Tag Archives: poetry

Scifaiku: Wendy Van Camp Published in Far Horizons Magazine

Far Horizons Cover february-2018


Far Horizons Magazine publishes my (4) poem scifaiku poetry series “Energy of Mars” in their 2018 February Issue. The magazine features science fiction, fantasy and horror stories and poetry and is free to read online. This issue is in cooperation with the small press: Grimbold Books. Come check it out!

Scifaiku: Core

Core (blog)

you never disappear
great protective magnet
Earth’s iron soul

A Scifaiku by Wendy Van Camp
Illustrated by Wendy Van Camp

Scifaiku poem inspired by the current trend of the weakening of the magnetic north. Science postulates that the Earth’s poles might flip, as it has done in past ancient eras.

Poem first published: Far Horizons Magazine, July 2017

Components of Your Poetry Chapbook

Poetry Book
Photo by Thought Catalog on Unsplash

As a poet, I write and submit my poems, much as I do my short stories. I write a batch of scifaiku, submit it to various magazines and hopefully, see most of it published. As an artist, I take the second step of illustrating my poems and turning them into blog posts, illustrated poems to publish in magazines or to sell as art prints at science fiction conventions. I have a dream to one day create a collection of my poetry to sell as a poetry chapbook.

Whether you submit your collection to a traditional publisher or plan to self-publish your manuscript, there are certain elements your manuscript will need to be ready.


You will need to decide on a title for your collection of poems. Think about the theme of your work and what poems you are going to include in the collection. This will help you determine a good title for your chapbook. I often suggest to make a list of possible titles, pick out three or four favorites from the list and then double check the names on Amazon. See how many other books have the same title as your book. If there are none or only one or two, you have made a good choice. Be unique.

Author Name

Do you use your real name or a pen name for your work? Today, this is not an obvious choice. I know of authors that have different pen names based on the genre or type of writing that they do. Sometimes I wonder if I’m the last author on Earth who uses her real name on everything! Be aware that potential readers are more likely to purchase your book if they recognize your name. Branding yourself as a poet is important. It helps to have published your poetry in magazines for a few years or even to have won an award before you publish your first poetry collection.


As with a regular book, owning your ISBN number is an advantage. If you traditionally publish via a small press, they will handle this for you by placing their own ISBN on the collection. If you self-publish, purchasing the ISBN is a good idea. This means that your own imprint is listed as the publisher of record of your chapbook. It gives you more control over the product in the long haul. It is possible to use Amazon’s free ASIN number on your book and if this is your first volume, that might be a good option. You can reassign an ISBN at a later date to your book if need be.


This is not a mandatory page in your chapbook, but it is a nice touch to have. It is where you might credit literary journals that first published your poems or a mentor that helped you find your way as a poet.

Table Of Contents

A linkable (in the case of an ebook) table of contents is important in a chapbook. The order in which the poetry is read is part of the overall experience of a chapbook. Unlike a novel, poems could be read out of order and still hold meaning to the reader. Do you want to move the reader in a steady emotional progression? Do your poems tell a story and need to be read in a certain sequence? If some of the poems are related, do you group them together? As you go over your body of work and make decisions which poems you will include in the collection, these ideas need to be decided upon and then reflected in a cohesive index that the reader can follow.


At the end of your chapbook, include a short Biography of yourself as a poet. Most books have only a paragraph or two. If you have a website, make sure you include its URL. If you have a mailing list, include the link where a reader could join it. In the ebook, the link will be clickable. However, I like to include a QR image of the links here as well. In a print version of your chapbook, these can be accessed by the reader’s phone and take them to the link more easily.

Book Cover and Blurb

A picture says a thousand words, or can possibly sell a thousand books. Put time and energy into your chapbook’s cover. Find a compelling licensed image that speaks to the theme of your presented poetry to use, or hire an artist to create one for you. On the back of the book, you will also need an image, but there you will include a blurb about your chapbook. Tell the reader what they can expect to find inside in a way that would intrigue them to open your book and take a peek. This is a good place to include your poet photo if you wish. I usually do not include photos of myself as an author or poet on my books, but it is an option for you to consider. Many poets do.

Publishing a chapbook of poetry is similar to publishing a book, although a poetry book is usually a slim volume. In some ways, it is more difficult to create than a fictional book because of all the tiny components that come together that may or may not be related to one another. Putting together a book of poetry is an art in itself in addition to writing the poems in the first place. But overall, the advent of modern Print-on-Demand publishing has made the act of creating a chapbook and selling your poetry much easier than it was back in the days of vanity presses. As a poet, you have little to lose and much to gain if you think carefully about the components of your poetry chapbook and publish your poetry to the world.

Author Interview: Angela Ashley

Author Angela Ashley writes to make sense of her world and to create one she can dwell in that is better than her own. Through her characters, she seeks to create people of depth, grace, and bravery, struggling like everyone to survive, and ultimately, to find love and meaning. She is also from my own home town of Lake Stevens, WA. It is a small world indeed! It is my pleasure to welcome Angela to No Wasted Ink.

Angela Ashley 1My name is Angela Craig, and my pen name is Angela Ashley, which was my birth name. I’m a single woman, born and raised in the Pacific Northwest. I loved reading books from a very young age. As a child, I loved books about animals, especially The Black Stallion series by Walter Farley. After having seen Star Wars in the theater and reading The Dark is Rising series by Susan Cooper, I fell in love with the science fiction and fantasy genres. When I attended Seattle Pacific University, I knew I should choose a major that would pay well, but I followed my heart instead, graduating with a B.A. in English Literature and a minor in Writing. I wanted to be a book editor but ended up being a home loan processor instead. I spend my free time reading, writing, and posting funny memes on Facebook when I’m not watching TV or movies with my boyfriend and my two cats.

When and why did you begin writing?

I’ve written poetry for years, but my job was so stressful that I found it drained most of my creativity away. And to be honest, I didn’t believe in myself enough to try my hand at writing more than poetry. But when the opportunity came to retire early, I knew what I wanted to do. I began to fill notebooks with my ideas that summer, and for months afterward. I fought through my fear and wrote my first chapter, and then another, and I surprised myself. A part of me had known I had this ability all along, but I’d pushed that voice down, until that moment. Now, I can’t imagine living without writing fiction. I’ve finally found who I am.

When did you first consider yourself a writer?

I’ve considered myself a writer of poetry since my teen years, but the first time I realized I was a fiction writer was three years ago. As a perfectionist, I didn’t want to try and fail, or even try and just do okay. When I wrote that first chapter, my muse came out in full force, and I haven’t stopped dancing with her since.

Can you share a little about your current book with us?

I would describe it as Game of Thrones meets Dances With Wolves meets The Hunger Games meets Downton Abbey. The main character, Little Squirrel, is a native-American-esque teen who has come of age and must go on her Vision Quest. Her situation is unique because she’s of mixed heritage — her mother was First Daughter of House Mystalora in the Queensrealm, a woman-dominated society, while her father was a warrior of the People. While on her Quest, she is attacked and finds she has a very unusual ability. Her adopted brother and her best friend, both of whom are in love with her, find they do, as well. Meanwhile, in the Queensrealm, Kella is falling for Jaereth, a slave, even though their love is forbidden. They, too, realize they have strange abilities. Soon, they all find out they’re pawns in a game, pitted against each other and others, and that only one can survive. This game was created by unseen beings, seemingly for their amusement. But soon, it becomes clear that the real motive goes very deep, and the consequences of this ‘game’ will affect all of humanity.

What inspired you to write this book?

So many things. I’ve long been fascinated by native American culture and spirituality, and I wanted to pay homage to it and explore it with my writing. My grandma used to tell me we had native American blood, and it made me daydream about who they were and how they lived. I love the idea of shape-shifting, and I felt it would work well with the native American themes. But I found I couldn’t stop with that ability; they’re all so fun and provide so many opportunities for mischief. I also love strong female characters and a good dose of romance. But the number one inspiration was that I couldn’t find any more books that I wanted to read. They were all beginning to sound the same to me. So I decided to create my own world and the kind of characters I love, and just live in that world and let the characters inside me out.

Do you have a specific writing style?

I listen to my characters — who they are, what they want to say, and what is important to them. They are real people to me in that sense, and I respect their voices when I write. Oftentimes they surprise me by the directions they take, but I trust them. I know it sounds strange, but it’s the truth. They have a life of their own.

How did you come up with the title of this book?

It came from one of the later chapters of the book. The villain, Malyse, talks about the reason why she began the game. She and seven others had been transformed in an accident and become almost like gods in some ways, and she explains that just as the gods play with human lives on their chess board of life, she intends to play with the lives of others, and “sometimes a gambit must be made, a sacrifice offered, in order to win a game between gods.”

Is there a message in your novel that you want readers to grasp?

My characters talk a lot about love and whether it makes you stronger or weaker, and about whether people can truly be good or evil. I want my readers to draw their own conclusions on these subjects, of course, but I like these kinds of philosophical questions. I’m not one to just take concepts like good and evil for granted; I want to really look at what makes a person one or the other. In my book, several characters had tough childhoods, and one had a wonderful childhood — you would expect the former to be evil and the latter to be good, but it’s quite the opposite. We become good or evil depending on what’s inside of us, not because of what has happened to us.

Are experiences in this book based on someone you know or events in your own life?

They are most definitely based on events in my own life. Writing this book was great therapy for me. Father Daven, the priest who mistreats young Wilde, is built from my alcoholic Stepdad, Dave, though the abuse Wilde experiences are much worse than the abuse I experienced. The five sisters locked in a closet came from the fact that my grandma and her four sisters used to get locked in the closet as children, and some of the names are the same. My experiences with narcissists created my villain, Malyse, and the fact that Little Squirrel comes from a broken family unit and feels like an outsider is a direct result of my own childhood, though I wish I had a father figure like Miklos, as she does.

What authors have most influenced your life? What about them do you find inspiring?

The idea of being “Chosen” and having special abilities likely came from Susan Cooper’s The Dark is Rising series. Later in life, the Game of Thrones series by George R.R. Martin fired my imagination, and I took the idea of each chapter title indicating which character perspective that chapter would be from, from that series. I loved the first person present perspective from Suzanne Collins’ The Hunger Games and enjoyed how real it made the action feel, so I borrowed that, too.

If you had to choose, is there a writer you would consider a mentor? Why?

I would have to choose Suzanne Collins. The immediacy and nitty-gritty realness and imperfection of her characters and the action, plus their bravery in the face of terrible odds, really changed the way I looked at and approached fantasy fiction.

Who designed the cover of your book? Why did you select this illustrator?

My beautiful cover art was created by Loraine Van Tonder of Ryn Katryn, Digital Art in South Africa. I decided to search on Facebook for a true artist since I thought so many of the self-pub covers coming out nowadays were so one-dimensional and uninspired. Her artwork, in contrast, was so beautiful and nuanced. She was so easy to work with and friendly and had wonderful ideas that really took my cover to the next level. The colors immediately grab your attention and draw you in, and the character renderings make you want to know more about them. Seeing her cover art for the first time was one of the highlights of my life. She managed to capture the magic, somehow.

Do you have any advice for other writers?

Don’t listen to that little voice that says you can’t do this. You can. Fill a bunch of notebooks with ideas, then sit down and start writing. Just start. That’s the hardest part, and once you do it, keep going. Don’t stop, ever. It’s the hardest thing you’ll ever do, but it’s so worth it, I promise you.

Do you have anything specific that you want to say to your readers?

Welcome to my world, and I hope you love it as much as I do. Thank you for believing in me, and please, tell others. I’d love to hear from you, so don’t be afraid to reach out on Facebook, Goodreads, or Twitter, though I don’t use Twitter much. I’m always looking for new friends.

Gambit of the Gods Book CoverAngela Ashley
Lake Stevens, WA


Gambit of the Gods

Cover artist: Loraine Van Tonder of Ryn Katryn Digital Art


The Nature of Poetry by Dave Schneider


Many people have defined poetry in different ways. Webster’s Dictionary defines it as ‘an arrangement of words in verse; especially in rhythmical composition, sometimes rhymed, expressing facts, ideas, or emotions in a style more concentrated, imaginative and powerful than that of ordinary speech; some poems are in meter, some in free verse.’ If I may paraphrase the others, poetry is the projection of emotion and experience to the reader through theme, imagery, rhythm, and form in finely compressed language. The poet uses distinct imagery, both literal and figurative, supplemented by the rhythmic arrangement of words and phrases in a specifically designed form to convey feelings and ideas to the reader. Like a snapshot photograph, a poem captures a moment of experience in words that can be shared with others through eternity.

What is the difference between prose and poetry?

The most important difference is the line structure. In prose, the lines run to the margins of the page and carry over to the next until they form a complete paragraph. In poetry, each line is specifically designed based on the poet’s intended effect. Poetry is also distinguished by vivid imagery, a lyrical rhythm that supports the theme, and compact language to create an intensity that evokes an emotional reaction from the reader.

Why should you write poetry?

First, let’s be clear. If you’re seeking wealth and fame, poetry is probably not the place for you. The market is very limited, and the question of quality is quite subjective, so your chances of selling enough to make a living are very slim. If you would like to express yourself in a community of people who enjoy doing the same thing, the world of poetry is the perfect place for you.

Poetry is an entertaining form of relaxing recreation. Searching for just the right words to craft a line of poetry is akin to an artist mixing pigments on the palette to achieve precisely the right hue of color for a painting.

Poetry can be a therapeutic outlet for pent-up emotions. Expressing those feelings in words on paper will help you deal with them in a manner that will promote better understanding.

Poetry is an effective means of expanding your repertoire of skills by training writers of all persuasions to be more aware of the intricacies of the language they use. The compact nature of poetry forces the writer to trim and compress the language for maximum effect in expressing the very essence of an idea.

You shouldn’t worry about whether or not you ‘are good enough’ or ‘have what it takes.’ Poetry is more about the journey than the end result.

What do you need to write poetry?

As with all kinds of writing, the first and most important thing you need to write poetry is the commitment to sit down and do it. Ideally, that will start with designating a specific place and time for your writing. The place can be as simple as a place to sit and a flat surface to write on. The time will depend upon the demands of your daily routine. If you are truly committed to writing, you will find some space in that routine for your writing, whether it be rising an hour early for a morning session or in the evening after the kids are tucked into bed. Being retired, I usually try to get all my chores and errands done in the morning to free up my afternoon for writing. I also carry a pad and pen with me to capture any random moments that may come available, such as in the waiting room of a doctor’s office.

Poet Dave SchneiderAfter many years of writing to the beat of someone else’s drum, Dave Schneider unchained his Muse and started traveling a more creative path. When the ghost of Mr. Poe’s raven whispered in his ear, he stepped through the portal into the realm of phantasmic tales. Pushing his way past the cobwebs in the vestibule of his imagination, he proceeded down a labyrinth of deliciously dark dreamscapes, where he encountered the serpent of writing addiction. The beast sank its fangs into his consciousness, and a ravenous passion for words started coursing through his veins.

Since then, he has been writing and teaching poetry on the Writing.Com website. His poems have been published in several small press publications, and he has written articles and essays for a local magazine. In addition to his professorial duties at The Poet’s Place on Writing.Com, he is the chief instigator for The Writers’ Nest at Sangaree in Summerville, SC.

Dave’s career has progressed through a series of evolutionary phases along a meandering trail of enchanting exploration. These ingredients have produced the concoction of his writing. He plans to continue sampling different cuisines as he ventures down new avenues as well as a few less traveled pathways.