Tag Archives: paranormal

Author Interview: Nicole Weaver

When I asked Author Nicole Weaver to describe her writing style, she replied: “There will always be consequences in my novels.” Please welcome her to No Wasted Ink.

My name is Nicole Weaver. My day job is in a research and development lab where I use scanning electron microscopes. It is incredibly cool. That said, my passion is creating stories. From tabletop roleplaying, to video games, to reading and writing stories, I adore sharing imaginations with other people. My favorite stories are generally Sci-fi and Fantasy, but I love a good horror book too. I am a trans woman, and my pronouns are she/her.

When and why did you begin writing?

I have always been told that I write well. Friends and family alike used to regularly suggest that I take up writing. I took it more seriously when my college professors started suggesting it as well, but I still wasn’t sure writing was for me. Then, in 2017, I was dealing with a common problem among Dungeons and Dragons players. My campaign of over a year had fizzled due to conflicting schedules. This pushed me to finally sit down and think about which parts of running a campaign I enjoyed the most.
Some people love the technical side of fitting the rules together into a seamless encounter. Others love to play practical jokes on their players. The answer for me is that I love to tell stories and I adore the look on someone’s face when they are recounting events from our shared adventures…so here I am.

When did you first consider yourself a writer?

I wrote an 8,000 word short story, poured my heart and soul into it, and was told it sucked. Rather than giving up, I wrote it again from scratch, attended some writing classes, and rewrote it again.

Can you share a little about your current book with us?

Encrypted takes place in a world that was nearly identical to our own until around 2009 when a completely unexpected total Solar Eclipse occurred. Later that day, some people discovered they possess special powers that seem to break the rules of physics. Levitation, fire generation, telepathy, all this became possible to the people who would eventually be known as Primes.

As if that wasn’t a big enough shock, enormously powerful creatures known as Daemons appeared across the Earth that same day, bent on devouring any living thing they come across. So far, all attempts at nonviolent solutions have failed in a rush of gnashing teeth.

Samantha Gray, is a girl far from the worst of the Daemons, still trying to unlock who she truly is. Before now, she has had few opportunities to make choices about her own future. The only thing she really knows about herself is that she hates the Primes who abuse their powers and force everyone else to live by their arbitrary and self-serving rules. Samantha hates Heroes.

What inspired you to write this book?

I wanted to write a story about an LGBTQ protagonist where that is the least interesting thing about her. Our lives and stories are so much richer than which letter of the alphabet shows up in our descriptions of ourselves.

Do you have a specific writing style?

I would say I have a distinctive style, but not a specific style. Though only the first novel has been published, I have three worlds I am writing in, the superhero World of Primes, an Isekai story of Purple Lightning Games, and my fantasy Clock Universe. Each of them is written purposely in a different style distinctive to that world.

How did you come up with the title of this book?

I was in my third or fourth draft when I made a pun to one of my Beta Readers about the title. However, the more I thought about it, the more I realized the title fit the novel extremely well. In a very real way, Samantha is an enigma to herself at the start of the book. Her fight to find out who she is forms the backbone of the story.

Is there a message in your novel that you want readers to grasp?

It was easy growing up to see how the people with power were only willing to allow me to pursue happiness of a very specific kind. They made it clear that I would only be allowed to pursue happiness on their terms.

I hope everyone who reads Encrypted is encouraged to fight tooth and nail for their happiness, and not for some cut down version that someone else decided they are allowed to have. Be stubborn. Be strong. Most of all, understand that sometimes those things mean hiding who you are until you have the power to control your own life.

Are experiences in this book based on someone you know, or events in your own life?

In some ways, yes. Samantha definitely picked up my snark, and one of the major characters is based on my partner. The events are entirely fictional, but I brought them to life with my own emotional experiences growing up around people who I couldn’t trust.

What authors have most influenced your life?  What about them do you find inspiring?

Some of the modern authors are Brandon Sanders, Patricia Briggs, and Laurel K. Hamilton.

The most inspiring thing about them is the size and intricacy of the worlds they create. I still read their incredible stories and think about why their characters are so engaging and fun, even while writing my own novels.

If you had to choose, is there a writer would you consider a mentor? Why?

Brandon Sanderson. I have listened to every year of his Creative Writing courses on YouTube, multiple times. I strongly believe I would not be a writer if I had not come across his videos. I was already impressed with his skills, but he absolutely shines in those videos as he shares the craft we both love. If I ever get the chance to meet him in person, I will have a huge thank you ready for him.

Who designed the cover of your book? Why did you select this illustrator?

Matt Akin. He was recommended by a mutual friend. After seeing his art, I was instantly excited to be working with him. He was extremely nice and helped reduce my stress as a self-published author by keeping the process relaxed and friendly.

Do you have any advice for other writers?

Stick your ego in a jar with an airtight lid and let it suffocate. Writing is an iterative process that requires we viciously tear into our own work and cut out the pieces that do not fit. For every book, I keep a word document for the sole purpose of saving the paragraphs I loved too much to delete, but that had to be removed to improve the story.

Another important idea is that when someone gives you feedback, don’t instantly change something. Instead, pay very close attention to why they are suggesting the change.

Do you have anything specific that you want to say to your readers?

It is okay to be scared. It is okay to be unsure about who you are, all of us are at various points in our lives. It doesn’t matter if it’s because you are LGBTQ, or simply because you have no idea what you will do with yourself in a life of uncertainties.

Take a deep breath and focus on what you can do to make the situation better. Even if the only thing you can do is keep your head above water for a few months until another opportunity comes along.


Nicole Weaver
Boise Idaho

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Encrypted


Cover artist: Matt Akin

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Author Interview: Nils Odlund

Author Nils Ödlund is a Swedish writer, living in Ireland, who writes deep character driven stories set in an urban fantasy world. Please welcome him to No Wasted Ink.

Author Nils OdlundMy name is Nils Ödlund. I’m originally Swedish, but I’ve lived in Cork, Ireland for the past fourteen years. My day job is in customer support, and I spend most of my free time gaming, reading, or writing. I’m happily single, and tend to keep to myself, but even then, the isolation of the last year has worn on me. I try and keep active in various online writing communities, though – to have people to talk to and cut away from the day job for a bit.

When and why did you begin writing?

I started writing in 2011. Initially, I wanted to create a fantasy setting for a Pen & Paper RPG, but then a friend of mine suggested I write short-stories set in the world. I figured it’d be a good way to show off various aspects of the setting I’d created so I set to it, and then I never really stopped.

The short stories grew longer, and eventually they turned into novellas and novels. It’s been ages since I did any actual work on the setting, though.

When did you first consider yourself a writer?

I used to consider myself a gamer, and to a certain extent I still do. At some point, and I don’t quite remember when, I realized that I spent more time writing than I did playing games. That’s when.

Can you share a little about your current book with us?

My next book is called Nothing Left to Lose, and it’s the tenth book in the Lost Dogs series. Lost Dogs is the story of Roy van Waldenberger and Alene Moneya. Roy is a retired wrestler who’s on a journey to find the love of his life. Alene is an aspiring young journalist who decides she’s the one to tell Roy’s story.

Both Roy and Alene are therianthropes. Therianthropy is an affliction where the spirit of a predator takes up residence within the mind of a person. It makes the person stronger, faster, and tougher, but it also slowly turns them into an animal.

Much of the story focuses on Roy’s and Alene’s relationship with their respective inner beasts, and how it impacts their lives and their place in the world.

What inspired you to write this book?

Originally, I just wanted to show off the setting I created, and I needed an excuse for someone to go on a road-trip by train. It was just meant to be a series of short stories, but the stories grew, turned into novellas, and later novels.

The setting is still there, and it’s still important to the feel of the story, but it’s the characters who matter. I’m not going to say that they write the story, but getting to know them and figuring out who they are has definitely been a major inspiration outside of the original idea.

Do you have a specific writing style?

Can I say “blunt and evocative?” I try to avoid long flowery descriptions and instead focus on using words that trigger association and mental images. I believe that the imagination of the reader is a lot stronger than any words I can put on the page. I try to give them a framework that encourages them to fill out their own images, and to put part of themselves into the story.

Originally, I thought everyone was able to picture things in their mind, but then I learned of aphantasia, and how some people don’t have an inner eye that lets them see things. For a while, it troubled me, because my writing relies so heavily on the readers inner vision. I worried someone with aphantasia wouldn’t understand my books.

Eventually, I decided to keep doing what I’m doing. I’ve talked to people with aphantasia, and usually when descriptions get too long, they just skip or skim them. My descriptions are generally short, so I figured they’re easily skipped if they don’t make sense.

In addition to the above, I try to write in a plain and simple style. I’m not a native English speaker, and my command of the language (especially word flow) isn’t perfect. I try to be aware of this, and to limit myself to using only words I’m perfectly comfortable with. My hope is that this results in an easily readable and gently flowing prose, which does not trip up the reader.

How did you come up with the title of this book?

Lost Dogs, the series, was originally going to be called Werewolves On A Train, but I decided to skip that. It carries too many connotations and gives a somewhat silly impression.

Within the world of the story, “dog” is a derogatory term for therianthropes (except between themselves), and since the two main characters of the story are a bit lost, each in their own way, the name stuck.

Is there a message in your novel that you want readers to grasp?

There are plenty of messages. Some are rather blunt and on the nose, others are more subtle. One recurring theme is that the world doesn’t wait and giving up is not an option. Life isn’t fair, everyone makes mistakes, and there is no simple solution.

That doesn’t mean it’s all doom and gloom. Sometimes life is unfair in your favor.

What authors have most influenced your life? What about them do you find inspiring?

My largest influences are probably Tove Jansson and Neil Gaiman.

Tove Jansson is a Finnish author and the creator of the Moomintrolls. Her writing style is absolutely amazing, and she has an uncanny ability to infuse even her children’s books with nuggets of timeless wisdom.

Neil Gaiman has this way with storytelling and world building where the fantastic elements feel solid and grounded. It’s like they’re a natural part of the world and not something cool that the author wants to impress me with.

Who designed the cover of your book? Why did you select this illustrator?

I’m one of those writers who underestimated the importance of covers when they started out. I asked a local artist friend to do cover art for me. The art itself was great, but it didn’t work as a marketable cover for an indie fantasy book.

Eventually, I began tinkering with it, and discovered I could do acceptable covers myself. They’re not top-notch professional level, but they’re at a stage where I’m still not ashamed of them even if they’ve been around for a couple of years now.

Do you have any advice for other writers?

If you’re starting out. Seek other writers and learn from them. Ask for feedback, give feedback, and learn what feedback applies to your writing – because not all feedback is relevant feedback.

Also, don’t rush it. Writing is a long game.

Do you have anything specific that you want to say to your readers?

While this will be the last book in the Lost Dogs series, it will not be the end of Roy and Alene. Their story isn’t over.

Nils ÖdlundBook Cover
Cork, Ireland.

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Last Fight of the Old Hound

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Author Interview: Madeleine Holly-Rosing

Author Madeleine Holly-Rosing has a husband that likes to call her mono-polar manic. Whether he is right or not, this is one author who can turn out a rousing thriller of supernatural steampunk fun. Please welcome Madeleine to No Wasted Ink.

My name is Madeleine Holly-Rosing and I’m the writer of the steampunk supernatural series, Boston Metaphysical Society. It began as a six-issue graphic novel mini-series, but it has expanded to two graphic novel sequels (and another one coming), an anthology of short stories and novellas, and a novel.

I have an MFA in Screenwriting from UCLA where I won the Sloan Fellowship among other awards. I’ve had a few scripts optioned and done some work-for-hire, but nothing produced yet. However, while I was there, I wrote the TV pilot for Boston Metaphysical Society which I then adapted into a graphic novel after I graduated. I also wrote a PSA which was co-produced by Women In Film. (The PSA won a Gold Aurora and a Bronze Telly.) And I’ve run six successful Kickstarter campaigns for Boston Metaphysical Society and wrote the book, Kickstarter for the Independent Creator.

I recently retired as a Fitness Instructor for LA Fitness after 18 years, and I’m working on rebuilding my right shoulder after having it replaced. With a titanium shoulder joint, you could say I’m steampunk from the inside out! I also love to bake, especially if chocolate is involved, and I like to garden. And I love dogs. My current favorite authors are Martha Wells (The Murderbot Diaries) and Tomi Adeyemi (Children of Blood and Bone).

When and why did you begin writing?

I think I’ve been writing stories since I learned how to write. However, when I was in my early twenties I decided to stop writing until I got more life experience under my belt. And that’s exactly what I did. About ten years later I started writing again. It definitely made my writing better.

When did you first consider yourself a writer?

Probably when I optioned my first screenplay. It was great to have someone pay me for my work.

Can you share a little about your current book with us?

You bet. Boston Metaphysical Society: A Storm of Secrets is a prequel to the original six issue mini-series graphic novel. An alternate-history steampunk supernatural thriller, it dives into the lives of Elizabeth Weldsmore Hunter, her ex-Pinkerton husband, and her father as they deal with political intrigue and her growing psychic abilities.

The book also won a silver medal in the Feathered Quill Books Awards in the scifi/fantasy category as well being chosen as the overall top pick for Adult, YA, and Children’s categories.

The original six-issue graphic novel mini-series is about an ex-Pinkerton detective, a spirit photographer, and a genius scientist who battle supernatural forces in late 1800s Boston. Bell, Edison, Tesla, and Houdini are also involved in the storyline.

What inspired you to write this book?

I wanted to write Elizabeth Weldsmore Hunter’s story. We only learn a bit about her in the graphic novel, so I wanted to give old fans (and new ones) a chance to get to know her.

Do you have a specific writing style?

I go pretty deep into world-building, but make sure everything is character-driven.

How did you come up with the title of this book?

That was fun. I knew the core theme of the book was about secrets, but a friend and I brainstormed it together through Facebook messaging.

Is there a message in your novel that you want readers to grasp?

A couple actually:

  1. Women have been saving the world forever and no one knows it.
  2. Secrets can kill.

Are experiences in this book based on someone you know or events in your own life?

Hahahaha. No. Since it’s set in the late 1800s and has paranormal elements, I can safely say it’s not based on someone I know or events in my life. However, I do use historical figures in the graphic novels and reference a few in the novel.

What authors have most influenced your life? What about them do you find inspiring?

Lois McMaster Bujold. Her characters rock and her sentences are beautiful.

If you had to choose, is there a writer would you consider a mentor? Why?

I’ve been fortunate to have had mentors for my comic book writing, but not really any for prose. However, I do have awesome beta readers that keep me honest.

Who designed the cover of your book? Why did you select this illustrator?

The amazing cover art was done by Luisa Preissler and the title graphics were done by Anke Koopman. I saw a painting Luisa had done on Facebook for a steampunk novella which I loved so I tracked her down. My original thought was to have three characters on the cover, but that was outside of my budget, so I settled on having her depict Elizabeth Weldsmore Hunter, one of the main characters. Turns out that was the best decision.

The cover won a silver medal in the Authorsdb.com cover contest.

Do you have any advice for other writers?

Finish what you write. Then rewrite, rewrite, rewrite. And find good beta readers.

Do you have anything specific that you want to say to your readers?

Welcome to the word of Boston Metaphysical Society. I hope you enjoy the ride.

Madeleine Holly-Rosing
Los Angeles, CA

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Boston Metaphysical Society: A Storm of Secrets

Luisa Priessler – https://www.luisapreissler.de/

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Author Interview: Nick Brown

Author Nick Brown is a full-time author who straddles being writing supernatural thrillers and historical fiction. He claims that both genres show how humanity can never escape its past. Please welcome him to No Wasted Ink.

My name is Nick Brown and since 2010 I’ve been a full-time author. I have seven published novels and am currently writing the biography of a major British artist. Prior to this, I was an archaeologist and the Principal of one of the UK’s most successful Further Education Colleges. I studied at Leeds and then Manchester University but never wanted to work in education, my dad was a teacher. Unexpectedly, due to quite hard experience in my late twenties of dealing with the aftermath of two racial murders and race riots in Greater Manchester I was asked to open a multiracial college in Oldham, a racially segregated town. I’m very proud of the achievement but it left its scars which can be traced in my books. I was made an ‘Officer of the British Empire’ by the Queen and found talking to her in front of an audience at Buckingham Palace more frightening than any physical danger I’ve faced. I’m a Fellow of the Royal Society of Arts and live with my wife and sons in a reputedly haunted house in Cheshire where my Skendleby series is set.
I’ve always wanted to write and decided that once the college was well established and I’d paid my dues to society for my education I would give writing a go. It was a good experience for me to fail at first; I couldn’t get an agent or a publisher, no one was interested in what I was writing. Then I was given some quite brutal, constructive criticism by a friend of mine who is a successful author. I heeded the advice, for which I’m very grateful, and took the time to learn the craft. I self-published my first book, ‘Luck Bringer’, in 2013.

When and why did you begin writing?

I began to consider myself as a writer about four books in. I was offered a publishing contract out of the blue and was then approached by a film company to make a movie of Skendleby, the first in my ‘Ancient Gramarye’ series. The film is in the pre-production stage and I co-wrote the script with my youngest son, Gaius, who works in film. This was an interesting experience, to say the least. Being bossed about by your youngest offspring can be a chastening experience.

Can you share a little about your current book with us?

My current book is ‘The Dead Have Gathered’. It is the final instalment in the ‘Ancient Gramarye’ series. It deals with a series of inexplicable worldwide disappearances and the search for the cause of these. Like the rest of the series, it is a supernatural thriller but also with overtones of current politics and a looming ecological Armageddon. I think it’s fast-paced and gritty but sprinkled with mordant humour and provides an unexpected answer to the questions the rest of the series posed. It is a dark book which reflects the troubled times we live in and I guess could be read as a metaphor of the mess we seem to have got ourselves into. I can’t imagine how they’ll film this book if the Skendleby film is successful.

What inspired you to write this book?

I thought I’d finished the series with ‘Green Man Resurrection’ but I had a cataclysmic dream about a new character in that book, the shady U.S. secret service spook, Choatmann, and an unworldly mutating tree. I couldn’t get the dream out of my head so started to write ‘The Dead have Gathered’. I wrote it against a backdrop of the political chaos Brexit has plunged the UK into and the emerging story of climate change. I think it is the most frightening thing I’ve written and a fitting conclusion to the series.

My writing style varies depending on the book. The ‘Luck Bringer’ series, set during the Greco- Persian Wars of the 5th century BC, is based on my academic background and, although visceral, has quite a literary style. It attempts, in an exciting way, to fill in the gaps left by the historians. The ‘Ancient Gramarye’ series is very different and although based on archaeological evidence, is more gritty and written in a modern idiom. I think a writer’s style should be led by the nature of the characters being written about. If the characters don’t ring true the book fails, in this sense, the characters write the books.

How did you come up with the title of this book?

Deciding a title for this final book in the series was more difficult than any other. My first idea, to call it Choatmann after one of the main characters I rejected as uncommercial and it took almost as long to choose an appropriate title as it did to write the book.

Is there a message in your novel that you want readers to grasp?

Yes, there are a couple of messages which I’ve tried to develop across the five books that constitute the ‘Ancient Gramarye’ series. The series is an exploration of fear and how ordinary people cope with it and the idea was to begin with a simple ghost story in Skendleby and mutate it into something much stranger in the other books. The series has a core cast of ordinary women and men whose, relationships, faith and loyalties are increasingly tested and as such is an examination of the strange ways in which we find the courage to deal with what faces us and the consequences that all our actions have and what we have done to the planet.

The second theme explores the nature of what it is that generates the horror we fear: are there ghosts? Are they merely a consequence of quantum physics that we have yet to understand? Do we generate evil ourselves?

Are experiences in this book based on someone you know or events in your own life?

Some of the experiences in the books are based on events in my own life but I was unaware of this as I wrote them. I think the best example is an episode of rage that Mandrocles, the young hero of the Luck Bringer books, directs at his lover the, the flute girl, Lyra. The episode takes place months after a traumatic episode in his own life which he thinks he has forgotten. After I finished writing the episode I sat back thinking ‘where did that come from’. Days later it hit me; ‘That’s how I felt months after some of the experiences with violence in Greater Manchester. I think the writing had sprung from my subconscious. Examples of some supernatural events in the Skendleby books stem from experiences in my own house, however, I don’t speculate on these; they happened but I’m unsure of what the cause might have been. I think to an extent it’s difficult for any serious writer to exclude at least trace elements of the autobiographical from their writing.

What authors have most influenced your life? What about them do you find inspiring?

I’ve always been influenced by writers since my earliest childhood memories, particularly those that capture the feel of a place. The foremost of these is Alan Garner who, although not prolific, has written with great intensity about Alderley Edge and its grip on the psyche. In ‘The Dead Have Gathered, I revisit his wizard, shamanic figures. I think that the most intensely felt emotional scene in world literature is Hector’s death and the events leading up to it in the Iliad and that has certainly also been an influence. In terms of psychological depth and human embarrassment, I think ‘Great Expectations’ by Charles Dickens is the most acute. I know Dickens included a lot of padding to his narratives and a great deal of slapstick humour but at the heart of Great Expectations there lies an all too familiar bleakness. I have read avidly and collected books since childhood.

If you had to choose, is there a writer would you consider a mentor? Why?

My mentor as a writer would be the war hero/ poet Aeschylus. He fought at Marathon and probably Salamis and brings that harrowing perspective to his plays. Unlike the ancient Greek historians, he writes major parts for women and allows them to carry the action. Sadly only seven full plays and a handful of fragments have survived but every word carries integrity. I’ve included Aeschylus as one of the principal characters in the Luck Bringer books in an attempt to try and get a picture of the man. He would make a testing but fascinating mentor.

Who designed the cover of your book? Why did you select this illustrator?

For my first six book covers I’ve had the same illustrator, Samuel de Cecatty, I like his work and the covers are original and have been entered for awards. However for ‘The Dead have Gathered ‘, I have a new illustrator; Marcus Brown who is a graphic artist and also my son. He came up with a vision for the cover which portrays the cataclysmic events in the book through the dramatic juxtaposition of the key elements defining the series.

Do you have any advice for other writers?

I always offer the same advice to writers; ‘write because you love it not for money and fame because both are ilusive and illusory.’ Writing ought to be a creative joy. My other advice would be learn what you can from criticism but don’t be put off, persevere and you will get better and develop integrity to your style.

Do you have anything specific that you want to say to your readers?

To my readers, I’d like to say ‘Thank you’.

Nick Brown
Manchester, United kingdom

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The Dead Have Gathered

Illustrator: Marcus Brown
Publisher: New Generation Publishing
http://www.newgeneration-publishing.com

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Author Interview: Jordi Burton

Author Jordi Burton started writing when she was ten-years-old and hasn’t stopped since!  Please welcome her to No Wasted Ink.

Author Jodi BurtonMy name is Jordi Burton. I recently graduated from the University of Florida this past December with a degree in English and a minor in history. I am a major sci-fi and fantasy enthusiast. I love anything Marvel or DC—I can’t decide between the two—and my dad instilled a love of Star Trek in me at a young age. I believe in love at first sight, thanks to my beautiful Boston Terrier, and I am a long-suffering Dolphins fan.

When and why did you begin writing?

I started writing when I was ten-years-old. I had been playing a pretend game in my pool and was telling my mom all about it when she suggested I write it down. It had never occurred to me before that I could simply write a book. I sat down and started writing that afternoon, and I haven’t really stopped since.

When did you first consider yourself a writer?

I first considered myself a writer my senior year of college. I had published my first novel the previous summer and was working on releasing my second. I found that when people would ask me what my plans were for my future, or what I wanted to do, I told them I was focusing on writing, or that I wanted to be a writer. That was when I truly accepted I was a writer. Before that, I was just a student that liked to write.

Can you share a little about your current book with us?

My current book is called Call Me Anastasia. It follows the story of sixteen-year-old princess Anastasia Piliar. She is half-god-half-angel, and her people, the Nadmilise, are the ancient ancestors of the human race. In her world, there are ten dimensions known as realms, and each realm houses a race of mythical beings, such as werewolves or vampires. Each realm also has the culture of a part of history. Anastasia’s realm is based on the Renaissance, the werewolves’ on traditional Hindu culture, and the vampires’ in Victorian England.

At the start of the novel, Anastasia witnesses her grandparents’ murder at the hand of the Shadows, an equally as ancient race of monstrous beasts. In the first chapter, Anastasia returns to her home realm after living in hiding amongst humans for ten years. She must find a way to protect her people from the Shadows—who have once again set their sights on her homeland—and learn to become a part of the life she left behind.

What inspired you to write this book?

My inspiration for Call Me Anastasia came from the City of Bones novels by Cassandra Claire. In the novels, there is a homeland for Claire’s heroes where no technology exists. It is a kind of Renaissance land in the modern-day world. I wondered what it would be like to live in such a place, to have modern ideals in such a historical setting. Thus, Anastasia’s realm was born. The rest of the story took place around the setting.

Do you have a specific writing style?

My writing style tends to be descriptive. I’m often told my novels read like screenplays in that everything can be visualized as though it were a movie. I also tend to write female protagonists for my novels, and I lean towards male protagonists for my short stories.

How did you come up with the title of this book?

After I finished writing Call Me Anastasia, I was having a talk with my dad. I couldn’t figure out what to title the book—I always title things after they’ve been written so that I have a feel of the work as a whole. He asked me if there was any word or phrase that was repeated throughout the novel, something that seemed to encapsulate Anastasia as a character, or her world. It was then that Call me Anastasia went from a line of dialogue to the title of my novel. It showcases Anastasia’s approachability, as she prefers to be referred to by her name rather than her proper title, as well as her upbringing. She chooses to be personable with her people, a trait that I felt aptly summarized the main point of the novel.

Is there a message in your novel that you want readers to grasp?

I don’t believe there are any overt messages in the novel, but I definitely had certain intentions when I sat down to write. I knew I wanted a female protagonist that was strong and had high self-esteem. As a young reader, I had difficulty connecting with female protagonists because most of them were self-deprecating. I wanted to have a protagonist young readers could look up to. I also wanted to stray from other YA tropes, such as the love triangle, the female protagonist needing to rely on male characters to accomplish her goal, and the idea of the Chosen One. Other than that, I hope my readers take away Anastasia’s connection to her family and her people, as well as her strength.

Are experiences in this book based on someone you know or events in your own life?

In the novel—without giving too much away—Anastasia suffers from a kind of illness, where she struggles with severe stomach pains and headaches. At the time when I was writing Call Me Anastasia, I was dealing with health issues. I took the physical illness I was dealing with and used it to make Anastasia’s struggles realistic. I also fashioned Anastasia’s parents after my own parents. I even used things they had told me over the years as advice Anastasia’s parents give to her.

What authors have most influenced your life? What about them do you find inspiring?

The authors that have most influenced my life would be Christopher Paolini and Phyllis Reynolds Naylor. I started reading Naylor’s Boys vs Girls series when I was in middle school, and have since read all eight novels three times. I loved how she took a real life event—the conflict between the Hatfords and the Malloys—and turned it into an engrossing set of middle-grade novels.

Chrmiddle-gradelini inspires me because he started writing his debut novel, Eragon when he was fifteen-years-old. He self-published through his family’s publishing company and put together his own 130-stop book tour. He created his own language he uses throughout his four Eragon novels when he was only a teenager. His incredible talent, and his young age encouraged me to pursue my dream of writing. Whenever writing was tough, or I wasn’t being taken seriously because of my age, I just thought of Paolini and persevered.

If you had to choose, is there a writer would you consider a mentor?

I would consider S. Usher Evans a mentor in many ways. I met her at a comic convention, right around the time I was working on releasing Call Me Anastasia. She gave me advice, as well as her personal email address, and answered any and every question I threw her way. She helped me decide to pursue writing full-time and walked me through many aspects of self-publishing. Not to mention, her novels were captivating to read.

Who designed the cover of your book? Why did you select this illustrator?

I designed the cover of my book, but Aaron Lambert is the artist that brought my concept to life. I was at a comic convention—the same one where I met S. Usher Evans—and came across some incredible drawings of The Flash and the T.A.R.D.I.S. from Doctor Who. After purchasing both, I fell into conversation with Aaron and realized that he would be the perfect person to create my cover. I have used him for the second novel in the Anastasia Series, and plan to use him for all the others. I am inspired by his work.

Do you have any advice for other writers?

My advice would other writers would have to be, as cliché as it is, to keep writing. Even if you hate what you’ve put down on paper, it’s better than staring at a blank computer screen or page. Sometimes, you just have to get over that first bump in the road, or those roadblocks along the way, to really get your word flow going.

Do you have anything specific that you want to say to your readers?

To my readers: I do what I do for you. I love to tell stories—I always have—but I would be talking to myself in an empty room if you weren’t there to listen. I am grateful for all of your support, and I can’t wait to share more with you.

Book Cover Call Me AnastasiaJordi Burton
Plantation, FL

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Call Me Anastasia

Cover Artist: Aaron Lambert

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