of light – are unsolved; so long as social asphyxia is possible in any part of the world; – in other words, and with a still wider significance, so long as ignorance and poverty exist on earth, books of the nature of Les Misérables cannot fail to be of use.”

Like many people, I saw the musical first before I read the book. The musical Les Miserables is a masterpiece in unto itself and it transformed me into a lover of live musical theater. I realize that many people do not go on to read the original novel by Hugo. I feel that this is a mistake. This is one of the greatest novels ever written and it is one that should be on your must read list. Do let those that say that this novel is another “book by some dead white guy” mislead you. The human condition is not dependent on race, century, or country, but it is a universal constant. Let the ideas of this long ago genius transport and change you as he has done for me.

Les Miserables Book CoverYou can find the complete unabridged version of Les Miserables free of charge at Project Gutenberg. Be warned, the full version is full of tangents and long passages about subjects that do not have direct bearing on the plot itself, however many of the subjects are quite fascinating. I feel it is worth the time and effort to read the full complete version of this work instead of the abridged version.

Author Interview: Christopher and Heather Dunbar

As an artisan jeweler, I often attend Renaissance Fairs and Highland Games to sell my wares. When I met Chris and Heather Dunbar via an online Writer’s Cabal, I was delighted to find two kindred souls that enjoy these venues much as I do. They’re genre is historical fantasy and their participation on the RenFaire circuit certainly helps them get into the spirit. I am delighted to feature them both here on No Wasted Ink.

Authors Heather and Chris DunbarI am Christopher Dunbar, and along with my wife Heather Poinsett Dunbar, I write the historical fantasy novels and other works of the Morrigan’s Brood Series. I also dabble in leatherwork and the playing of ancient musical instruments, such as the didgeridoo and the Djembe (from Ghana); lately, I have even taken up street performing during lunch outside of the building where I work in Downtown Houston.

When and why did you begin writing?

I began writing creatively, outside of school, after I met my wife-to-be. I wrote with her on a few projects, but she really drew me in when she needed help with her first book manuscript. I helped her revamp the plot, spice up the characters, and provide a masculine perspective for the men in the story. The funny thing is that the writing started before we got married, and we still write together. She really helped bring out lots of creativity in me that I did not know existed. Just look at my bio blurb…

When did you first consider yourself a writer?

I don’t consider myself a writer. Rather, I am a storyteller. Some the stories I tell are expressed through the written word… or sometimes with the spoken or the sung word, sometimes with music (although this is my weakest medium thus far, but I work at it), and of course sometimes through the Celtic knotwork in my leatherwork. Heather, however, I consider to be a writer. I think I first considered myself a storyteller when I could first string together elaborate fibs, that were obviously made up lies, to my parents, but they apparently found them entertaining.

Can you share a little about your current book with us?

The most current release from our series is Dark Alliance: Morrigan’s Brood Book III, although it is really the fourth book, counting the novella between books 2 and 3. Book 3 takes place in 801 CE, the year after Pope Leo III crowns Karl der Große Imperator Romanorum. Heather and I felt that the era of Charlemagne would be an excellent backdrop for our historical fantasy series… in fact, novels 3 through 8 take place during Charlemagne’s lifetime and even include him and Pope Leo III as characters. An eruption of heinous murders all across the empire cause ripples in the delicate balance between emperor and pope, bringing each closer to their doom, but only through the intervention of beneficent races of blood-drinkers will they have any hope of saving themselves.

What inspired you to write this book?

Heather and I felt that history glosses over Charlemagne the man… What kind of man was he? What kind of leader was he? What drove him to conquer? Who did he love? We wanted to delve into him and into his world. He is such a dynamic person that six of our novels will occur during his reign.

Do you have a specific writing style?

From a construction perspective, Heather and I have developed a style that creates one voice, rather than two. We both work together on the first pass of the manuscript, without editing, until we get to the end of the story, and then we rewrite and rewrite and rewrite. From a content perspective, our stories are journeys that enable the reader to explore other times and places as well as characters we hope people find dynamic… not just one- or two-dimensional. We also strive for a level of historical plausibility, if not accuracy.

How did you come up with the title of this book?

I think Heather came up with this one… In the story, two lines of blood-drinkers that were at war with one another in the previous two books find themselves with a common enemy. With that in mind, and considering that our blood-drinkers cannot come out at night, “Dark Alliance” seemed like a good title, especially considering the various meanings of ‘dark’, given the right context.

Is there a message in your novel that you want readers to grasp?

I am sure the novel contains several messages, both hidden and obvious… some intentional and some accidental. The fun is finding them, so I do not wish to cheat our readers out of their fun.

Are experiences in this book based on someone you know, or events in your own life?

The premise of the series is that these ancient lines of blood-drinkers have formed secret societies that are the powers behind kings, emperors, and popes, but that these lines are also in conflict with one another… so to are their mortal pawns. One has to wonder, given our current (and previous) political strife whether blood-drinkers are the puppet masters behind the scenes today… one wonders.

What authors have most influenced your life? What about them do you find inspiring?

I wouldn’t say that authors have influenced my life… perhaps my writing style or storytelling, but not my life. Some of my influences for storytelling include skits at the various powwows when I was in Indian Guides and reading about old Irish legends and tales. Influential authors include Jack London, Edgar Allen Poe, and H.G. Wells. I liked Wells. because he was far ahead of his time and could imagine worlds few others could fathom. Poe, I feel, can horrify with sweet words. I like London because he invented himself… he deliberately lived a tough life and wrote about it, I thought he wrote great adventure stories.

If you had to choose, is there a writer would you consider a mentor?

R.A. Salvatore. I met him at a book signing recently. He said to me that he started writing fantasy because he had read everything ‘fantasy’ out there and he wanted more. I told him I wrote historical fantasy because I don’t see a lot of good works from our ancient history out there. Some of our readers have compared our writing to his… I just smile. I have read most of his Forgotten Realms books, which I started reading in college, and I even got him to sign his first… my first of his. I think he would be a cool author to consider as a mentor.

Who designed the cover of your book? Why did you select this illustrator?

Khanada Taylor is the brilliant artist behind the cover art for all of our books thus far and to come. She has a keen ability to gleam the physical realities of form, color, and texture from the written word and depict them in a manner that conveys meanings both shallow and deep. Just a few observations off the top of my head from book three’s cover… a man, Mandubratius, is sitting casually in Charlemagne’s throne, dangling the Emperor’s crown on his toe, hefting the Emperor’s sword in his left hand, and with his right he dangles marionettes of Charlemagne and Pope Leo III… oh, and there is a mysterious black cat. In the background is the triskel of Morrigan’s Brood, which I helped draw. The cover contains lots of symbolism, if you know where to look. Khanada is also an activist for many good causes, as well as a dear friend.

Do you have any advice for other writers?

Work… hone your craft… learn, practice, do… and keep doing it. If you need something else to do for a bit, do something creative.

Do you have anything specific that you want to say to your readers?

Thank you for delving into the universe Heather and I have created, and we hope you enjoy your visit.

MBDA-Front-CoverHeather Poinsett Dunbar and Christopher Dunbar
Houston, Texas

She, the librarian-author, who once sauntered through the picturesque Epping Forest, danced around the awe-inspiring standing stones of Avebury, and traipsed through the misty moors and vales of Scotland, not knowing that her experiences in those mystical places would spark creative passions within. He, the often kilt-clad disaster prognosticator, leather smith, author, and pseudo-musician who never thought he possessed a creative bone within him, yet one woman encouraged his creativity to flourish. Together, they write.

Dark Alliance: Morrigan’s Brood Book III (paperback: 978-1-937341-20-6, Kindle: 978-1-937341-21-3, Nook: 978-1-937341-22-0)
Triscelle Publishing

Khanada Taylor: Cover Artist

Free ePub of Morrigan’s Brood Book I on Goodreads

AMAZON for Dark Alliance: Morrigan’s Brood Book III

BARNES & NOBLE for Dark Alliance: Morrigan’s Brood Book III

Book Review: A Christmas Carol

Book Name: A Christmas Carol
Author: Charles Dickens
First Published: 1843

Charles Dickens was thought of as the “literary colossus” of the Victorian age. He was an English writer and social critic who penned some of the world’s most memorable fictional characters and stories. During his lifetime his work enjoyed great popularity and fame and today his genius is recognized by critics and scholars everywhere.

Dickens began life by being forced to leave school to work in a factory pasting labels on pots of boot blacking for six shillings a week after his father was thrown into debtors’ prison. Soon after, his mother and younger siblings followed his father into the prison and young Charles was sent to live with an old woman that he later immortalized in one of his novels. Eventually, an inheritance was gained by his family and his father was able to be released from prison. The family all moved in with their friend Elizabeth Roylance and slowly regained a more normal life for themselves. However, his mother insisted that Charles continue to work in the factory. The boy was livid and it is thought that his views that men must be the master of their family and women keep their place in the household sphere was originated by this event. Dickens did gain a formal education of sorts, but most of his learning came by his own initiative.

As Dickens grew to adulthood, he found work as a clerk at the law office of Ellis and Blackmore. He taught himself shorthand in his spare time and soon after left the attorneys to become a freelance journalist. One of his relatives was also a reporter at Doctors’ Commons and offered to share his box so that Dickens could report on the legal proceedings there. Dickens remained for a period of four years. This hard knocks education was later incorporated into his novels such as Nicholas Nickleby, Dombey and Son and Bleak House, where the vivid portrayal of the bureaucracy of the English legal system did much to enlighten the general public of his time.

Dickens worked as a political reporter for many years until he landed the editors position at Bentley’s Miscellany where he wrote a serial known as the Pickwick Papers. During his time as editor, he also wrote his first novel, Oliver Twist, as a serial. He also wrote and oversaw four plays during this time period. Gradually, his success as a novelist began to grow and when he left Bentley’s Miscellany, he earned his income via his novels, all written in serial format for various publications and later converted into novel form, lectures and other philanthropic endeavors.

He met and married Catherine Hogarth and they had ten children together. Dickens edited a weekly journal for twenty years, wrote fifteen novels, hundreds of short stories and non-fiction articles. He lectured and campaigned for children’s rights, their education and other social reforms. He died at the age of 58 of a stroke and is buried in the Poet’s Corner of Westminster Abby in London, England.

Dickens’ novella, A Christmas Carol, is considered one of the most influential stories ever written. It remains as popular in present day as it did in Victorian times. The well known classic tale has a simple plot about how a man becomes mean spirited over time due to age and lack of human interaction. He is Ebenezer Scrooge, who has lost the joy of living and cares only for earning the cold hard dollar. Enter three ghosts, one of the past, one of the present, and one of the future. Ebenezer travels through time and space, to alternate realities and revisits key points in his life. In the end, the man that views Christmas as “bah humbug” is redeemed via positive choices in his life.

Charles Dickens weaves a tale that was unique to his time. During the rise of industrialization in England, the old traditions of agricultural society were on the wane. A Christmas Carol helped to rescue the holiday and set a guideline to the modern world of what the spirit of this holiday should mean. There are wonderful contrasts built into the story of hot/cold, company/loneliness, wealth/poverty, or heaven/hell, and throughout the novel are detailed descriptions of Christmas and what it means to those that celebrate it. Since he was writing during Victorian times when the concepts of Christianity were well known and understood by the general population, he did not spend much time in explaining quotations from the bible or talk about how Jesus was a part of Christmas. English Victorians would have understood these concepts without being reminded and so he allows religion to become more of a backdrop of his tale. I sometimes wonder if this is what makes this tale more powerful to us today in this more secular time when Christian ideas are not as prevalent in our public society.

The ghostly visitors that change Ebenezer’s life forever are not particularly Christian in nature. They simply offer him information that allows him to understand what he has done and what the consequences of those choices are. The ghost of Christmas past is youthful and spring like. Christmas Present is a happy spirit that simply wishes to spread joy. Christmas Yet To Be is a somber spirit, perhaps hinting at the bitter end that awaits Ebenezer if he does not see the error of his ways. One of the main Christian tenants is that a sinner may be redeemed if he honestly repents. The ghosts allow Ebenezer to make that choice for himself.

Like many people of my generation, I saw the movie first and then later live plays of this classic work before I read the actual novel. Through the various media, this tale has woven into our culture and has defined what we consider the spirit of Christmas to be. I understand that many people like to read this novel either to themselves or share it out loud with their families during the holiday season. I believe that it is a tradition that I will join in the future.

A Christmas Carol Book CoverThis classic novel is one of the very first that was transcribed from the bound paper version into ebook form. A Christmas Carol is available for free download at Project Gutenberg. The original illustrations by John Leech are included in the download.

Author Interview – Greg Stacey

Sometimes in life we all need a little adventure to get our blood moving. When that moment comes, I like to turn to a good action, adventure thriller. I met Greg Stacey online, as I do many of the authors that I interview here on No Wasted Ink, and I found his history and background to be well grounded for a thriller writer. I hope you’ll enjoy his interview!

Author Greg StaceyI was brought up in Wiltshire, England and have lived there for most of my life. I am very happily married and have three great kids. For most of my adult life, I worked as a Cognitive Behaviour Therapist in the National Health Service. I am a keen guitarist and have played in a number of blues and rock bands over the years, performing material written by myself and in collaboration with a long term friend and fellow musician. I have always enjoyed a good read and have very eclectic tastes, from classical to modern, fact to fiction. Currently I am writing full time, as I retired from the NHS last year.

When and why did you begin writing?

When I was in my teens, I wrote short stories and essays, several of which won prizes, so my writing aspirations go back a long way. As my professional career developed and family life became hectic, my writing took a back seat, but I continued to write articles, short stories for family and friends and develop ideas for future projects.

When did you first consider yourself a writer?

A difficult one to answer, but I guess when I was quite young, maybe early twenties, but other things took over. At the beginning of 2012, I really thought it was time to put pen to paper so to speak, and fulfil the ambition. I now consider it my primary occupation.

Can you share a little about your current book with us?

The Agnatum is an action, adventure thriller, set in the present day, but originating in World War Two, with the development of a ‘superweapon’ in the German Wunderwaffe programme, when Germany became increasingly frantic to devise new, powerful, and sometimes bizarre weapons that could turn the tide of the war in its favour. Germany’s desperation to create and develop new technologies pushed 1940’s science to the limit.

The Agnatum is the story of the development of such a weapon. Unable to complete their work before the conflict ends and the war is lost, a powerful group of Germans, the Agnatum, who planned a counter regime to the Nazi dictatorship in the final stages of the war, leave a legacy to their descendants to continue their work, in order to restore Germany’s former glory and supremacy. The eventual successful development of the superweapon ultimately threatens world stability by potentially forcing governments to capitulate to the demands of the merciless and cruel underground group.

The menace and danger that the Agnatum’s superweapon poses has to be countered. An international intelligence organisation, Strategic Intelligence and Defence ©, SIAD for short, is charged with the task, under the leadership of the charismatic central character, Nathan Stone. Stone, aided by a trusted and dependable colleague, Spencer White, and a former lover, Dr Georgie Manston, heads up an experienced team of skilled professionals to track down those behind the plot and thwart their ambitions, taking them across Europe, the Mediterranean and the Middle East.

What inspired you to write this book? Do you have a specific writing style?

I had been trying to write a science fiction novel for several years, but for whatever reason it never came to life on paper, so I started afresh. The Agnatum came out of a conversation I was having with my son after watching a television programme about the weapons Germany worked on towards the end of WW2. I think he said something like ‘what would have happened if they had got them to work?’ – That was enough to spark an idea that then became the story of the Agnatum.

How did you come up with the title of this book?

The original title was very different. Once I was about a third of the way through and the plot began to evolve, I needed a name for the organisation developing the superweapon. They were Germans, but not Nazis, so they had to be some sort of offshoot from the established Nazi regime in World War 2. I looked up various translations for offshoot and eventually came up with the Latin – Agnatum – and it sounded pretty cool.

Is there a message in your novel that you want readers to grasp?

Again, a difficult question – I suppose I wanted people to think in a ‘what if?’ way. What if they had completed the weapon during the war? What if they had succeeded in the present day? If there is a message or a warning, it’s from the past, but unfortunately it’s a message that we either haven’t received yet or taken heed of – not to allow prejudices, fears and greed to influence our decisions or the paths we take.

Are experiences in this book based on someone you know, or events in your own life?

In all honesty, I would have to say no. this is a pure adventure thriller, designed to take one out of oneself on a fictitious journey – pure escapism – apart from perhaps the message above!

What authors have most influenced your life? What about them do you find inspiring?

Graham Greene, Tom Clancy, Clive Cussler, Shakespeare, Bob Dylan, Ernest Hemingway, Kathy Reichs, F Scott Fitzgerald, Ian Fleming – the list could go on forever. I like reading – pretty much everything, although, as you can probably tell, I am very partial to adventure tales. What do I find in them that’s inspiring? Wit, intelligence, integrity, honesty, humour and a determination to tell a good story.

If you had to choose, is there a writer would you consider a mentor?

If talking about the action adventure genre, I would have to say Clive Cussler. Cussler is always a great read and has an ability to keep coming up with good adventure books, even if they are themed. He may not be Shakespeare, but he is, in my humble opinion, an excellent storyteller.

Who designed the cover of your book? Why did you select this illustrator?

I have to take the credit for the cover. Besides writing, I am a very keen amateur photographer. The cover is a composite, created using photographic software and themed around the story.

Do you have any advice for other writers?

I am not sure that I would want to give another writer advice at this stage in my writing career, but what I would say is that if you have a story to tell, or passion for writing, then go for it. There is nothing to lose in trying. Writing is a skill that has to be mastered. I feel I am still at the beginning of that road and have a lot to learn, but it is immensely rewarding personally and well worth the blood, sweat and tears in trying to produce something you can be proud of yourself and that others will hopefully enjoy.

Do you have anything specific that you want to say to your readers?

Only that I sincerely hope you enjoy The Agnatum, for what it is, a story. There may be messages within it, for others better than me to identify perhaps, but what I wanted to produce was a good old fashioned adventure tale that someone can’t put down until they have read the last page.

Book Cover The AgnatumGreg Stacey
Wiltshire, England.

I enjoy writing action, adventure thrillers. I am an admirer of Ian Fleming’s books – descriptive, but without being overly so, leaving something to the reader’s imagination. I love a good story, in perhaps a more old fashioned way, not too high tec, so that everything remains believable, or nearly so.

The Agnatum – available on Kindle
Cover Art: Greg Stacey