Tag Archives: katherine sanger

You’re Writing What? by Katherine Sanger

College Students

I’m one of those people who feels like I can never learn enough or get enough education. Whenever I can, I attend any workshops or events that are local. I get to as many conventions as possible. And I have gone to school for far too long now.

My last degree was an MFA in Creative Writing.

I selected the program carefully, making sure that it didn’t have dismissive language or didn’t specify that it only wanted ‘literary’ fiction. From research, I knew that many programs looked down on genre writing, and I saw no reason to make myself suffer for two years by writing things I had no interest in.

I’d heard, many times over, that “good writing is good writing.” That genre shouldn’t count in determining if something is good or bad. Writing should stand on its own, regardless of what type of writing it is.

Yet still, during my MFA, when we had a presentation on genre work one day, the “literary” authors giving the talk trashed genre work and mocked it. But then, ten minutes later, they used examples from “Carrie” by Stephen King to show us how passive voice can be used successfully in fiction writing.

Something was clearly wrong.

Later that day, I was in a student-led workshop, and talk turned to the third-term papers that we had to write. They had to be serious research papers, ones that could potentially get published. I brought up the fact that I intended to write one about horror. Another student told me that I couldn’t possibly do that – horror was not “academic enough.” Apparently, the fact that I had actually taken classes in horror, science fiction, fantasy, and gothic fiction while working on a previous Master’s degree didn’t count. Clearly, to him, there was no value to anything that fell into a “genre.”

My frustration level was high during that residency period. High enough that I eventually talked to the director of the program. I asked him flat out if genre fiction was considered “not good enough” for the program, and I told him of the discouragement that I’d encountered so far. He was not happy. He assured me – and re-assured me – that what I had always heard was right: good writing was good writing. He saw no reason why my paper on the use of humor in horror would be rejected by a faculty member, and he wondered if I had misunderstood the presentation. I hadn’t, but it was encouraging that he thought that way.

Throughout my MFA, I ran into the same problem again and again. However, I finally figured it out. The biggest problem was that the people who felt that genre fiction was a lesser form were just not familiar with it. It sold well, and so, in their minds, it was “commercial” fiction and had no value from a literature standpoint. Of course, these same people were all trying to write the next great American novel which, as far as I could tell, would also have to sell well. Didn’t that count as a commercial writing project?

I got lucky during my final semester. My mentor, who happened to be completely unfamiliar with anything genre, was extremely open to learning. When I told her my intent was to write a short story collection of stories that centered around Cthulhu eating people who were staying in a basement apartment over time, she asked me to send her reading material so that she could learn about Lovecraft and Cthulhu. She may not be able to pronounce Cthulhu, but she could read it, and she happily (it seemed to me, anyway), critiqued my stories. She would note where she was unsure if something I had included would be known by my intended audience, but otherwise, she focused on writing. Because good writing is, after all, good writing.

Katherine SangerKatherine Sanger was a Jersey Girl before getting smart and moving to Texas. She’s been published in various e-zines and print, including Baen’s Universe, Black Chaos, Wandering Weeds, Spacesports & Spidersilk, Black Petals, Star*Line, Anotherealm, Lost in the Dark, Bewildering Stories, Aphelion, and RevolutionSF, edited From the Asylum, an e-zine of fiction and poetry, and is the current editor of “Serial Flasher,” a flash fiction e-zine. She’s a member of HWA and SFWA. She taught English for over 10 years at various online and local community and technical colleges. You can check out links to her many, many blogs at or find her at Facebook or twitter.