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Book Review: Fahrenheit 451

Book Name: Fahrenheit 451
Author: Ray Bradbury
First Published: 1953

Ray Bradbury was an American fantasy, science fiction, and mystery fiction writer. He was known for his dystopian novel Fahrenheit 451 and for the science fiction and horror stories gathered together in The Martian Chronicles and The Illustrated Man. Many of Bradbury’s works have been adapted into television and films and he has left his stamp on the science fiction and fantasy genres as one of the masters other authors set their own standards by.

Bradbury was born in the mid-west, but his family moved back and forth between Waukegan, Illinios and Tucson, Arizona for most of his formative years. When Bradbury was fourteen, his family settled in Los Angeles, California and he remained in the Southern California area for much of his life. Bradbury was a reader and writer throughout his youth. He claimed that he was inspired by Edgar Rice Burroughs and his John Carter of Mars series and even wrote a fanfiction based on those tales at the age of twelve. However, he cited H.G. Wells and Jules Verne as his biggest science fiction influences, followed by Robert A. Heinlein, Arthur C. Clarke, Theodore Sturgeon, and A. E. van Vogt. As Bradbury matured, he drew more from the style and works of Alexander Pope and poet John Donne. When later asked about the lyrical nature of his prose, Bradbury replied that it came, “From reading so much poetry every day of my life. My favorite writers have been those who’ve said things well.” He also has said, “If you’re reluctant to weep, you won’t live a full and complete life.”

Bradbury did not go to college and instead took a job selling newspapers once he graduated from high school. He said of this time, “Libraries raised me. I don’t believe in colleges and universities. I believe in libraries because most students don’t have any money. When I graduated from high school, it was during the Depression and we had no money. I couldn’t go to college, so I went to the library three days a week for 10 years.” In fact, Bradbury wrote Fahrenheit 451 at the UCLA’s Powell Library where he rented a typewriter in one of their study rooms. The rental rate for completing the entire novel was around $9.80 since the rental of the manual typewriter was ten cents per half hour.

Ray Bradbury lived at home until the age of twenty-seven when he married his sweetheart, Marguerite McClure. They had four children together. He was an active member of Los Angeles Science Fiction Society where he made his first connections in the writing community of Los Angeles. From these connections, he began to meet publishers and gained a following for his work that now spans the globe. Bradbury is credited with writing 27 novels and over 600 short stories. More than eight million copies of his works, published in over 36 languages, have been sold around the world.

In his later years, Ray Bradbury became a well sought out speaker at literary events in the Southern California area. He never obtained a driver’s license and did not enjoy travel. It was well known on the speaker circuit, if you wanted Ray Bradbury to speak at your event, you had best arrange to have a driver come and get him. I regret that I did not take the opportunity to meet Mr. Bradbury in person before he passed away in December of 2011. He was a favorite on the literary speaker’s circuit in Southern California and I personally know many writers that consider him to be an inspiration and mentor, in fact, my own writing society meets in a public library room dedicated to his name. Mr. Bradbury’s burial place is in Los Angeles with a headstone that reads “Author of Fahrenheit 451”. This one novel was his favorite and the one that he was likely the most proud of.

Fahrenheit 451 is a novel that has many layers. On the surface, it is the story of Guy Montag. He is a fireman, but instead of putting out fires, his job is to seek out books, which are forbidden due to his society’s views as their being the source of all unhappiness and discord, and burn them to cinders. One day on the job, he picks up a book and instead of burning it, it reads it. His life is transformed. Now, instead of being a normal part of his society, he is a dissent who wishes to protect and preserve these ideas and words from the past until a new generation may come to pass that will appreciate these pearls of wisdom hidden in books. He discovers a group of people that have memorized the books of the ages and repeat them orally in order to preserve the words in a way that their society can not destroy.

However, is this really what this classic novel is all about? Is it all censorship and book burning? Bradbury predicted a future where people wore radios that plugged their ears to the world around them so that they would focus on the world of media only. A concept that is a precursor to iPods and smartphones where the world of social media becomes as important to us as the physical world outside. In the novel, walls of televisions soothed the souls of people that only wanted to be happy and not look too closely at what was happening around them. They did not think for themselves, but rather based their views on what was fed to them by their media. With our giant HD television sets and giant computer monitors, it could be a mirror of how people perceive the world of today. The burning of books by Fireman Montag almost seems a throw away plot to the theme that is placed under the fast paced action of this story.

Bradbury always claimed that this was not a book about censorship, which the burning of books suggests, but rather a social commentary about what happens when society presses in and takes away individual freedom and thought. In the world of Guy Montag books were ultimately banned because they made people feel “bad” or insulted some minority group. Individual expression or original thinking was not encouraged. I sometimes can see in my mind Ray Bradbury typing away at the public library as he writes this book. He was a child who could not afford to go to college, to be molded by society. He was an independent thinker who took his views from the tomes that surrounded him in his library setting. I can understand his love of books and the value of treasuring what went on in the past in the way that it was preserved by previous generations and taking from it ideas to change our own futures. To allow the quiet of a book speak to you in ways that social media can not.

Fahenheit 451 Book CoverFahrenheit 451 is not in the public domain, so you will need to purchase it at your local bookstore or online. It is frequently found at your local library to borrow for free. When the publishing rights for Fahrenheit 451 came up for renewal in December 2011, just before Bradbury’s death, he allowed that the work could be published as an ebook provided that the publisher, Simon & Schuster, would allow the novel to be digitally downloaded by any library patron. The title remains the only book in the Simon & Schuster catalog where this is possible.

Author Interview: Scott Dutton

Due to my love of the work of Edgar Rich Burroughs, I came across Scott’s novel, Return to Barsoom and fell in love with it. Thankfully, Scott has agreed to share more about his work and his insights as an author here on No Wasted Ink.

Author Scott DuttonMy name is Scott Dutton. I primarily practice as an art director/graphic designer. I have considerable experience in magazines, and currently work in marketing in a corporate environment. Outside of that, I am one of the many designers moving to ebooks as part of the future of publishing. I intend to create and design my own written/illustrated works, as well as providing packaging services to authors that understand the business advantage quality design brings to the marketplace.

When and why did you begin writing?

Storytelling has always been central to my life. I was fascinated with the science fiction and fantasy television shows of the 60s and 70s, Star Trek, Irwin Allen’s shows, and so on and that led directly into comic books. I started drawing and creating my own stories to entertain myself, and showed a talent for writing that was encouraged by teachers. It wasn’t until I got into my early teens that I began writing and drawing my own comics.

I went to art school for my training in design and illustration, and throughout my 20s worked part-time in comics, but was not overly successful at it. It wasn’t until I self-published my own work as part of the small press that I found my voice. During this time, I also did straight prose work, but lacked the focus to finish anything substantial.

Can you share a little about your current book with us?

Return to Barsoom was one of those projects started in my early 20s. I worked on it off and on for about 20 years, finally finishing it in 2009. It served two purposes, bringing my ideas to Burroughs’ world and to demonstrate my design capabilities to the emerging ebook design market.

What inspired you to write this book?

I very much loved reading Burroughs’ books, beginning with Tarzan of the Apes when I was 12. Later, I read the John Carter of Mars series and the bulk of his other works. By far, I felt his best concepts and a continuing freshness were found in the Mars series.

As I talk about on the book’s page on my site I loved the books, and it’s natural if you immerse yourself in that world to think about what you might do with it if you made it your own. There are a lot of pastiches out there that play out very closely to how Burroughs’ thought of the world. They choose to be reverential to the original stories. That’s a valid approach. For myself, I thought that would be a bit constraining and unremarkable at that time.

We’re now a hundred years beyond the society that created John Carter of Mars, and much of how we view our place in the world has changed. I describe Burroughs’ approach as colonial fiction; the virtuous western man will invariably rise to the top over other cultures. In Tarzan, it was over the apes and black African culture. In John Carter, it is the decaying and warring factions of red and green men.

Having come of age in the latter part of the 20th century, I think we now know the myth of western superiority, or at least we should.

That fit in with what we know about the real Mars. If you start from the position that we’ve lost contact with Mars since the 1940s (the last Burroughs story), and we know our Mars is a cold, desolate place, it brings some mystery and a chance to discover what happened since then for new and old readers alike. It also allows me as a writer to reset that world’s culture and assumptions. That was what inspired me: how could I respect what Burroughs had created, while bringing a modern or post-modern reality to how we think of people. What does an adventure story look like when you apply that to it?

Did you need any special permissions in order to write a story based on the Barsoom series by Edgar Rice Burroughs?

If I was intending to commercialize my Barsoom books, yes, but there are no restrictions in writing your own versions to be distributed freely. There’s a long tradition of fan fiction, and as long as you’re not taking a bite out of the rights holders’ pie, they’re likely to leave you alone. By comparison, Dynamite Comics is being sued for unfair competition with their Tarzan and Mars comics. And as far as I know, Simon & Schuster haven’t come under fire yet for their original Under the Moons of Mars collection.

I prefer to play things pretty straight, and see myself falling somewhere between fan fiction and a published book. While I own the rights to my story and the original characters created for it, I wouldn’t try to monetize my Barsoom work unless I worked out a licensing agreement with Edgar Rice Burroughs Inc. first.

How did you come up with the title of this book?

It comes from the lead character’s desire for the simpleness of youthful adventure before the weight of adulthood levels most of us.

Is there a message in your novel that you want readers to grasp?

I very much believe in Roland Barthe’s idea of the death of the author. Once I was done writing the book and said what I wanted to say, I no longer mattered. What the reader sees in it and takes away from it is entirely up to them and has its own validity.

If you had to choose, is there a writer would you consider a mentor?

I was inspired by a number of authors over the years. They’re listed in the dedication to the book.

Who designed the cover of your book? Why did you select this illustrator?

I designed it myself, using a JPL/NASA image as a base. I chose this very specifically over the traditional science fiction/fantasy style painting to clearly show I was making a break from the romantic past and Burroughs’ style. I don’t think we need that illusion anymore, and the cover sets the stage for creating a new perception of what Barsoom can be.

Do you have any advice for other writers?

Write regularly. Observe everything. Be engaged in the world, not just a genre. Understand your times and the path history took to get us here. Write from your heart and guts. Find your own voice. People are motivated ultimately by their emotions and you must be true to how people act and react.

Do you have anything specific that you want to say to your readers?

Comments and criticism are always welcome, especially so when I’m not directly making a living off writing adventure stories.

Return to Barsoom Book CoverScott Dutton
Edmonton, Alberta, Canada
Writing adventure fiction that respects the past while taking it into the future.
Published by Catspaw Dynamics (my design and publishing trade name)
Scott Dutton designed the cover, sourcing a JPL/NASA image of Mars.

You may download the book for free here: Return to Barsoom

Book Review: A Princess of Mars

Book Name: A Princess of Mars
Author: Edgar Rice Burroughs
First Published: 1912
Original Title: Under the Moons of Mars

In 1911, thirty-five year old Edgar Rice Burroughs suffered a dilemma. His business ventures had failed miserably and he needed more income to support his wife and two children. Being a fan of serial novels, he often told himself that he could write a better story than what he saw published in those pages. As he worked at his brother’s stationery company, he penned a novel on the company pads during his off-hours, telling no one but his wife about it. In the end, he was too embarrassed by the tale to put his name on the manuscript.

The All-Story magazine bought his first story as a six part serial in 1912 and named it Under the Moons of Mars. Due to the typesetter believing that the author’s pen name “Normal Bean” was a typo, the author was listed as “Norman Bean”. The humble serial would become the inspiration of a new sub-genre in science fantasy, the planetary romance. Stories by Burroughs became popular with the public quickly and by 1914 two of his serials were re-printed as novels. His Tarzan of the Apes series was novelized first, followed by his first serial, renamed A Princess of Mars. The Barsoom series featuring John Carter of Mars was born. The novels have since not been out of print for the last 100 years.

A Princess of Mars is the fictional travelogue of Captain John Carter, a Confederate soldier who prospects for gold in the American Southwest after the civil war. After an attack by Apaches, he is mysterious transported to the planet Mars. There on Barsoom, as the planet is known to the natives, he shows great physical prowess as the lighter gravity of the red planet allows him to leap about to the amazement of the four-armed, and tusked men known as Thrak. His skills in battle become renown to all Barsoomians as he gradually battles his way to the top of their society. Driving John Carter to fight is his love for the beautiful princess, Dejah Thoris. The captain spends much of the novel in pursuit of and in rescuing the princess as she is captured by various lustful villains.

I first discovered A Princess of Mars during my early teens at the public library. It was a well-worn, earmarked copy with a four-armed green giant battling a smaller, sword wielding man on the cover. Despite the novel having been written at least half a century before I was born, I was pulled in by the myriad of battling cultures, the intriguing scientific imaginings, and the emergence of love and friendship overcoming the hatred that drove all these different colored people of Mars.

John Carter is a charming narrator in this tale filled with anti-gravity cars, majestic city-states, giant riding thoats, and barbarians of many races. A southern gentleman of the old school, I found his way of offering the hand of friendship to the Barsoomians, a pleasant contrast to the way men are often portrayed in present day. He did not shirk from the violence around him and had the fighting skills to hold his own, yet through it all there was a sense of knowing that things did not need to be this way. His spreading of the concept of peace to the Barsoomians put me to mind of how people must have felt during the First World War, which started the same year that this novel became popular, when their world had gone insane with unheard of violence and war on a scale previously unknown, similar to the fighting that was protrayed on Barsoom. The voice of reason in John Carter was a counterpoint to those feelings that the First World War must have created and struck a chord with readers of his day.

I found the feisty, far from helpless, Dejah Thoris to be intriguing. Women from that era of writing normally did not have such spunk and did not look at the hero with equality as she did. While she does spend much of the novel being captured by powerful villains, she shows herself to be a woman of principle, every bit as much a creature to duty and honor as the hero. I can understand why Dejah Thoris has captured the hearts of so many generations of young men.

I hope you’ll consider reading A Princess of Mars and the rest of the Barsoom series by Edgar Rice Burroughs. You can find the ebook version for free at Project Gutenberg, or check it out at your local library.