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The Entrepreneur and Artist by Tola Makanjuola

Image by Gill Donnell from Pixabay

The Entrepreneur and Artist
The Importance of being Well Rounded

Do you choose to be a starving artist? Or is it a condition that befalls those who are inherently driven to create to the point of self detriment? In other words, do you choose to ‘starve’ or does ‘starving’ choose you?

It’s a valid and perplexing query, one worth unpacking with due diligence. Clarity on this issue would perhaps help to cultivate a healthy culture and mindset around creatives and monetising their endeavours.

Most of us would have heard of the denigration, “sell out”, an expression that describes the compromise of one’s integrity or betrayal to an allegiance. No where is this expression more commonly slung than in the realms of artistic endeavour. Why is that? Well, art is seen as a pure expression of self (whatever that means), and therefore, an artist who once immersed himself in the warm waters of artistic moral alignment, now pursuing financial profit ahead of critical acclaim, is seen to be driven by other motivating factors aside from the excellence of his/her art form, and is in effect, deemed a sell-out.

Name calling is unseemly, but there is an element of truth to this assumption which is almost trite. The pursuit of material gain, placed before the value that can derived from an endeavour not only diminishes the overall quality of the work, but does amount to much personal fulfilment.

So that’s the element of truth. Like most human enterprise, physical or otherwise, corruption sips in, insidiously. Being financial successful as an artist of any ilk, seems to almost inevitably come with label of industry sell-out, but not always for the reasons of compromise of artistic integrity, but more for a perceived betrayal to the notion of shunning success for the ‘sake of art’. This is destructive thinking, and while many are wise enough to question the credibility of this thought and it’s motivations, there are many, for reasons varied, who champion this perspective.

The question still remains. Do you choose ‘starvation’, or does ‘starvation’ choose you?

Proclaiming that there those who choose to ‘live for their art alone’, would not add much merit to this writing. That’s obvious, and good luck to them. One can infer some of the reasoning behind their choices, and while not all are invalid, one motive could certainly driven by pious commitment to ‘artistic integrity’. However, if we suggest that there are those who are chosen to ‘starve’, there-in lies a more engaging issue.

What distinguishes a liberal thinker from a conservative thinker ? Liberals are ideas people, high in creativity and openness, low in conscientiousness. Conservatives are not very creative, low on openness, but high in conscientiousness. Therefore, it can be certainly be argued that a highly creative person, is probably more likely to struggle in creating and enforcing a disciplined structure around his/her endeavours compared to a person driven to adhere by rules. But this bellies a critical point.

Great writers, artists, actors, poets reflect as much dedication and discipline to their craft, as do the best regulators, managers, corporate leaders and politicians. And while they may operate in fields that prioritise different traits, (creativity vs organisation ), it would be wrong to suggest that an artist could not develop the skill sets required to at the very least, understand the world of business in which his/her work is being marketed in. In fact, this article determines that an endeavour towards cultivating a well-rounded mindset is the more responsible, and less self indulgent course of action.

As previously stated, great artists like great managers employ discipline. It would seem that while, an artist may be predisposed to a unique mode of being, their ability to learn and master their craft is because of discipline and strength of character in overcoming inevitable adversity along the way. In order to manage your life and creative affairs appropriately, discipline and strength of character are qualities that are equally integral in achieving this aim.

That was a lot of unpack, but here are the essential points. There’s no value in conflating success with corruptible compromise. Of course, compromising on fundamental integrity for material gain will only lead to personal regret. Most importantly, there is a point at which material success and creative success meet. Establishing a place at this point means you are well-rounded, not a sell-out. It equates to being independent, self sustaining (you don’t necessarily need to become wealthy) and fulfilled. No one said it would be easy, but then again, what is?


Poet Tola MakanjuolaTola Makanjuola was born in Lagos, Nigeria. When he was 16, he and his family moved to the UK, where he finished high school and went on to study Media and Communications at Aberystwyth University in Wales. After graduation, he went on to study an Msc. in Innovation, Entrepreneurship and Management at Imperial College London (2013/14). From then, he went to work in IT Consulting for a period of two years, before branching out to start his company, Circleturn ltd. Under Circleturn, Tola has created the website circleturn.com, which he curates by writing poems, drawing comics, writing book overviews and articles on design thinking. Tola also founded Squishy in 2019, a travel pillow company looking to make the most personable and comfortable travel pillows on the market. He went on to create the Poetry Bores Podcast in April 2020. On Poetry Bores, Tola analyses poetry with his friend Filippo with humour and insight, and also interviews folks who are doing wonderful things such as writing, serving others, building businesses, etc.. Tola has written poetry religiously for the past eleven years, and has published three poetry collections , the latest in March 2020, called ‘Lonely Ways to Change the World’. You can purchase Tola’s first two books on Amazon, and the third in ebook version on his website.

Tola’s Amazon Author Page
Instagram: Poetry Bores Podcast@tola.mkja@onelineandbookmark
YouTube: Poetry Bores Podcast

 

Author Interview: Theresa Halvorsen

Author Theresa Halvorsen describes herself as an overly-caffeinated author of nonfiction and speculative fiction works. She lives in San Diego and is a podcaster for Semi-Sages of the Pages. Please welcome her to No Wasted Ink.

Author Theresa HalversenHi everyone! My name is Theresa Halvorsen and I’m the author of Warehouse Dreams and the Dad’s Playbook to Labor and Birth. In addition to my day job in healthcare, I’m also a podcaster for Semi-Sages of the Pages. Semi-Sages of the Pages is a podcast for writers, from four female speculative fiction writers who are just starting out in our writing journeys. I’m usually over caffeinated, and enjoy big glasses of wine in the evenings. A mother, a wife and a pet-parent, I live in Southern California, in Temecula wine country. I enjoy all things geeky and have attended comic-con for many years, 2020 would’ve been my tenth year. I can quote Princess Bride, Star Wars and Firefly like there’s no tomorrow (and heck, it’s 2020, there might not be a tomorrow). Finally, I enjoy reading spec fiction, helping other writers, and playing complex board games with my friends and family.

When and why did you begin writing?

I can’t remember not writing, or at least not making up stories in my head. My first story, when I was about six, was about a princess whose plane crashed. Luckily, she could talk to animals and after a few scary moments, she made it out of a forest alive. As you can tell, I watched a lot of Disney. About two years ago, I made a commitment to myself that if I wanted to be a writer, wanted to make a living at it, then I had to truly try. I couldn’t wait for “some day”. And so I now plan out my writing time and projects. I’ve had to give up a lot of my free-time but I’m much happier than I’ve been in a very long time.

When did you first consider yourself a writer?

I believe if you write, you can call yourself a writer. But if people ask me what I do, I rarely say writer. This is an interesting conundrum I probably should reflect on.

Can you share a little about your current book with us?

Warehouse Dreams, which came out in July 2020, is a unique story about the faculty at a school for telepaths and psychokinetics. It follows Kendle, an admin assistant, holding the underfunded school together with her blood, sweat and tears. A flawed character, she will do anything, including risk getting fired from the job she adores, to protect her students from a world that doesn’t want them. The addition of a new telepathy teacher doesn’t make this year any easier for Kendle either. A soft sci-fi romance, the reviews have been phenomenal.

What inspired you to write this book?

Warehouse Dreams definitely has echoes of real societal problems within. When I was writing it, I looked around at many of the things we’re dealing with, put a sci-fi spin on it, and tucked it into the story.

Do you have a specific writing style?

I am a very direct and dialogue heavy writer. I always start with the dialogue and my beta readers always comment on how strong and unique my dialogue is. I have to go back and build in the little details that so many other writers start with. I write in the first person because I enjoy digging deeply into a character’s thoughts and emotions. I also love the challenge behind first person; I, as the author, know what my other characters are thinking and feeling, but my main character doesn’t, so I have to figure out how to share that. If you get a chance to read Warehouse Dreams, the fundraising scene is a perfect example of this. There’s a lot of subtexts going on in that scene, that Kendle really doesn’t pick up on because she’s too caught up in her own drama. To me, first person point of view is very real, because our lives are all in first person.

How did you come up with the title of this book?

Oh goodness, I’m terrible with titles. Warehouse Dreams is set at a school built into a series of abandoned Warehouses, hence the Warehouse part. And without giving away a spoiler, I’ll say that dreams play an important part of the story.

Is there a message in your novel that you want readers to grasp?
Oh wow, Warehouse Dreams has a lot of messages. Primarily it’s asking the question of what happens when society determines it doesn’t want to deal with and are ultimately afraid of certain members of that society. In addition, there’s themes around the ethics of genetic manipulation of our children, but only for the rich. The sequel explores the second theme more.

Are experiences in this book based on someone you know, or events in your own life?

That’s a good question–Kendle does have some challenges with anxiety and I drew on some of my own experiences with anxiety when writing. And while I hate to admit it, I’m not actually a telepath or psychokinetic, though sometimes it would be nice to be one.

What authors have most influenced your life? What about them do you find inspiring?

I have a great deal of affection for Stephen King; I loved his book On Writing and often quote it to other writers. For me personally, I agree with Stephen King’s thoughts on the necessity of writing every day and reading a lot. I also find my style of writing is similar to Jodi Taylor’s and try to inject the humor, sarcasm and character building that she does so well into my stories.

Who designed the cover of your book? Why did you select this illustrator?

I’m lucky to be published with a small press publisher, S&H Publishing, who used their own graphic designer. However, this cover went through a few drafts. I wanted the background to be dark, because Warehouse Dreams is a dark story. I wanted the Warehouse to be a part of the cover, but I also wanted the hummingbird on the cover. Throughout Warehouse Dreams, the hummingbird is a theme and a moment of hope when the future is often very bleak and heavy for my characters.

Do you have any advice for other writers?

If you write, you are a writer. Don’t let anyone take that away from you.

Read a lot. Read things you wouldn’t normally read and then pull the stories apart to find out what you like and don’t like about them.
It’s ok if your first, tenth or fiftieth drafts suck. Just keep switching out words until you’re happy. And it will take a lot of switching until you are, most of the time. That’s normal.

Learn what to take and what to leave behind when receiving constructive feedback. And yes, you do need constructive feedback on your writing for it to get better.

Do you have anything specific that you want to say to your readers?

Ummmm…buy Warehouse Dreams? Listen to my podcast, Semi-Sages of the Pages? Connect with me on social media–I love talking books and writing to anyone who will listen to me and I LOVE meeting other people.

Warehouse Dreams Book CoverTheresa Halvorsen
Temecula, CA

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Publisher: S&H Publishing

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Podcasts For Writers by Wendy Van Camp

israel-palacio-459693-unsplash
Photo by israel palacio on Unsplash

Convention season is upon us and like many authors, I’m scheduled to appear at several conventions and conferences during the summer and fall of this year. One of the items I pack when I travel is a DAP, a Digital Audio Player. I like to keep my music and podcasts separate from my phone so that I don’t drain my phone battery and gain a better quality of sound. I don’t upload audio books, although that certainly is an option, I tend to prefer books on my ereader when traveling. If there is one constant of being on the road, there are always plenty of wait times involved. Waiting for a flight, long hours of driving on the road, standing in line to listen to a favorite author read, or just something to be mellow within the hotel room are all times when a DAP makes life more comfortable.

This year, I’m trying out a Hidizs AP60 player. Not only does it have a decent quality of sound, but it has Bluetooth capabilities that allow me to patch into my car stereo. I prefer it to my old Apple iPod Touch both in sound quality and size. I also love not having to deal with iTunes. I pair it up with Media Monkey to organize my music library and Stitcher to keep me up to date with podcasts. The unit has a comfortable weight, a sturdy casing, and an easy to read display.

I have discovered several new podcasts to listen to this fall and I thought that I’d share them with you. Some of them are craft related, some are about marketing tips, and others are author interviews that touch on the writer’s inspiration. All are free to download and in my opinion, of excellent production values.

Grammar Girl
“Mignon Fogarty is the founder of the Quick and Dirty Tips network and creator of Grammar Girl, which has been named one of Writer’s Digest’s 101 best websites for writers multiple times. She is also an inductee in the Podcasting Hall of Fame.

Grammar Girl provides short, friendly tips to improve your writing. Covering the grammar rules and word choice guidelines that can confound even the best writers, Grammar Girl makes complex grammar questions simple with memory tricks to help you recall and apply those troublesome grammar rules.”

Creative Writing Career
“Turn writing into more than a hobby, make it your career. Stephan Bugaj (Pixar’s Brave, Wall-E, The Incredibles), Justin Sloan (Telltale’s Game of Thrones, Walking Dead, and Minecraft: Story Mode), and Kevin Tumlinson (Citadel, Lucid, The 30-Day Author) give you their advice on writing for books, movies, video games and more, and occasionally try to sound smarter by having on amazing guests.”

Reading And Writing Podcast
This is a podcast featuring interviews with authors from many different genres. At a glance, I noted several authors that I would love to listen to in my own genre, so I have cherry picked this one for the authors that interest me. On the website, the podcaster has listed all the interviews by genre, so it is easy to find authors in the genre you love to read.

Write Now With Sarah Werner
I am fascinated by Sarah Werner as a podcaster, she has quite a strong work ethic! Werner records two regular podcast series, the “Write Now” and one called “Coffee Break”. Both are well produced and feature both writing topics and interviews with authors. She has a third audio project called “Girl In Space” which is a science fiction serial. All three projects can be found at the same URL and all are free to download.

Very Serious Writing Show
“Writing advice from people who know and people who don’t. Practical skills meet ridiculousness as I talk with some of the best writers who are willing to actually be on this show with me, and get their input on how to live the writer life.”

I am intrigued by this podcast with a humorous bent, but I believe it may not be producing new episodes at this time. The last time stamp I saw was from last year. Still, the samples I listened to are good. I’m willing to listen to the back catalog for now. Maybe they will return!

2015 Year in Review for Author Wendy Van Camp

BOB - Wendy Van Camp Swag Table 2015

I’ve been writing stories since 2010, but before 2015 I was practicing a hobby, hoping that it would blossom into a career. This is the first year that I feel that I’ve become a professional author. I’d like to share with you the highlights of the promotion of my first novelette “The Curate’s Brother: A Jane Austen Variation of Persuasion” that was published in October of 2014 as an ebook and then made into a paperback in February 2015.  I’ve been on a wild ride of promotion and book signings ever since.

2015 Readings

Gypsy Den
February – Anaheim, CA
I was to do my first public reading in a little bohemian coffeehouse known as the Gypsy Den. Two weeks before the reading, I confessed to one of my friends that the book was only available in ebook. She was stunned and urged me to print copies to autograph at the reading. The idea stunned me too. Although my ebook had been out three months, I did not realize that I was a “real” author! Of course, I needed to print my books and bring them with me, but until that point, I had not realized this. The reading was to an audience of RWA members, many of them published authors themselves. The questions they had for me after the reading were direct and about my writing process. Afterward, I autographed and sold several copies of my newly printed novelette.

Wendy Van Camp - Lady Jane Salon 2015

WesterCon
July – San Diego, CA
This is the west coast regional science fiction and fantasy literary convention. The location changes each year. This year it was in San Diego, CA and hosted by Conjecture and ConChord, two local science fiction conventions. It was a huge event for me. I organized a Broad Universe Rapid Fire Reading for five women science fiction authors to read their work, of which I was one. We had a great turn out and I was tickled to see a large group of knitting women who turned out to listen to the stories and continue work on their knitting!

WorldCon
August – Spokane, WA
This was the first time that I had attended WorldCon. I have never traveled so far for a convention before, but I was determined to attend. I joined 19 other science fiction authors at the Broad Universe Rapid Fire Reading on Friday night. I did not read from my published novel. Instead I read an excerpt from my upcoming “Steampunk Wonderland” series that should debut in 2016. WorldCon was great fun. I met many wonderful new authors, took home so many new books that I ended up having to ship the bulk of them home via FedEx! I also attended the Hugo Awards live for the first time. I will be returning to WorldCon next year.

Books on Broadway
October – Costa Mesa, CA
This was an event put on by DeAnna Cameron in connection with her promotion company, Books on the Vine. I read an excerpt from The Curate’s Brother during a “high tea and regency romance” reading. The entire audience were Jane Austen fans. I ended up reading my except four times as the audience was rotated around me. It was my second highest sales event of the year. I had a wonderful time and I hope to return to Books on Broadway one day.

BOB - Wendy Van Camp Reads From The Curates Brother 2015
2015 Book Signings

Gallifrey One
February – Los Angeles, CA
Each year, I book a table at the Dr. Who convention in Los Angeles, CA and sell my artisan jewelry and books. It is a great way to get an autographed copy of my book or of the chapbook of science fiction stories and poetry that I participate in each year known as Quantum Visions.

WesterCon
July – San Diego, CA
After the Broad Universe Rapid Fire Reading, an hour was set aside for the group in the dealer’s room of the convention for all the authors to display and sign autographs. We all sold a few books and had a great time.

Westercon68 Autographing (2015) Jude-Marie Green, Barbara Clark, Wendy Van Camp.

WorldCon
August – Spokane, WA
I am a jeweler in the art show at WorldCon and as such, I am offered time in Author/Artist alley to display my jewelry or hold workshops. I chose to bring my books and do book signings. I booked two days in Author Alley and ended up selling and autographing the most books in a location for the year.

Books on the Vine – Pop-up Bookstore
October – El Dorado High School, Placentia, CA
My book will be available for sale in the shop all day and I autographed my Austen Variation novel “The Curate’s Brother” from 1pm to 2pm. This is a fun, well-attended event in Orange County, CA.

LosCon
November – Los Angeles, CA
I’ve been a regular in the dealer room at LosCon for at least half a decade. My table there is mainly for my jewelry, but I also bring my books to sell and autograph. This was where “Quantum Visions”, edited by Jude-Marie Green, makes it debut. I displayed the chapbook that featured my scifaiku poetry along with short stories from other members of the Orange County Science Fiction Club Writer’s Orbit. I ended up selling and autographing as many of the chapbooks as I did my own book. It was a great way to meet new readers and have a chance to chat with them.

2015 Podcasts

Changes
YouTube – January 7th
Join author Wendy Van Camp for *CHANGES*, an hour long conversation with Sally Ember, Ed.D. about science fiction books, the science fiction literary convention circuit and much more!

The Event Horizon
Krypton Radio – August 13
I’ve completed a podcast interview with Krypton Radio. We spoke about scifaiku poetry, John Carter of Mars, writing fanfiction and a little about my upcoming Steampunk Wonderland series. It is available to listen for free on iTunes or Stitcher.

Epic Geeking Out with Authors 1
Blab – September 24
A group of science fiction authors get together and talk about science fiction novels, steampunk, WorldCon and more geeky topics.

Writing Block: epi 41 – Wendy Van Camp: Self-Published Author & Poet
LibSyn – October 28
Britany Mills interviews me about how I discovered Scifaiku poetry and the writing process behind my novelette “The Curate’s Brother”.

2015 Speaking Engagements

Starting the Engine of Your Author Platform

When publishing your first novel, common advice is to start a website and use social media to promote the book. Most authors do not know how to tap into social media and waste much time on repetitive marketing tasks that don’t seem to work. Instead, you need to create an “engine” to automatically distribute your marketing content to key sites and reduce your online workload. Come join Wendy Van Camp as she explores how to interlock three popular social media networks and grow your brand as an author.

WesterCon
July – San Diego, CA

CHWG Writer’s Workshop
Buddamouse
Claremont, CA
November

2015 Blog Interviews

The Write Stuff: Interview with Raymond Bolton 
Writing a Persuasion Prequel: Interview with A.R. Silverberry 
Author Spotlight: Interview with Kasper Beaumont 
20QS with Author Wendy Van Camp

2015 Writing Challenges

September Flash Fiction Challenge

During September of 2015, there was a 30-day challenge to write a flash fiction story once a day via the Fantasy and Science Fiction Society, an online writing group I am a member of. I joined in the challenge on September 2nd and decided to commit to finishing the challenge no matter what. The prize to me were not merit badges or other WDC goodies, the real incentive was to have a bank of stories that I could submit in 2016 and begin to start publishing more regularly. The challenge was a grindstone that came close to overwhelming my month, but somehow I preserved and managed to write thirty flash stories. Many of which I feel will be worthy of submission in 2016 with a bit of revision.

Nanowrimo

I am a volunteer Municipal Liason (ML) for my region in Nanowrimo. This keeps me very busy October through early December. Right after my September Challenge was over, I moved directly into prep work for Nanowrimo. I manage the Facebook Group and Twitter feed for our group and work with my partner Rosie de Guzman in scheduling write-ins, developing three gatherings for our wrimos, and committing to hosting one write-in per week during November. This is all in addition to my writing 50 thousand words of a rough draft novel. It is like plunging into a cold lake and not coming up for air for ten weeks.  You have to know that I love it.

Tips For Successful Author Readings

Wendy Van Camp SpeaksAuthor readings are a great way to present your new book to the public. It allows you to give a personal sample of your writing, interact with potential readers, and can turn into a sales event. There are many venues to set up a reading location: bookstores, libraries, seminars, book clubs, restaurants and even private homes. In my area, the writer societies have “salon readings” on a semi-regular basis. If you are a paid member of the society, you can usual find a space in their advertised reading events. I am finding that these events are well attended, with 20 to 30 audience members and some record the readings and turn them into podcasts to go onto the web. It is a win-win for both the writer and the readers because it is a great way for writers to present themselves to new fans and for fans to find authors that interest them.

I have prepared a few tips on getting ready for a reading based on my former experience as a talk show television host. These are some of the things I’ve done to get ready to go “on the air” during my younger days when I hosted “Flowers by Rod”, a how-to program about flower arranging and “Class Act”, an interview talk show.

Rehearse

Remember that a reading is performance art. You are “on stage” the moment you walk into the venue. No matter how many people are there, you want to make a good impression. Choose three or four short passages from your novel. You may only read one or two at the salon, but it is good to have alternate options available if needed. Read your selections out loud while facing a mirror in the privacy of your own home. If you own a video camera, consider video taping your reading performance so you can view it and make any corrections necessary.

Wardrobe

Yes, it is difficult to watch one’s self on television, but remember no one has to see it but you. This is also a good time to select wardrobe. You can see for yourself how you will appear to the audience if you record yourself in your wardrobe choice. Does the fabric move with you? Does the outfit reflect your mood as an artist? Most authors wear clothing that is dressy casual and have something that pops that members of the audience might remember. If you are female, an artistic piece of jewelry is often a good idea.

Biography

You should prepare a written bio to take with you. Often times you will hand this to the moderator, who will introduce you to the audience before your reading. However, sometimes you will be expected to introduce yourself. Keep it short and if possible, humorous. Practice your bio information so you can recite it naturally when needed. As a television host, I would often sit and chat with my guests for a short time before the program and base my introduction on this, but I feel that it is best to be prepared with something in writing too.

Timing

Do not read too long. I would prepare no more than ten minutes of prose to read. When you practice your readings at home, make sure you time it. Ten minutes may not sound like a long period of time, but for a performance, it is substantial. Think about how long a typical television segment on a television program is. That is what you should be aiming for.

After your reading, you should be able to take questions from the audience. You will get typical questions such as:

Where do you get your ideas?
What do you use to write with?
Who are your favorite authors?
Why did you become a writer?
What inspires you to write?

Be prepared to answer questions such as these ahead of time. The readers are seeking a more personal connection with you as an author. They want to know what is behind the story you’ve written, the deeper meaning that is not readily apparent.

Performance

Do your best to relax when reading your work. Stand comfortably and speak clearly. Do not bury yourself in your words, try and look up from time to time and make eye contact with the audience. During question and answer sessions, talk directly to people, remember to smile, and just be yourself.

If you can calm your nerves, your performance time is a wonderful way to gauge how your audience reacts to your words. It is similar to when you are in a critique group and have someone else read your story out loud and then you the author can sit back and gauge the reactions to the story. What is great about a reading is that the audience are not always fellow writers, they are the true public that reads your work. Seeing their reactions can be a golden opportunity.

Publicize

Before your reading date at the Salon, make sure you announce it via your social media platform. Post on your website, Facebook, Google+, and Twitter. Send out a press release to shopping guides with calendars of community events or to your local paper.

Books

Bring a box of books to sell at the event, fliers or cards with links to your ebook seller sites, or if you are in a bookstore, make sure your book is stocked on the shelves. Double check with the bookstore about their policy of who sells the books to the audience. You want to be able to return to this location, so keep the store happy. If you do bring books, make sure that you sign them, even ones that the store may purchase from you to sell later. Some stores like to keep autographed books on a front table after your appearance is over for book collectors.