Tag Archives: pirates

Author Interview: Steve Dunn

Author Steve Dunn loves to create worlds and explore their highways and byways since he was young. He always had a passion for stories both real and unreal. Spanning genres in his search for a good yarn, Steve writes breathless action, colorful characters and elaborate settings. It is a pleasure to feature him here on No Wasted Ink.

Beacon Church Elder PortraitsI’m Steve Dunn and am a full-time church pastor in Kent, United Kingdom after spending twenty years as a paramedic in the National Health Service. I also work part-time for a couple of fostering agencies too. I’m married to Jennie, and we have a thirteen-year-old daughter, a ginger dog, and a bearded dragon.

When and why did you begin writing?

I’ve always written, can even recall one particular sci-fi short story I wrote for school homework, but it’s grown over the years into full novels. These characters appear in my head and they will not leave me alone until they’re on the page and released into the wild.

When did you first consider yourself a writer?

I’d never really considered myself as a writer until very recently – even once I got my first two books onto Kindle I felt like a bit of an imposter, just hoping a couple of mates might download them. As they picked up in further sales and then Viking Resurrection appeared, I suddenly realized it was okay to call myself a writer (rather than “someone who writes”) and am now pretty proud of the fact. It’s a gift I enjoy seeing grow and it’s no bad thing to admit that, whilst still letting others decide how good you are and they can do the major championing on your behalf!

Can you share a little about your current book with us?

Viking Resurrection is my most recent fantasy novel. I’ve written Gold a’Locks And The Three Weres as a free novelette since, and my latest novel Suffragette Sensei is a historical thriller, but Viking Resurrection is my most popular in the world of sci-fi/fantasy. Set mostly in 999AD Europe, it’s an epic adventure that spans an era and a continent. We join twelve-year-old Amy as she hunts down her missing parents and confronts a rising army of undead Vikings, led by nine sisters with terrifying powers.

What inspired you to write this book?

It originally began as a “Pirate Princess” tale (!) but as the characters drew shape in my mind, the tale suddenly demanded a shift to an earlier era and helped define the journey that these protagonists were to take. The final tale is dramatically different to those embryonic thoughts! And I love it all the more for it.

Do you have a specific writing style?

My use of language has been described by many as poetic and evocative, and I guess that is one of my hallmarks. I love evoking the sounds and smells of a scene or interaction, and am passionate about the “show, don’t tell” rule – while not banning the word “felt/feel”, I’d rather the reader senses the emotions or setting alongside the protagonist rather than simply be told how they’re feeling.

How did you come up with the title of this book?

Once the Viking/magic storyline was taking shape, it was always going to be called “Rune-Riddle”, and stayed as such for a long time. But towards the end, I recognized this was somewhat obscure, didn’t fully sum up the tale, and lacked a certain punch for marketing purposes too. “Viking Resurrection” already sounds like a movie I’d want to see! It was a no-brainer for me. And now a prequel, “Viking Dawn”, is in the works, about one side character in particular that everyone seems to be asking for more of!

What authors have most influenced your life? What about them do you find inspiring?

Stephen King has influenced me somewhat over the years, particularly in his descriptive style, and his book On Writing has been immensely helpful and inspiring. Clive Barker’s gift of melding the fantastical with the real has made a significant mark on me, and I will always have a special fondness for Bram Stoker – Dracula is my all-time favorite (and most re-read) book, with its compilation of journal entries, letters, and memos that provide such an amazing tale. No mean feat!

Who designed the cover of your book? Why did you select this illustrator?

I did! I use GIMP and stock images for all my covers. My art college days paying off! Writing on a budget…

Do you have any advice for other writers?

Keep writing. Stop saying, “I’d like to write a book”, and write it! Even if it’s for fifteen minutes a day when life gets crazy, the danger is waiting for life to slow down – which it doesn’t always, we never know what’s around the corner – or for our “Muse” to come. Oftentimes she only arrives once we start typing/scribbling. Get those creative juices flowing by doing it, they’ll come. As Neil Gaiman says, “You sit down at the keyboard and you put one word after another until it’s done. It’s that easy, and that hard.”

Also, let your characters tell you what they could be doing next; it can sound weird, particularly to non-writers, but listening to these people that reside in your head puts flesh on their bones and life into your stories.

Do you have anything specific that you want to say to your readers?

Just a big thank you for their support thus far – there are some in particular who are my biggest champions and they like to tell everyone about my books. For that, I am both humbled and very very grateful.

Viking Resurrection 2017 cover 300dpiSteve Dunn
Herne Bay, Kent, UK

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Book Review: Glory Season

Book Name: Glory Season
Author: David Brin
First Published: 1993
Nominated: Hugo 1994 and Locus 1994

David Brin is an American scientist and writer of hard science fiction novels. His works have been New York Times Bestsellers and he has won multiple Hugo, Nebula, Locus, and Campbell awards. Brin was born in Glendale, California. He graduated from the California Institute of Technology with a degree in astrophysics. He followed this with a master of science in applied physics and a doctorate of Philosophy in Space Science from the University of California, San Diego. He currently lives in Southern California with his wife and children.

“A living planet is a much more complex metaphor for deity than just a bigger father with a bigger fist.”
― David Brin, Glory Season

To understand the basis of the culture of Glory Season, you must go back three thousand years when a scientist named Lysos, the founder of the human colony on the planet of Stratos, used genetic engineering to change their local strain of humanity so that their reproduction was based on seasons. Men are sexually receptive in the summer and women are in the winter. When a woman conceives in the summer, she produces a mix of her own genes and that of the male, having an equal chance for a boy or girl child. When a woman conceives in the winter, she always produces a female clone of herself. Finally, the men of Stratos have been changed so that they are less aggressive during the times that they are less sexually receptive. The result is that most of the people of Stratos are successful group of women clones.

Into this feminist social backdrop, a pair of twins are born to a “hive” of clones called “Lamatia”. They specialize in commercial import/export banking. Maia and Leie are welcome to remain with the hive of their birth, like all variants born of the clone sisters, until they reach their majority. Then they will be thrust out into the world to survive as they will. The twins create a plan to pass themselves off as two members of a larger hive and hope to work as sailors on the seas of Stratos to make their fortunes. As “vars” (variants) they would be considered social inferiors, but as sisters of a “hive” they would lose the stigma.

Events prevent the two sisters from carrying off their plans. They are separated by the ship masters to work on different ships instead of remaining together. Leie is lost at sea and Maia, is injured while battling pirates. Maia leaves the sea and instead takes a job on a railroad while she tries to reconcile the loss of her sister and heal from her wounds. During this time, she becomes involved with a plot by “Perkinites” to eliminate men from an isolated valley and later the entire world of Stratos. Maia attempts to inform the planetary authorities and is put in prison by the Perkinites for her efforts.

Maia remains in prison a long time and discovers that her fellow prisoner is a male interstellar visitor from an untampered branch of humanity. This visitor is seeking a devise known as a “Jellicoe Former”, it is an advanced manufacturing facility that can act as a 3D printer for complicated, technological devises. On Stratos, a pastoral and low-technology society, the Former’s existence would be an eruption of new ideas that would change its stable society forever. Renna wants the machine in order to create items that would repair his spaceship and allow him to return home.

In the end, a climactic battle between political radicals, freed vars and a group of virtuous male sailors will determine the fate of the world and Maia’s personal destiny.

World building is an aspect of speculative fiction that sets it apart from more traditional genre. The author takes an idea of making an aspect of their world different from our own and uses it to explore new ideas of society and technology. To me, this is what sets great science fiction apart from the pretenders. David Brin is a master at this skill. Before he started his story in Glory Season, he had looked at the reproduction cycle of aphids; they reproduce clones of themselves during times of abundance and sexually reproduce during times of stressful environmental change. This gives them a reproductive advantage. Brin applied this concept to humans, using the pretext of genetic engineering to create humans who use this cyclic idea of reproduction, then applied the concept to their world and culture. What I found intriguing about his idea is that instead of making the clones part of a mechanical process, which is how traditionally cloning is displayed in science fiction, he made it a new biological process where sex and relationships took on new forms with his redesigned humanity. Since only women have wombs, they rise to predominance in his stable fictional society.

Glory Season Book CoverThe plot of Glory Season is decent, but not stellar. I still would recommend the book despite this. The culture that results from this new innate biologic process is alien in feel and yet retains enough humanity to allow the reader to feel sympathy for the characters and the problems that they face in the plot. It is worth exploring. My only real regret is that Glory Season is a stand alone novel. I would love a sequel so that I could return and see more of this unique and intriguing world.

Author Interview: Christine Frost

Christine Frost is a historical and speculative fiction author who explores the lives of real women in history. It is a pleasure to introduce her here on No Wasted Ink.

Author Christine FrostMy name is Christine Frost, and I’ve been working in publishing and communications for nearly 20 years. I’m also a teaching assistant and writing instructor for literature courses at Harvard Extension School. In addition to writing novels, I study world history, and it serves as the core inspiration for the stories I create. I love to cook, and whenever possible, I integrate that passion into my novels; I run a series on my blog about the history of cooking in fiction. I live in the Boston area with my husband, and we enjoy Renaissance festivals and everything from sci-fi to historical and epic fantasy series.

When and why did you begin writing?

I’ve been writing as long as I can remember. I used to staple paper together in elementary school and write and illustrate stories, and during high school, I was very introverted and spent much of my time working on a fantasy trilogy that I’m still developing, though it’s changed a lot. But it all coalesced in the summer of 1994, when my brother died in an accident. He had just recommended that I watch The Crow, starring Brandon Lee. I saw it with his friends while the funeral was being planned, and the movie had an enormous impact on me. The sudden loss threw me into a tailspin—so I began writing a massive work, a dark urban fantasy that was very much influenced by the movie. It was my way of keeping his memory alive. Like the fantasy trilogy I wrote in high school, it remains unfinished and is being redeveloped, but it was while writing that story to help me deal with the grief that I realized I wanted to be an author.

When did you first consider yourself a writer?

When I started working on my master’s degree in literature and creative writing. At the end of a graduate certificate program for communications, I took a creative writing workshop, which led to me applying for the master’s program. I took a number of workshops and courses having to do with medieval literature, such as one on Tolkien’s influences. It was then I really learned how to focus on following through with a story and come to appreciate the intensive revising process.

Can you share a little about your current book with us?

Dark Lady of Doona is about Grania O’Malley, who is also known as the Irish pirate queen. While I’m a sticker for verisimilitude in my work, the premise is based on speculation that she may have served as a spy in order to help retain her territory at a time when the English were especially brutal in Ireland. So, while it is historical fiction, it has elements of a spy novel, only set in the 1500s during the time of Elizabeth I. It’s about Grania’s strength—in protecting her family, in being a formidable captain who commanded hundreds of men, and making a mark on history at a time when women weren’t as visible in the public realm.

What inspired you to write this book?

The more I read, the more unusual women I find who have been marginalized by history. I want to give them a voice and let them tell their story. It began with my first novel, about the consort to Romanian warlord Vlad Dracula. I have a long list of stories to write based on this idea, and they span all eras and places, from ancient Mesopotamia to Maine during the War of 1812 and beyond. Grania O’Malley was particularly inspiring to me, and learning about medieval Ireland was a wonderful opportunity to explore my family’s heritage.

Do you have a specific writing style?

I’d say it’s changed over the years. I was strongly influenced by dense, very complex Gothic novels, but have learned to pare down wording and structure. What I’ve learned from teaching writing is that developing a writing style is always a work in progress.

How did you come up with the title of this book?

Grania O’Malley earned the nickname Dark Lady of Doona after conquering a castle. She sought vengeance against a rival clan who killed a lover, and Doona was the name of the castle. As soon as I saw the name while doing research for the book, I knew it had to be the title. It’s poignant, yet shows her tremendous fortitude.

Is there a message in your novel that you want readers to grasp?

I love finding these incredible women and showing how powerful they were in what has traditionally been considered a man’s world. And it’s never an easy road, no matter what their station in life. They’re often the outliers, the rebels who have a hand in shaping history, even though the recognition was slight or late in the coming. I hope that readers will see Grania O’Malley as a symbol of perseverance—and that it may spark an interest in delving into history to see what fascinating things are there that have important lessons to teach all of us.

Are experiences in this book based on someone you know, or events in your own life?

I don’t think so. People who know me well may be able to identify little things, quirks and behaviors that help with characterization, but overall, I try to create an authentic portrait for these historical figures, so I stick to what I’ve learned through my research.

What authors have most influenced your life? What about them do you find inspiring?

My early years were influenced by the works of J.R.R. Tolkien, Mervyn Peake’s fabulous Gormenghast series, and Neil Gaiman. I love epic fantasy in particular, but Neil Gaiman’s innovative style and how he uses myth and urban fantasy is very inspirational to me. In recent years, I’ve become fond of Modernist authors such as John Dos Passos, and reading Cormac McCarthy was a game-changer in terms of learning about how beautifully lyrical yet sparse writing styles can be, even when portraying the depths of the bleakest worlds.

If you had to choose, is there a writer would you consider a mentor? Why?

I’ve been fortunate in this regard. When working on my master’s, I had the opportunity to learn from Stratis Haviaris, who was the founding editor of the Harvard Review, and Paul Harding, who won the Pulitzer Prize for Tinkers in 2010. I’m immensely grateful to have been able to work with them both.

Who designed the cover of your book? Why did you select this illustrator?

I have a background in graphic design, so I did this one myself.

Do you have any advice for other writers?

Never give up. All too often, as a student and teacher, I’ve heard people say writing is hard. It is, but it’s also incredibly rewarding. Dig deep—get into the soul of your writing style by reading your work out loud; don’t be afraid to revise until it feels right—you’ll know when it resonates with you. And like many other writers advise, read as much as possible. Go outside of your favorite genres and explore everything you can. You never know what amazing new influences you may gain.

Do you have anything specific that you want to say to your readers?

Thank you to all the readers out there! Your feedback and reviews have helped me evolve as a writer, and I’ve enjoyed hearing from many of you.

Dark Lady of Doona  Book CoverChristine Frost
Boston, MA

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