Tag Archives: science fiction

Author Interview Laura Woodswalker

Author Laura Woodswalker is a nature and science-obsessed nerd who believes that writing, art, and music are true expressions of the transcendent.  I am pleased to welcome her to No Wasted Ink.

author-laura-woodswalkerMy name is Laura Woodswalker. I ‘m a retired cat lady who has raised 3 children, worked various nursing and graphics jobs, and written several books to save my sanity. Music, art and writing have always been my favorite time-wasters. In addition to writing books, I produce electronic music and visual arts. I also perform at the electro-music festival in NY state. Between projects, I also do weaving and various DIY crafts.

When and why did you begin writing?

When I was 12, I became obsessed with the Incas and wrote a novel about them. But my writing has often been episodic, in response to difficult times in my life. I wrote my first SF novel in the late 70s when my bluegrass band broke up. After my divorce, I wrote a 200K novel about the Khazars.

When did you first consider yourself a writer?

I don’t really. I don’t have this ironclad compulsion to write all the time—only when I get an idea that forces me to write it.

Can you share a little about your current book with us?

TESLA’S SIGNAL is a historical science fiction novel based on the life of electrical genius Nikola Tesla, who gave us the world’s electrical system. In 1899, while experimenting with high-frequency currents, Tesla believed he had received a signal from an extraterrestrial civilization.

This inspired me to write about an alien visitation in the early 1900s. The invaders try to recruit Tesla for their conquest of Earth. After he escapes them, he is the only human with the scientific know-how to counter their mind-control frequency devices. The authorities, meanwhile, blame him for the aliens’ devastation and hunt him as a public enemy. Nikola and his colleague Clara are the only ones who can save the world!

What inspired you to write this book?

When I read Tesla’s biography, I saw that his life was “a science fiction story that practically wrote itself.” I did not feel qualified to write a SF novel about an electrical genius…but I felt as if Tesla had grabbed me by the throat and demanded I write his story.

Do you have a specific writing style?

When readers enter our world, they are blind, deaf and crippled. They depend on us to take them everywhere. So I don’t like to distract them with too much ‘show-don’t-tell’. At the same time, I prefer to tell a story rather than make my readers wallow in suffering. Conversation and human interaction are the backbone of a compelling scene. Also, I like to throw a bit of humor into my dramatic scenes.

How did you come up with the title of this book?

It was a no-brainer…although the signal was actually something that Tesla received, rather than one which he sent.

Is there a message in your novel that you want readers to grasp?

On the surface, my novel is a classic adventure story. But there are deeper levels in which I explore the soul of a lonely genius who finds love and transcendence. The message is how my characters overcome their fears and temptations, find courage and love, and the willingness to sacrifice themselves for humanity.

Are experiences in this book based on someone you know, or events in your own life?

The character Clara, a Yiddish immigrant who becomes Tesla’s colleague, is very much drawn from the culture of my immigrant grandparents. Much of the novel is set in New York City, where my grandparents lived. When my characters must flee to a remote location, I put them in the mountains of Central Pennsylvania where I grew up. They meet a professor who can help them—and he is based on my father, an engineering professor.

What authors have most influenced your life? What about them do you find inspiring?

Zenna Henderson, my #1 favorite author, wrote about “The People”–telepathic aliens whose ancestors crash-landed in the southwest in the 1800s. The stories depict their attempts fit in with normal Earthlings, without losing their unique gifts and differences. How could this theme not resonate with a lonely high-school outcast? Likewise, my other favorite author, Clifford Simak, wrote about “mutants” who tried to save the world while facing persecution. With my ethnic background, I could certainly relate to this. My favorite science fiction theme has always been the noble mutant, alien, and the gifted outcast.

If you had to choose, is there a writer would you consider a mentor? Why?

In the 80s I discovered Marion Zimmer Bradley and the Darkover conventions. This subculture was my gateway to SF cons and meeting other writers. I then discovered the Philadelphia SF Writers Workshop. I attended this sometimes grueling workshop for many years. One could not ask for a better writers’ boot camp. After critiquing and being critiqued for many years, I learned how to hear an editor’s voice inside my head.

Who designed the cover of your book? Why did you select this illustrator?

I designed my own cover. I was an art major with a degree in computer graphics, so I felt that if I hired someone else I would be wasting my education.

Do you have any advice for other writers?

Take the advice with a grain of salt. The main point in writing is “variety”. Vary your sentences, types of scenes, styles. Readers have short attention spans. Also, transcend your ego. It is going to get hurt; that’s part of the process.

Do you have anything specific that you want to say to your readers?

This is a stand-alone novel, but the companion volume TESLA’S FREQUENCY should be out in a few months.

book-cover-teslas-signalLaura Woodswalker
Phoenixville PA

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Book Review: The Martian Chronicles

Book Name: The Martian Chronicles
Author: Ray Bradbury
First Published: 1950

Ray Bradbury was an American fantasy, science fiction, and mystery fiction writer. He was known for his dystopian novel Fahrenheit 451 and for the science fiction and horror stories gathered together in The Martian Chronicles and The Illustrated Man. Many of Bradbury’s works have been adapted into television and films and he has left his stamp on the science fiction and fantasy genres.

Bradbury was born in the mid-west, but his family moved back and forth between Waukegan, Illinios and Tucson, Arizona for most of his formative years. When Bradbury was fourteen, his family settled in Los Angeles, California and he remained in the Southern California area for much of his life. Bradbury was a reader and writer throughout his youth. He claimed that he was inspired by Edgar Rice Burroughs’ John Carter of Mars series and wrote a fanfiction based on those tales at the age of twelve. He credits this series as the inspiration for The Martian Chronicles and notes that he likely would never have written about Mars at all if it was not for his love of the Burroughs’ series.

Bradbury cited H.G. Wells and Jules Verne as his biggest science fiction influences, followed by Robert A. Heinlein, Arthur C. Clarke, Theodore Sturgeon, and A. E. van Vogt. As Bradbury matured, he drew more from the style and works of Alexander Pope and poet John Donne. When later asked about the lyrical nature of his prose, Bradbury replied that it came, “From reading so much poetry every day of my life. My favorite writers have been those who’ve said things well.” He also has said, “If you’re reluctant to weep, you won’t live a full and complete life.”

Bradbury did not attend college. Instead, he sold newspapers once he graduated from high school and spent much of his time reading. “Libraries raised me. I don’t believe in colleges and universities. I believe in libraries because most students don’t have any money. When I graduated from high school, it was during the Depression and we had no money. I couldn’t go to college, so I went to the library three days a week for 10 years.” Bradbury wrote Fahrenheit 451 at the UCLA’s Powell Library where he rented a typewriter in one of their study rooms. The rental rate for completing the entire novel was around ten dollars since the rental of the manual typewriter was ten cents per half hour. He preferred to write on a typewriter instead of computers because that was what he was used to.

Ray Bradbury lived at home until the age of twenty-seven when he married his sweetheart, Marguerite McClure. They had four children together. He was an active member of Los Angeles Science Fiction Society where he made his first connections in the writing community of Los Angeles. From these connections, he began to meet publishers and gained a following for his work that now spans the globe. Bradbury is credited with writing 27 novels and over 600 short stories. More than eight million copies of his works, published in over 36 languages, have been sold around the world.

In his later years, Ray Bradbury became a well sought out speaker at literary events in the Southern California area. He never obtained a driver’s license and did not enjoy travel. It was well known on the speaker circuit, if you wanted Ray Bradbury to speak at your event, you should arrange to have a driver come and get him. I regret that I did not take the opportunity to meet Mr. Bradbury in person before he passed away in December of 2011. He was a favorite on the literary speaker’s circuit in Southern California and I personally know many writers that consider him to be an inspiration.

“Science is no more than an investigation of a miracle we can never explain, and art is an interpretation of that miracle.” – Ray Bradbury, The Martian Chronicles

The Martian Chronicles is a collection of short stories based on the colonization of the planet Mars by people fleeing from an atomic devastated Earth. There is conflict between the aboriginal Martians and the colonists as they adjust to life on the new world. The stories are tied together by short vignettes, creating a loose novel in three parts.

The first third of the book tells of the first attempts by humans to land and explore on Mars. The native Martians endeavor to prevent them from returning. In the fourth story _And the Moon be Still as Bright, it is discovered that the Martians have been decimated by a plague brought by the humans, much the way that the American natives were brought down by European disease by the conquistadors. This sets the stage for the second part of the book when the humans colonize the deserted planet and set about making it into a second Earth. The final part of the book occurs after a global nuclear war on Earth cuts off contact between the two worlds. The few surviving humans that remain on Mars become the new Martians and the circle of life continues.

the-martian-chronicles-book-coverMy first exposure to The Martian Chronicles was during the 1980s when the mini-series starring Rock Hudson came out in 1980. Hudson played one of the colonists from the fourth Martian expedition who later returned with his family to colonize Mars. I have never forgotten the scene when Hudson playing Col. John Wilder takes his children to a Martian canal and points at their reflection in the water. “There are the Martians.” He tells them. One day there will be humans to do this and not all that far in the future.

I have always loved the ERB series, John Carter of Mars, and between the two, a love for stories about the red planet has grown in me. After The Martian Chronicles mini-series, I made a point to seek out the original book. While I enjoyed the written stories, I think that in this case, I prefer the mini-series, although Ray Bradbury himself thought it boring! You can still see all three episodes today on YouTube. ONE TWO THREE

The science behind the stories is sorely outdated. Back when Bradbury wrote the stories, it was believed that Mars had more atmosphere and it would be more hospitable to human life. Today, we know that living on Mars will be much more difficult than simply getting there and setting up homes. We will need to combat a rampant CO2 atmosphere, low gravity and live without the protection of a magnetic planetary field. Still, this is a classic science fiction tale and several of the stories in the collection are well worth reading. My personal favorites are: “Rocket Summer”, “Ylla”, “-And The Moon Be Still As Bright”, “The Off Season”, and “The Million-Year Picnic.”

Author Interview: Elizabeth Crowens

I met Author Elizabeth Crowens at World Con in Kansas City.  We are both members of Broad Universe.  Her Time Traveler Professor series is an alternate history/spooky steampunk published out of London.  Please welcome her here on No Wasted Ink.

author-elizabeth-crowensHi, I’m Elizabeth Crowens. Why do I use a pen name? Because back in the 80’s I wrote for Ninja Magazine and a bunch of other unusual publications. This was when Hollywood and Hong Kong were churning out a lot of over the top films on the tail end of the Bruce Lee craze. I actually had a blackbelt in ninjutsu that I received from the top masters in Japan, but I knew the reality behind the façade and felt I needed a bit of anonymity from my professional life working at a publishing company at the time. The last headache I needed was to have someone plan a surprise attack to see if I could really do a triple backflip and throw ninja stars in my defense. I didn’t need the hassle. So I just came up with a pen name.

When and why did you begin writing?

In the 70’s when I was in college I thought my career path was going to be screenwriting. Back then I didn’t have a very realistic view of how the film industry worked. My head was in the clouds with wildly creative ideas, and my teachers weren’t the best influences because they came from the avant-garde and Andy Warhol schools of artsy indie filmmaking. However, my goals were commercially oriented. New York film schools were like that back then. Unfortunately, I was young, naïve and didn’t know any better and flying by the seat of my pants until I finally moved out to Hollywood in 1990.

When did you first consider yourself a writer?

Back in the 80’s when I was writing articles for magazines and working on the first draft of this manuscript. However, I wasn’t making enough money to make a living out of it. My degree was in Photography and Film studies, but I found out the hard way that in journalism people were paid more for writing articles in magazines than they were for the photography that accompanied them. So I thought to myself, “Hey, I was always good at English in school. I’ll write the article, as well, especially since I’d get paid more for it.”

Can you share a little about your current book with us?

Silent Meridian is a 19th century X-Files meets H.G. Wells’ The Time Machine featuring Sir Arthur Conan Doyle and his paranormal enthusiast partner, John Patrick Scott, the Time Traveler Professor. It’s a delightful mash-up blending those elements with hints of Doctor Who, Tim Powers, and Nicholas Meyer. Contrary to people’s first impression it is not a Sherlock Holmes story.

What inspired you to write this book?

That’s a stranger than fiction story. I’ve always had a passion of collecting antiques and antiquarian books. Very similar situations that occur in the book, sometimes finding a strange book or an unusual item can inspire a whole flood of ideas.

Do you have a specific writing style?

I try to mimic a Victorian first-person point of view although I tone it down for modern readers. Authors such as Henry James and Arthur Machen can get incredibly wordy. Editors today are always hopping on our backs about word count.

How did you come up with the title of this book?

In the book, I refer to two similar metaphors, i.e. the sfumato effect and the Verdaccio technique of underpainting. These are both art terms from the Italian Renaissance referring to the methods used by Leonardo da Vinci as to how he depicts seamless and invisible edges in paintings such as the Mona Lisa. However, it alludes to the often-indistinguishable transition from dreams to reality to jumping back and forth in time.

Is there a message in your novel that you want readers to grasp?

“The key to the future lies in clues from the past.” That’s from a quote in the novel. It’s very much tied into resolving karma and moving forward and any conflicts you experience now most likely can have their roots traced back in history—therefore the justification of traveling through time.

Are experiences in this book based on someone you know, or events in your own life?

Shush! That’s a secret.

What authors have most influenced your life? What about them do you find inspiring?

I’d rephrase that by asking the question, “What books or media have been the most influence?” I’ve gone through spurts with reading, but I’ve always been a film buff. My answer? Stanley Kubrick, Harry Potter and Star Wars. Kubrick and Lucas were the reasons why I got involved in the film industry. I remember being blown away by A Clockwork Orange, especially in its art direction and cinematography, when I was in high school and Star Wars just at the time I was graduating college and about to spring out in the job market working in film production. Harry Potter didn’t come around until many years later.

If you had to choose, is there a writer would you consider a mentor? Why?

If I can resurrect someone from the dead it would be Arthur Conan Doyle, because his Sherlock Holmes stories are so damned clever. One that is living now? Tim Powers. I’m amazed as to how he puts everything together in his plotting.

Who designed the cover of your book? Why did you select this illustrator?

This was an unusual situation where I, as the author, had a significant amount of input in the cover design. After I signed my contract with my publisher, he hooked me up with the graphic designer that handles most of his covers. The graphic designer asked me if I had any ideas since this was basically a steampunk novel and not the typical Sherlock Holmes pastiche that comprises most of my publishing company’s catalogue.

“Do I have any ideas?” I thought to myself. “Boy, am I going to surprise everyone!”

Little did they know that I’ve been professionally trained as both a graphic designer and photographer and have had over 20 years experience with Photoshop. Previously in my career, I used to art direct and shoot movie posters in Hollywood. Since I had full intentions of pitching the Time Traveler Professor series (Silent Meridian is the first of approximately seven books) as either a film series or a cable television series, I had already composited a one-sheet or sell sheet mini-poster as a leave behind. The background photo on the cover is one that I took at the University of Edinburgh Medical School where Conan Doyle received his medical degree.

Brian Berlanger, MX Publishing’s graphic designer, and I worked together refining some of the images. I took a back seat and allowed him to get all the credit just because I was so thrilled to have as much input as I did.

Do you have any advice for other writers?

To quote Buzz Lightyear from Toy Story, “Never give up. Never surrender.”
silent-meridian-book-coverElizabeth Crowens
New York, NY

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Silent Meridian

Art Director: Elizabeth Crowens
Cover artist: Brian Berlanger.
Publisher: MX Publishing

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Why Gene Wolfe? by Jeff Michaels

science-fiction

“My definition of good literature is that which can be read by an educated reader, and reread with increased pleasure.” Gene Wolfe in a letter to Neil Gaiman

Recently I invoked the name of my favorite author, Gene Wolfe, in an offhand comment on Facebook. I am quite certain that no one caught my point. It is not uncommon for me to invoke Gene’s name; he is a vocabularic virtuoso, a poetic maestro, a genius level wordsmith, and a heck of a nice guy.

My oblique reference was to an early short story of his titled “A Method Bit in ‘B’” which concerns an actor in a werewolf movie, likely filmed in black and white. It is one of my favorite stories and I do not entirely know why.

It is also, to the best of my knowledge, uncollected at this point. To read it you must find a copy of Orbit 8, edited by Damon Knight – which I encourage you to do. It is easy enough if you are one of the first to hit Amazon’s second-hand third party market. At the time of this post $9.99 gets you the hardcover, while $2.99 gets you a paperback. Hurry. There were not many available. It is worth the price for Wolfe’s story, but there are also many other excellent short stories waiting to be discovered by you, including a second Wolfe short about the future of pets. Grim and funny stuff.

One of the things I will say about “A Method Bit in ‘B’” is that it is clever. By clever I mean sly. By sly I mean devious, unobvious, sneaky, O. Henry-esque in its own Wolfean way. It does not ask the reader to understand, nor does it explain the conceit of the story and it steadfastly refuses to let the reader in on the secret with a wink or a nudge of exposition. This is a tale that respects the reader’s intelligence. Sadly, many readers are unwilling to invest their time in Gene’s often dense, always literate prose.

There are few writers working in this day and age who are daring enough to leap from the hidebound rules of the MFA programs of monolithic institutions. Rules which change, by the way, based on the perpetual “new normals” instituted by those who dare. What is taught is often what last succeeded. Heaven forfend that we try something new! Gene Wolfe knows the rules. He also knows how to re-engineer them in interesting ways.

There are, among the few authors that take the leap, still fewer who have the actual skill to make the leap. Some do it once, by sheer awesome hutzpah and the amazing lack of knowledge that tells them they cannot possibly succeed in their mad endeavor. Often their second leap is weak and injurious to their career.

Gene has been taking that leap, and making it look easy, for over forty years now. That takes skill and confidence. Also daring. I suspect that Gene is such a veteran of the publishing world that he does not view what he accomplishes as a feat of derring-do. I also believe that he does not take each new leap for granted. Like any good magician (the word I want to use is Wizard) he works hard to make it look easy.

Although I mention Gene Wolfe often and hold his art in the highest esteem, I do not always recommend him to readers. The reason is the same as to why I do not recommend a film of the caliber of say, Citizen Kane or Shakespeare’s histories to someone who prefers watching reality television programming. Their interest is in lighter stuff.

Wolfe can be playful, the story deceptively light, but there is never anything simple about Gene’s storytelling. He is often purposely deceiving. You can never quite trust a Wolfe story to be what it first seems or is labeled. There is surprise within the forest of language and often you are well along the path before you realize what you have witnessed.

Rereading Gene Wolfe’s books and stories will almost always reward the attentive audience with a missed twist or reference. For a writer you will likely find yourself educated in the matter of style, with your sights set higher regarding your own work.

Why do I like “A Method Bit in ‘B’” or any of Gene Wolfe’s crafty tales?

I am never quite sure.

jeffreyjmichaels4wendy2Jeffrey J. Michaels is a Gemini. As such he is deeply involved in whatever interests him at the moment. His describes his book “A Day at the Beach and Other Brief Diversions” as “metaphyictional,” combining fantasy and humor with metaphysical elements.

He is currently polishing a sweeping fantasy series of interconnected tales collectively known as “The Mystical Histories.” It is varied enough that he says he may even finish most of the stories.

In his real life he is a well-respected creative and spiritual consultant.
He does not like to talk about his award-winning horror story.

a-day-at-the-beach-book-coverA Day At the Beach and Other Brief Diversions

What if… …your perfect day never ended? …your life were to pass before your eyes, one person at a time? …the genie in the lamp had a wish? …you heard the perfect last words? Versatile author Jeffrey J. Michaels invites you to explore new ways of looking at your world and worlds beyond in this selection of metaphyictional short stories.

Scifaiku of Wendy Van Camp featured in Quantum Visions 5

 

quantumvisions5-2016

It is with great pleasure that I announce that five of my poems and illustrations have been published in the magazine “Quantum Visions 5” edited by Jude-Marie Green.  It is a chapbook featuring science fiction stories of the Orange County Science Fiction Club’s Writer’s Orbit.  I am the only poet in the edition.  This magazine used to be print only, but this year Ms. Green is offering online versions.  You can purchase an online chapbook at the following link:

Quantum Visions 5