Tag Archives: horror

Author Interview: Jeannie Wycherley

Losing herself in an imaginary world is quite possibly the best thing that has ever happened to Author Jeannie Wycherley. She  can travel far and wide with an array of wonderful people and creatures and when it gets interesting, she can share it with everyone else. Bliss!  Please welcome Jeannie to No Wasted Ink.

I’m Jeannie Wycherley. I live by the sea in East Devon in the south-west of the UK. Over the years I’ve worked as an academic, a waitress, a library assistant and as a stage manager. I have a doctorate in modern and contemporary British social history. I run a seaside gift shop with my husband (or try to at the moment, things are not great). I have two dogs that I love above all creatures and I’m fanatical about forests and wildlife.

When and why did you begin writing?

I always loved to write but I lost the urge when I started working. I was busy, I was young, I had a life. Then in 2010, during counselling for a bout of depression, I uncovered my desperate need for creativity. I started to fiddle with words again and wrote a play that was performed by a local theatre company. I then found an online virtual writing bootcamp in June 2012 with a group called Urban Writers. I loved it! There were lots of exercises to do, something everyday, and by the end of the month I had a long short story that I was quite proud of. After that I began to write every day. It became a habit. I submitted short stories everywhere and gathered quite a collection.

I took part in the Six-Month Novel challenge, again with Urban Writers, and produced my first novel. It has never seen the light of day, but I proved I could do it.

I was made redundant in September 2012 and over the next few years, I balanced freelance copywriting work and working in our gift shop with my creative writing.

When did you first consider yourself a writer?

Relatively recently! I published two novels, Crone (2017) and Beyond the Veil (2018) but felt like an impostor. It wasn’t until I started to work on my Wonky Inn series (first published September 2018), when the writing and the characters totally consumed me, that I realised I was a proper writer. Now I drive my husband mad because I don’t talk about anything else. He’s currently in the process of getting a proofreading qualification so he can help me out!

Can you share a little about your current book with us?

It’s called The Municipality of Lost Souls and, put simply, it’s a ghost story where some dead sailors want vengeance for their wrongful deaths. But it’s far more complex. It’s about greed, power and manipulation, love, lust and loss. It’s about the way we treat others. It has shades of Jamaica Inn and The Old Curiosity Shop and The Woman in White about it.

What inspired you to write this book?

It started life as a short story, published by the Society for Misfit Stories. It was a story that would not let me go. I knew there was far more to it, but the complexity of it put me off. It requires quite an ensemble of characters and that proved difficult to balance at times. I take much inspiration from the landscape around me. The town of Durscombe—a fictional name—is based on Sidmouth, where I live. I wanted to write about the power of the sea and have this kaleidoscope of people’s lives unfold in front of a tempestuous, glowering backdrop.

Do you have a specific writing style?

People have often remarked how immersive my descriptions are, that reading my work, whether it’s dark fantasy or cozy mystery, is a little like going to the cinema. They can see the world through my eyes.

How did you come up with the title of this book?

I have absolutely no idea! It just popped into my head. I have had some criticism for it, because of its length, but to me, The Municipality of Lost Souls, has a whole different meaning to Lost Souls. It adds place, context, era and specificity. There are so many lost souls in this book, but the most important ones, are in the town.
Is there a message in your novel that you want readers to grasp?
Yes, but it’s not spelled out. Part of me wants readers to understand what drove me to produce this story, but not everyone will. I’m perfectly happy if they read it and enjoy it without getting ‘it’, though.

Are experiences in this book based on someone you know, or events in your own life?

I’m getting on. I’ve seen a lot. I’ve experienced a lot. I’ve observed a lot. I’m ravenous for people-watching. Obviously, this is a historical fantasy novel, so it’s not true to life, but I’ve used my experience as a historian to add flesh to the bones. I like my characters to be flawed. This bunch certainly are!

What authors have most influenced your life? What about them do you find inspiring?

So many. I drew on my love of Charles Dickens and Wilkie Collins for The Municipality of Lost Souls. I love their use of language. Both of these writers have wonderful villains too. Dastardly! I have several Dickensian type villains in this novel. I would add Elizabeth Gaskell and Edith Wharton to that list too. Gaskell is my favourite author of all time. She has a gentle touch, but she really packed a punch when it came to unpicking the social issues of the day.

Who designed the cover of your book? Why did you select this illustrator?

The beautiful cover was designed by Anika Willmanns of Ravenborn Covers. She does the most magnificent work. I wanted something ghostly and tempestuous and I wanted to show vulnerability. I think Anika did an amazing job.

Do you have any advice for other writers?

Commit! And believe in yourself.

Do you have anything specific that you want to say to your readers?

Thanks so much for reading! I can never quite get over the fact that people actually read my words! I’ve never been happier and it’s entirely down to people like you!

Lost Souls Book CoverJeannie Wycherley
Sidmouth, East Devon, UK

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The Municipality of Lost Souls

Cover Artist:  Anika Willmanns

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Author Interview: Lisanne Harrington

I met Author Lisanne Harrington at a book signing event.  She is a lovely lady and a fine author.  Please welcome her to No Wasted Ink.

My name is Lisanne Harrington. After nearly twenty years as a paralegal, I staged a coup and left the straight-laced corporate world behind forever. I now pander to my muse, a sarcastic little so-and-so. Only copious amounts of Diet Cherry Dr. Pepper and hamburgers will get him to fill my head with stories of serial killers, werewolves, and the things that live under your bed.

When not writing, I love to watch reruns of Gilmore Girls (although I hated the movies), horror movies like Young Frankenstein and Fido, and true crime shows. I like scary clowns, coffee with flavored creamer, and hot, salty French fries. Lots and lots of French fries.

When not hanging with “The Girls,” I write paranormal mysteries and murder mysteries.

I live in SoCal with my husband and rowdy, always-has-to-have-the-last-word Miniature Pinscher, Fiona.

When and why did you begin writing?

I’ve always been a big reader, so it just seemed a natural transition to writing. I started with short stories as a small child and co-wrote my first novel when I was 11. It then progressed from there and has become a part of me. When not writing, I feel incomplete.

When did you first consider yourself a writer?

To me, being a writer is a little different than being an author. Like I said above, I’ve always been a writer, but I didn’t consider myself an actual author until my first book, Moonspell, was accepted for publication sometime in the beginning of 2015.

Can you share a little about your current book with us?

The one that has recently been published wraps up my Wolf Creek Mystery Series. Moon Shadows continues the story of James Manarro, who wakes up to a strange world in which nothing makes sense. As if it isn’t bad enough that a werewolf had stocked the town of Wolf Creek and James had to kill it, or that James is dealing with very real teen issues, now the whole world is silent, and everyone—his parents, neighbors, and friends—seems to have disappeared. Then he hears a voice, one he can’t possibly hear because it belongs to his best friend, Riff, who has been dead for over three years, killed by the first werewolf to attack the town. But when James runs out to find Riff, he is plunged into a world of darkness filled with monsters determined to kill him once and for all.

The one I’m working on right now started out as a killer clown story but has morphed into a tale about an ancient Chinese mythological creature that appears every 44 years to terrorize a town.

What inspired you to write this book?

The Wolf Creek Mysteries were originally conceived as a trilogy, so Moon Shadows is the third installment. It picks up right where Book 2, Moon Watch, leaves off, and is really a continuation of that storyline.

The one I’m writing now has a protagonist based on my bestie, who wanted to be put into one of my books, and coincidentally, is the same one I co-wrote my first novel with. We’ve been friends over 50 years! She’s half Chinese, and her father immigrated from China when he was 14 and alone, and I used that as the stepping off point. While researching some elements of a killer clown story based on all the evil clown sightings from a few years ago, I came across this particular beast and knew I just had to write about it. I’m saving the killer clown story for later. 

How did you come up with the title of this book?

Titles are generally difficult for me, so I leave them until the novel is complete. Since Moon Shadows has an eerie, shadowy fog shrouding the town, it seemed only natural when I was done to have shadows in the title, so in keeping with the “Moon” theme, this one was easy.

As for the Chinese mythological creature, we’ll just have to wait and see what it calls itself…

Is there a message in your novel that you want readers to grasp?

The entire trilogy explores the world, how we see ourselves, how others perceive us, and how we are all similar and go through many of the same experiences.

In my current WIP, I’m sure there will be some sort of message, but since I’m only a few chapters in, only time will tell what it might be.

What authors have most influenced your life? What about them do you find inspiring?

Bentley Little really knows how to weave a terrifying tale based on normal people and events, surrounded by true elements of horror. Stephen King writes wonderfully three-dimensional characters that could very well be your friends and neighbors.

If you had to choose, is there a writer would you consider a mentor? Why?

New York Times bestselling author Bonnie Hearn Hill was my first online writing teacher and has since become a friend. She helped me fill my toolbox with all the things I need to write a good story and weave in a mystery or two along the way. Her students have all been filleted by her critiques, which she gives honestly but with love and a sincere desire to help.

Do you have any advice for other writers?

Forget about writing what you know. That’s not necessary now that research on the Internet is so readily available. Read everything you can, especially in the genre you write. Know the tropes and stereotypes and try to stay away from them if you can. If not, you need a unique spin on them. Sharpen the tools you have and always always always explore new ways to grow as a writer.

Do you have anything specific that you want to say to your readers?

Just that I hope they enjoy my stories and will check out my Wolf Creek Mysteries series. Also, there’s a Monster blog on my website, if they’re interested.

Be sure to look for my upcoming murder mystery, Murder in the Family (no creatures involved), and my newest horror story, Gravelings, both due out in 2018. And check out my Chinese beast story sometime after that!

Also, I would love to hear from them. They can contact me at wolfcreek.projects@gmail.com.

Lisanne Harrington
Southern California

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The Wolf Creek Mystery Series

Publisher:  Black Opal Books

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Anthology For Your Writers’ Group by April Grey

magazine rack
Photo by Charisse Kenion on Unsplash

Could you, should you, dare you, put together an anthology for your writers’ group?

In this age of Internet and computers, we all know how easy it is to publish online. Just hit “send.” However, putting together an anthology (ebook and/or paper) for your writers’ group may take a bit more effort.

For me, a love of learning led me to take classes from Dean Wesley Smith
http://www.deanwesleysmith.com/online-workshops, in how to create a book cover and how to format a book interior. Easy Peasy? Hmmm. Well, there are many You Tubes that teach you how to do formatting and design, so yes, with a little determination and time you can do it.

Although the how to’s is something that almost anyone can do, coming up with material—that’s where having a pool of creative people is vital.

The first anthology I put together was inspired by our local community garden, along with two stories about gardens from writers I knew. I’ve been involved in SF, Fantasy and Horror workshops since the early 90’s, both on-line and in real life and so would read many, many stories a year to give crit. In return I also got my stories reviewed.

Once the idea to put together an anthology came to me, I asked of the writers in my circle if they had any stories about gardens, gardeners or gardening. I pulled together six stories. Not a lot of material, but I was thinking this could be a promotional item. I included excerpts of material from the writers. Six stories transformed into twelve! I’d seen samplers from all sorts of publishing houses.

Besides years of critting, I was an editor for Damnation Press. This rewarding work allowed me to get to know an even larger circle of writers than from my writing groups.

My second anthology was again inspired by events in my life. Cronehood isn’t for the fainthearted. This time I had ten stories to go together. Instead of photoshopping a cover all by myself, I enlisted the work of Dirk Strangely. I have long been a fan of his Tim Burtonesque style, and I figured why not splurge and send some money his way? I’ve used his artwork for four of my covers.

We all know that a cover can make or break a book. Of course, what’s between the covers matters a great deal, but it’s the cover that lures the reader in to crack open the book or read an on-line sample.

Wonderful cover art, great stories, a formatter, and an editor. That’s it. For ebooks, Smashwords is extremely user friendly. Createspace’s customer service is great (though I always fight with them about the spine—that’s for another blog).

I haven’t mentioned publicity, maybe because that’s my least favorite bit. Word of mouth, blog hops, reviews, all of this needs to be done both leading up to release and after publication. Since this is being done not to get rich, but to promote your writing group, that you really need to have group support in getting the word out that your anthology is a must-read among a sea of other self-published works.

Another thing needed is a theme. Most anthologies have one. So far the Hell’s series has focused on gardens, crones, pets, and music. All the stories are more dark fantasy and humor than horror and can appeal to a wide audience.

Recently I was fortunate enough to be co-editor of our local Horror Writers Association’s anthology, New York State of Fright. It’s at its publisher right now and should be out in 2018. I’m very excited to see that work of so many writers who I have known for years and greatly respect. The theme is centered on New York and it is a varied and exciting read!

I hope that this has gotten you thinking about your own writers’ group. Great stories and cover art are the biggest factors. If you have that, then you should consider this as a great project for the new year!


Author April GreyApril Grey’s short stories are collected in The Fairy Cake Bakeshop and in I’ll Love You Forever. She is also the author of two urban fantasy novels: Chasing the Trickster and its sequel, St. Nick’s Favor.

She edited the anthologies: Hell’s Bells: Wicked Tunes, Mad Musicians and Cursed Instruments; Hell’s Garden: Mad, Bad and Ghostly Gardeners, Hell’s Grannies: Kickass Tales of the Crone and last year’s, Hell’s Kitties and Other Beastly Beasts.

She and her family live in Hell’s Kitchen, NYC in a building next to a bedeviled garden. Gremlins, sprites or pixies, something mischievous, lurks therein. Someday she’ll find out. Please visit www.aprilgrey.blogspot for her latest news.  Follow her on Twitter and FaceBook

Author Interview: Gareth Wood

Author Gareth Wood writes Science Fiction and Horror, and one day hopes to combine the two. “I have ideas all the time, and write them down so that I can re-examine them later. Hopefully one or two will become books.” We hope so too, Gareth. Welcome to No Wasted Ink.

Author Gareth WoodHi, I’m Gareth Wood. I’m a commercial electrician who works in the film and television industry. I was born in England but I live in Vancouver BC. I’m nearly fifty, I live with my wife and a pair of cats who remain convinced that we are purely there to serve them.

When and why did you begin writing?

My first short story that was anything other than a jumble of ideas was written when I was about ten years old. It was a class assignment in school, to write an original short story, and I loved it so much that I never stopped. What I wrote then was a short SF piece. My love of SF started with books I found in my school library, and an SF themed children’s magazine that my mother subscribed to.

When did you first consider yourself a writer?

That would be 2004. I had written on and off for many years before that, but I first had something considered for publication then. That was when I gave serious thought to actually writing something with the idea of having it published. Before that, it had all just been for fun, my own amusement. Now with four books published, and a fifth and sixth coming, I think I can safely call myself a writer.

Can you share a little about your current book with us?

My latest published work is Black Horizon, the first of a trilogy. It is an SF tale about a clash of cultures, set 350 years after an apocalyptic war on Earth. Several astronauts return to Earth to find it drastically changed. I’m writing the follow-up book, The Serpent Sun, which introduces an advanced culture that spans a vast amount of territory, and also expands on the events taking place on and around Earth.

What inspired you to write this book?

I had recently re-read some books set on an post-apocalyptic Earth far in the future and was inspired by the idea that the world could change quite drastically in a short time. I had always wanted to return to SF, ever since that first short story so long ago. The title of the book and a scene associated with it came to me, and I went from there. Further inspiration came from some of the more realistic SF movies I’ve seen recently, as well as some old westerns. Black Horizon was once described by a reader as Zane Grey meets Heinlein.

Do you have a specific writing style?

Evolving. I feel I am getting better as a writer from book to book. It’s a skill like any other. Looking back I can see differences between what I wrote in my first book and my third and fourth, and now my fifth. I can say that a reader might be better able to describe my style than I could. Also, I try to write by hand for first drafts and then transfer my notes to the computer for the second. I find this works better for me since a lot of my time to write is when I’m away from my computer.

How did you come up with the title of this book?

I had a scene in my mind, playing out like a movie. I could see the characters involved and the environment they were interacting with, and the name of the book sprang from that. That seems to be the way I get my titles. Likewise, the name of the next book, The Serpent Sun, is a visual descriptive of a specific scene in that book. I see the scenes much like films playing in my mind.

Is there a message in your novel that you want readers to grasp?

Not particularly. I write adventures, so maybe ‘enjoy the ride’ is the message?

Are experiences in this book based on someone you know or events in your own life?

Not at all. Before Black Horizon I wrote zombie apocalypse fiction, which I would not hope to be real in any way. For the books I write now, which are slightly hard SF, I’m making a lot of it up as I go, and it has no basis in my reality. Though if it did, that would be interesting. I think I’ve created a world of great hope and potential in Black Horizon, even if it is steeped in conflict

What authors have most influenced your life? What about them do you find inspiring?

Andre Norton, whom I read early in life and still do. Anne McCaffery, who wrote some incredible science fantasy tales. Arthur C Clarke, whose hard SF books made me see the beauty of science. Iain M Banks, who was the kind of author I aspire to become. Stephen King, who scared me. Dan Simmons, for writing some of the most elegant prose about transhumanism. Craig DiLouie, for showing how to write a great action story. And of course Sterling Lanier, whose Hiero books inspired me from the very beginning.

If you had to choose, is there a writer would you consider a mentor? Why?

Ah, that’s a hard one. If I could choose? Whom I most want to be like, and whose style I aspire to? Iain M Banks. The Culture books were awe-inspiring. His style and descriptive abilities were second-to-none. I think I would be quite happy to one day reach that level.

Who designed the cover of your book? Why did you select this illustrator?

Loraine Van Tonder. My publisher selected her, and I’m glad they did. I wouldn’t have known where to start, and she did an excellent job with Black Horizon, and I can’t wait to see what she comes up with for The Serpent Sun.

Do you have any advice for other writers?

Write when and where you can. It’s tough these days juggling the writing impulse with working and living our regular lives. I manage to write by having notebooks that I carry around, or by using a writing app on my phone. It’s not always possible to write every day, but don’t worry about that. Write when you can, where you can, and as much as you feel able to. If that’s ten words or ten thousand, it’s correct.

Do you have anything specific that you want to say to your readers?

Thank you for allowing me to entertain you.

Black Horizon Book CoverGareth Wood
Vancouver, BC, Canada

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Cover Artist: Loraine Van Tonder
Publisher: Burning Willow Press

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Lit Up OC: Author Open Mic

Kean Coffee Tustin 2
Kean Coffee in Tustin, CA

I drove down the country road with anticipation, a small box of my books in the trunk of my vehicle and wearing comfortable, but nice clothing. I did my best to quell my nerves and remind myself that I’ve done this before, but it had been almost a year since I last performed an author reading in public. I felt that I might be rusty. This was no ordinary author series either. It was Lit Up OC, the series attached to my local writing guild and most of my writer friends attend it. Would I lose my voice? Would I blank out when my friends grilled me with writing questions that would go far beyond a typical layperson? Of the three authors reading, which one would I be? First? Last? I wasn’t sure.

What is Lit Up OC

I stumbled upon Lit Up OC around two years ago. It is a monthly reading series in Southern California located at Keans Coffee in Tustin. Local writers hang out with their coffee and tea while three authors read excerpts from their novels or a short story. Represented genre include mysteries, thrillers, science fiction, fantasy, literary, memoir, you name it. You never know what is coming next. There are many events like this in nearby Los Angeles, but Lit Up OC is the only reading series I know of in Orange County. Our host, Madeline Tighe Margarita is the creator and organizer of the event. She handles the author introductions. Asks questions of the audience afterward about what they heard and what their impressions were in critique style. Then moderates a general question and answer session between the author and audience.

What I Read

Murder They Wrote Book Cover (blog)In December of 2017, I had a story included in a horror anthology called “Murder They Wrote” put out by Serial Sikk Publishing. The theme of the collection was speculative fiction that included a murder. My story, “We Can Rebuild Him” began as a writing prompt from an online science fiction writing club. The prompt was to write a story about a cyborg. I combined the prompt with the feelings I felt when watching the Kevin Bacon movie “Taking Chance”. It features an American escort officer returning the body of a soldier to his family. I combined this with ideas about cyborgs that I had gleaned from panels at science fiction conventions. The result was psychologically dark and although it was not technically about murder, it fits with the bloody theme of the anthology.

I read the entire story to the audience. My goal was not to sell books per se, it was for me to get out and perform a reading for the first time in almost a year. I practiced all week. Developing different inflections for the characters. Where to put in pauses for emphasis. Making sure that all technical terms flowed with proper pronunciations. Everything that I could do to make a good first impression of my writing to my peers.

What Questions Were Asked

Wendy Reads at Lit Up OC - Jan 2018
Wendy Van Camp Reads at Lit Up OC

After the reading, Maddie conducts a question and answer session. The first part of the session she asks the audience about what they heard during the reading and their thoughts about it. Considering most of the audience are authors, some with multiple books, the comments can be extremely technical and difficult to answer on the fly. I prepared to answer typical questions at the reading. The inspiration for the story. My writing voice. Experiences on the science fiction convention circuit. What national author guilds I belong to and why. The audience asked all that and more.

I’m told that I appeared articulate and that my reading was entertaining, even with the dark subject matter. Many were surprised that I had written a story in the horror genre.

I feel that “We Can Rebuild Him” is a good story to perform and I plan on using it as my main piece at the various readings I will do at conventions this year. While I don’t write dark, horror pieces as a general rule, it still showcases my current skill level as an author. If you are planning on attending WorldCon, you will hear me read this story at the Broad Universe Rapid Fire Reading.

Kean Coffee Reading Audience 2
Lit Up OC Audience

Why Do Readings?

Many writers are introverts who feel anxiety standing up in front of people. I can sympathize with that. When I was a beginning teacher, standing in front of 30 teenagers and trying to convey English, History or Math to them, I felt challenged. Over time, I learned to be more comfortable in front of a classroom and to speak in a manner that is engaging enough to hold the attention of teenagers. If you can do that, you can speak to anyone! An easier way to learn this skill is to join the Toastmasters in your local area. There will be fewer spitballs on your back that way!

As an author, I like to find opportunities to be in front of potential readers and give them a sample of my work. This is why I attend book fairs, do readings at science fiction conventions, and read at local salons. When you get a chance to meet readers in person, you learn things about your own work or help you match the expectations of your target audience. While these events provide me with a place to do sales of my books, that is not my main focus. I am there to make an impression on readers in the hope that they will remember me later when looking for a new author to read. Not to mention, have a good time.

Final Word

Wendy Van Camp and Maddie at Lit Up OC
Host Maddie Margarita and Author Wendy Van Camp

Being the first to read, I was able to relax and enjoy the other two writers that night.  Both were accomplished authors and I enjoyed hearing their work. Afterward, I met people that came to hear me and to purchase signed books. I’m glad that I finally gave in to Maddie’s offer to read at Lit Up OC. It was a great experience and I hope to be back again once I complete my science fiction novel. However, I will be grateful that the next time I’m at the event, I will be in the audience posing “difficult” questions to the next set of authors!