Tag Archives: sci-fi

Scifaiku: Canals

 

Canals
mistaken translation
Italian canelli creates hope
of Martian life

A Scifaiku by Wendy Van Camp
Illustrated by Wendy Van Camp

This scifaiku poem is inspired by the history of our study of Mars. This mistake in translation by a famous Italian astronomer became the inspiration for Edgar Rice Burroughs’s “John Carter of Mars” series and H.G. Wells “War of the Worlds” among many others.

This poem appears in “The Planets: a scifaiku poetry collection” available on AMAZON.

A Primer on Speculative Poetry by Kimberly Nugent

When Wendy approached me about writing an article for “No Wasted Ink,” I was thrilled and immediately began to waffle about which idea to put to digital paper. Despite a career in editing, I kept coming back to a topic about which both Wendy and I are passionate, speculative poetry. Genre poetry has a lovely community of poets, and a thriving market for both paid and unpaid submissions.

Like a lot of creators, I had a long break from poetry until editing an e-zine that featured speculative poetry. I was fascinated and thrilled! So, I began writing again. Whether you are returning to poetry, looking for a change in your existing poetry, or would like to write for the first time, I have a few tips for writing in general, and a few specific to speculative poetry.

Keep a notebook. This notebook can be a 99-cent special or something bound in leather, but whatever you pick, keep it with you. And keep your favorite writing implement in stock. Keep pencils in your car, pens in your purse, grab some markers, something that will make a mark. I previously kept notes digitally but have since switched back to physical writing. Not only do you not have to worry about backups or where you saved that file, you will find the thought required to put words on paper also puts contemplation into your ideas and word choices.

Write. Just write in that lovely notebook. It can be anything from words and phrases to outlines and perhaps even a rough draft. But don’t worry about form—yet. The goal here is just to create the words that will build your poetry. Feel free to be wordy. Write in the margins, make notes. The more words in your notebook, the easier to compose your verses. Also, I find inspiration in various media, especially scientific articles and lectures! Your muse can be anywhere, so be sure to jot down all your ideas.

Buy a good form reference book. Now that you have those lovely thoughts and phrases, combine them into the forms that feel natural to the ideas when writing your final poem. I suggest buying at least one (or more!) form reference books. Two of my favorites are “The Prosody Handbook: A Guide to Poetic Form” by Beum and Shapiro and “The Book of Forms” by Turco. The more you write and create, the more you should challenge yourself and step outside your comfort zone. If you generally write a sonnet, try an epic poem or haiku! What specifically sets speculative poetry apart is the topic. The is sky is NOT the limit! Putting the fantastical, science fiction, and even mythological themes into form (and yes, you can include free verse) is what will set you apart from flash fiction and the short story.

After you write your poetry, always let it sit overnight before you make any changes. Like prose writing, a little distance between yourself and the words will make the editing process easier. Now is also the time to share your work with a trusted listener or reader. Your sounding board should give both praise and constructive feedback.

Your edits are complete, your trusted evaluator has appraised your efforts, and you are ready to submit your first poem! But, where? The largest poetry-only markets typically shy away from genre poetry, however, there are organization specifically for the speculative poet. The Science Fiction & Fantasy Poetry Association (SFPA) and Horror Writers Association are both excellent resources for a genre poet. Also, look for publications and journals that are focused on certain forms in addition to genre-specific publications.

When you have decided on a market, read the submission guidelines carefully. Always follow their directions and pay close attention to if the market accepts simultaneous submissions or those that have been previously published. I also highly recommend you keep a log of your submissions so you can keep track of where you place your poems, and which publications you should follow up with.

The most important thing after submitting your work is to congratulate yourself! Whether your first submission or your 100th is your first published poem, creating a work you can be proud to submit is an accomplishment in itself.


Kimberly Nugent lives near the beautiful Sandia Mountain range and edits speculative fiction and RPGs. She spends her free time with her family, cats, and various nerdy hobbies! You can find her on Twitter at @BlueTeaEditing

Quantum Visions Next launches at #LosCon46

Quantum Visions Next. Volume 8 of an annual science fiction short story and poetry anthology

For the last five years, I have participated in an anthology of science fiction short stories and poetry created by editor Jude-Marie Green. The writers all used to be part of a science fiction writing critique group in the Los Angeles area. While the critique group has dissolved, Jude-Marie continues to invite us to participate in the anthology. My fellow writers are WOTF award winners, clairon graduates, or people involved in the sciences. I’m honored to be included in the project.

In previous years, Quantum Visions was printed and stapled by hand chapbook style. Each year, the annual would be launched at LosCon in Los Angeles, CA.  Many of the attendees look forward to purchasing and having all the authors sign the book at the convention.

I have sold these chapbook issues at various book tables for the last few years.  This year, our editor has decided to place the anthology on Amazon, both as an ebook and as a paperback. It looks quite professional and the stories this year are the best we’ve offered to date.  At last Quantum Visions is available to all my readers.

This year’s edition features my flash fiction, We Can Rebuild Him, and five of my illustrated scifaiku poems.

You can find the book on AMAZON

Writers of Quantum Visions Next
Writers of Quantum Visions Next: Jamie Cassidy-Curtis, David R. Moore, Wendy Van Camp, Jude-Marie Green, Chrome Oxide.

The Planets: a #scifaiku Poetry Collection Launches

THE PLANETS
a scifaiku poetry collection
written and illustrated by Wendy Van Camp
New Release #scifaiku #haiku #astropoetry
BUY THE EBOOK

The planets have fascinated humanity since the dawn of time. We’ve looked up into the heavens and wondered what these wandering stars are and why they are different from their more stationary cousins. In modern times, humans have sent probes to all the planets in our solar system, sending back tantalizing views from faraway worlds. The planets are woven into our culture and history. They are signposts of our journey ahead.

This collection of 108 science fiction haiku poems (scifaiku) will take you on a journey of exploration showcasing tiny moments of wonder with each of the planets of our solar system.

Come share in the adventure.


I’m pleased to announce the launch of my long-awaited poetry collection, “The Planets: a scifaiku poetry collection”.  Scifaiku has been a passion of mine for the past four or five years. Not only do I regularly publish the poems, but I also illustrate and sell them as art prints at the various science fiction conventions that I attend.  Some of the poems in this collection have previously published in magazines such as “Far Horizons”, “Quantum Visions”, or “Lit Up” on Medium. I’ve also performed a few sets of them at live open-mic readings.

Most of the 108 short poems in this collection were written for the book and are not seen elsewhere. Likewise, all the pen and ink line art was created by me for this volume.   I felt that I should do the art myself since I have a history of illustrating my poems in the past.

This is the ebook launch of “The Planets”, but a paperback is in the works and should be available shortly for all of you who prefer paper.

What Do You Know by Peter J Foote

The laziest answer given to the aspiring writers during Q&A’s or interviews when asked for advice is: “Write what you know”, but what does that mean?

It’s the trite answer given when vision is lacking or the author is keen for the day to finish. BUT there is a pearl of wisdom in there and I believe we should examine it together, so buckle up.

Though before we start I should caution you, nothing you read in this article will be earth-shattering or groundbreaking. Others have trod this path before, and will again, but I believe my unique perspective adds something to the question.

That’s right, I said unique, in that each of us has our unique memories and encounters that molded us into who we are now. My childhood on an apple farm, studying archaeology, or that unfortunate zipper “incident” when I was six may turn up in a story, I’m referring to something richer.

My story begins in the fall of 2015. I was at a crossroads, but we’ll chat about that later. Until that point, my writing comprised a handful of short stories I penned in the 90s that will never suffer the light of day and countless roleplaying adventures that went unplayed. At that point in my life, the writing was an outlet that struck at random.

So what changed? I had.

I ended a seven-year toxic relationship, it was something I knew was wrong when it began. Since we weren’t harming anyone (no marriage or kids, just played house on weekends), I allowed it to continue because I didn’t believe I deserved better. When I became brave enough to end it, I struggled to talk about my feelings, so I tried my hand at putting my emotions and journey into the written word. “The Silence between Moons”, a tale of a lone ranger and a She-wolf that could take human form was the result, and it became my first sale.

That’s what I knew, the sense of dismissal, the heartache, the feeling that I wasted my best years on a relationship that had no future. Weaving a fantasy tale around my hurt allowed me to feel like a hero, when before I felt like a villain since I had caused hurt and disappointment. Distancing myself from my feeling as I wrote the story wasn’t easy, nor should it have been, but that “over the shoulder” position I allowed myself, helped heal me more than I expected.

I hope your decisions have been better in life, each of us carries around mistakes, hopes, and joys, that emotional “baggage” that makes us the unique beings that we are. Beings that have a story to share with an audience, that connects us to others and that sense of connection is one of the greatest gifts that we can share with our readers.

Having a sale under my belt broke down my walls. Here was a way for me to express myself in a way that had a meaningful impact upon me, it gave me a strength to share myself with others. I hadn’t realized that my words, what I knew, could find a home in tales of wonder and adventure, and bring readers along for the ride.

That first story was clunky and not my best work, but it will always hold a special place in my heart. It led me along a path to tell new stories, explore myself, meet new people that I won’t have met otherwise. After it followed tales which explored how Might doesn’t always make Right, with my story “A Troll by any other name”, how a handful of jelly beans can forge a friendship in my award-winning story “Sea Monkeys”, along with dozens of others. What I know has evolved and changed me, I expect you’re the same. You can surprise yourself when you look through old stories, or journals and ask yourself “Who was I then, what did that version of me know?” That question makes excellent story fodder and can provide wonderful insight for character motivation.

I’m a short story author, and I have the utmost respect for those who tackle novel-length projects and series. We can use writing what you know in 100 words drabbles right up to 100K+ works and everything in between. The stories in which I have shown what I know, be it betrayal, forgotten loves, or soul-crushing shame, has far out-sold those in which I have told the message, and this is where your personal experiences can help you.

So I challenge you, to look within yourself and ask “what you know”, and how you can use it in your writing. One word of warning though, this can be a difficult exercise, it’s upsetting when exploring uncomfortable memories, so I want you to prepare yourself and practice self-care. Not every story you write needs to be a deep, soul-wrenching essay that frays yourself open, but I want you to be true to what you know. You’re an ever-evolving bundle of joys, sorrows, and decisions that get remade every day, and I look forward to reading what you know.


Peter J FootePeter J. Foote is a bestselling speculative fiction writer from Nova Scotia. Born and raised on an apple farm, he studied archaeology in university, and always had a passion for the “what if”, and an appreciation of nature. Outside of writing, he runs a used bookstore specializing in fantasy & sci-fi, cosplays with his fiance, is an active Freemason, and alternates between red wine and coffee as the mood demands.

Having the distinction of appearing in each of the “From the Rock” anthologies published by Engen books (Sci-fi from the Rock, Fantasy from the Rock, Chillers from the Rock, Dystopia from the Rock, and Flights from the Rock), Peter is also the celebrated winner of the “Awkward Author” contest sponsored by Chuck Wendig, autographed proof has pride of place in his writing nook, which you can see on here.

Peter considers himself a genre writer, with Science Fiction, Fantasy, and Horror being his preferred method of storytelling. He has recently taken to writing drabbles for Black Hare Press, finding the challenge to write a complete story in 100 words a great way to improve his writing skills.

His short stories can be found in both print and in ebook form, with his story “Sea Monkeys” winning the inaugural “Engen Books/Kit Sora, Flash Fiction/Flash Photography” contest in March of 2018. As the founder of the group “Genre Writers of Atlantic Canada”, Peter believes that the writing community is stronger when it works together. GWOAC has grown from a handful of members to over 300 regional authors of all skill and ability, which focus on networking and support to build a stronger genre writing presents in Atlantic Canada.