Tag Archives: science fiction

Victorian Visions of the Future

My current trilogy of novels is in the steampunk/sci-fi genre. One of the fascinating aspects of writing in this genre is when you imagine yourself as part of Victorian culture with the social morals and customs of this age that has come and gone, but with advanced technology that is based upon the idea that the steam engine was the driving force behind all the technology instead of the combustion engine or solid state electronics. The result is a technology that is rich in the ornate decor of Victorian England, combined with fanciful inventions and the introduction of modern cultural ideas against the backdrop of more old-fashioned morals. It makes for a rich writing environment.

How might the true Victorians have viewed their future and what sort of inventions could they have imagined to come along to enhanced their lives? Remarkably, I spotted a group of vintage French Victorian postcards created between 1899 and 1910 that depicted what life might be like for the then current day Victorians in the year 2000. I found the answer to this question to be both quaint and intriguing.

Vintage Victorian Postcard - Farming in Year 2000

We take mechanized farming for granted in the 21st century, but during Victorian times, the concept of machines handling the heavy lifting of the farmer must have been straight out of science fiction. I think that this concept is fairly close to the reality that we live today, although the postcard looks much prettier than what is now the real thing. Notice that the farm is laid out as if it was still being worked by hand, but with the machines added in as more an after thought. A far cry from today’s farming techniques.

Victorian Postcard - Video Chat

Thanks to the Apple iPhone, real time face to face phone conversations are now growing to be more commonplace around the world. This marvel of present day science was once just a glimmer of an idea. Notice that in the postcard, technology that was common during that time period is depicted and slightly altered to give the new way of communicating its life. While their imagining was larger than our present day phones, I have to say that their way was a bit more grand and picturesque.

Victorian Postcard - Barber

Thankfully, we of the 21st century have not automated the barber shop, but I love the octopus armed machine that this artist had imagined. This industrial machine is front and center in the shop, and I can see it going out of control like in a B rated horror movie.

Victorian Postcard Electric Rollarskates

Electric scooters, mopeds and other small wheeled vehicles are commonplace today. I am sure I’m not the only woman to have to dodge a child speeding through the park on a motorized or electric skateboard. Here the Victorian artist took the common scene of ice skaters and took it to the next level of technology. The idea that the wheels would allow the skaters to go other places than a rink might not have occurred to him since at that time all skating took place on ice only. I love the guy in the background who took a fall. That would be me at the skating rink!

Victorian Postcard - Whale Powered Submarine

Move over Captain Nemo, here is a Victorian vision of how to power a submarine before the age of the combustible engine or nuclear power. Looking at this image, I wonder how the artist thought that the future Victorians might capture and train these giant denizens of the deep to carry their underwater ships?

Victorian Postcard - French Air Force

Of the entire group, this is my favorite Victorian image. That of the Zeppelin French Air Force in battle. The Zeppelin is one of the more consummate symbols associated with the steampunk genre. Even in Victorian times, it was a symbol of power and state of the art technology.

Finding images from the past is certainly inspiring and these antique postcards are certainly helpful if you are interested in writing in the steampunk genre.

Book Review: The Stainless Steel Rat

Book Name: The Stainless Steel Rat
Author: Harry Harrison
First Published: 1961

Harry Harrison was a writer from the world of comics and science-fiction magazines of the 1950s. An amazingly prolific author, Harrison was an extremely popular icon in the science fiction world. He was known for his self-aware wit combined with biting satire, his distrust of the military and tax officials, and above all his intelligence combined with a range of moral, ethical and literary sensibilities.

His best known work consists of fast-paced parodies of traditional space-opera adventures including the Deathworld series, The Stainless Steel Rat books, and the books about Bill, the Galactic Hero. His writing presented many interesting contradictions. Harrison wrote his novels in the parlance of a conservative minded voice, but framed his ideas with the conscience of a liberal and laced with a sharp awareness of the lack of literary values in the works he was parodying.

Harrison started out his career by being drafted into the US Army Air Corps during World War II. He became a sharpshooter, a MP, a gunnery instructor, and a specialist in the proto-types of computer-aided bomb-sights and gun turrets. During his military service, he learned Esperanto, a language that would be featured in many of his future novels. Once he was discharged, he went to study art at Hunter College in New York. By the end of the 1940s, Harrison was running his own small studio specializing in selling illustrations to comics and science fiction magazines. He thought himself as a commercial artist at this time instead of as a writer. However, he slowly moved from drawing illustrations to editing a few magazines. As the market for comics began to dwindle, Harrison began writing stories for science fiction magazines to supplement his income.

Due to the low pay involved with writing, he moved his wife Joan and their children to Mexico where living expenses were cheaper. It was the first of many international moves for his family. From Mexico, they went to Britain, then to Italy, and then to Denmark. They stayed in Denmark for seven years since he and his wife believed it a good place to raise their two children, but eventually they returned to the west coast of the United States. Later, because Harrison had an Irish grandparent, he was able to become a citizen of Ireland and took advantage of the Irish tax exemption where writers enjoy tax-free status. Harrison remained in Ireland until his wife Joan died in 2002. The blow of her death disheartened him and he moved to Britain and lived his remaining years there until he died in August of 2012 at the age of 87.

The cover blurb of Harrison’s novel The Stainless Steel Rat proclaims: “We must be as stealthy as rats in the wainscoting of their society. It was easier in the old days, of course, and society had more rats when the rules were looser, just as old wooden buildings have more rats than concrete buildings. But there are rats in the building now as well. Now that society is all ferrocrete and stainless steel there are fewer gaps in the joints. It takes a very smart rat indeed to find these openings. Only a stainless steel rat can be at home in this environment.” Harry Harrison thus introduces Slippery Jim deGriz, the self proclaimed rat of a sterile society that has bred out the criminal element among humanity. In an earlier age, he would have been a soldier of fortune with a heart of gold, seeking adventure and treasure. In this tale of the far future, he is a mastermind criminal who is recruited by a mysterious “special corps” to seek out and and fight what little crime is left in human inhabited space. His first assignment is to hunt down a serial killer, who turns out to be a beautiful woman. Naturally, the Rat falls in love, but has he met his match?

During my high school years, I had a habit of reading seven to eight books a week, more if they were shorter. I could be seen riding my bicycle with a large backpack filled with volumes at any give day of the week. I ended up “reading out” our two local public libraries in the small town that I grew up in. Harry Harrison’s novels were part of that long list of books I absorbed during this time period and the characters and humor have stuck with me down through the years. Are the stainless steel rat stories classics? Maybe not, but they have surprisingly stayed fresh down through the years. Slippery Jim deGriz and his lovely wife Angelina are memorable characters that should not be missed.

The Stainless Steel Rat series is not in the public domain. You can find copies at any well stocked book store or at your public library.

The Stainless Steel Rat Book CoverNovels:

The Stainless Steel Rat (1961)
The Stainless Steel Rat’s Revenge (1970)
The Stainless Steel Rat Saves the World (1972)
The Adventures of the Stainless Steel Rat (1978)
The Stainless Steel Rat Wants You (1978)
The Stainless Steel Rat for President (1982)
A Stainless Steel Rat Is Born (1985)
The Stainless Steel Rat Gets Drafted (1987)
The Golden Years of the Stainless Steel Rat (1993)
The Stainless Steel Rat Sings the Blues (1994)
The Stainless Steel Rat Goes to Hell (1996)
The Stainless Steel Rat Joins the Circus (1999)
The Stainless Steel Rat Returns (2010)

Comics:

The Stainless Steel Rat, 12 episodes, 2000 AD progs 140–151 (Nov. 1979 to Feb. 1980).
The Stainless Steel Rat Saves the World, 12 episodes, 2000 AD progs 166–177 (June to Sep. 1980).
The Stainless Steel Rat for President, 12 episodes, 2000 AD progs 393–404 (Nov. 1984 to Feb. 1985).[2]

All comics were adapted by Kelvin Gosnell and drawn by Carlos Ezquerra. Ezquerra drew Jim with an appearance modeled on the actor James Coburn.

Book Review: The Dragon and the George

Book Name: The Dragon and the George
Author: Gordon R. Dickson
First Published: 1976
Winner of the British Fantasy Award

Gordon R. Dickson was born in Edmonton, Alberta. After the death of his father, he immigrated to the United States to live with his mother in Minneapolis, Minnesota. Later he served in the US Army and received a Bachelor of Arts from the University of Minnesota. Dickson has said of his work, “All my books are laboratory pieces. I’m trying something new in each one. They all have the same roots as the morality tale, but what I’m really tying into is something deeper. It’s this human urge to reach out for something better and bigger that is driving us all the time as a race.”

A regular on the science fiction convention circuit, he was known for chatting for hours with his fans or playing his guitar to entertain. Although he suffered from asthma all his life, an illness that eventually killed him, Dickson published two to three novels a year for five decades for a total of over 80 novels and 100 short stories.

Dickson is most famous for his Childe Cycle series and the Dragon Knight series, although the Hoka series he penned with Poul Anderson is certainly a well known favorite. Joel Rosenberg said of him, “He’s just one of those people who have had an impact on everybody in the field. He got his start in ’50s and has been a major force ever since.” Dickson was a past president of the Science Fiction Writers of America and had won three Hugo awards and one Nebula award before his passing at age 77 in the year 2001.

The Dragon and the George begins with 20th century academic Jim Eckert traveling to an alternate world via astral projection where magic is real, people live in feudal style and dragons not only can talk, but refer to humans as “georges” after the famous St. George the dragonslayer. Something goes awry and Jim finds himself trapped in the body of a young dragon named Gorbash. Not only does Jim have to deal with living life as a dragon, but he is also on a quest to rescue his fiancee Angie who is being held hostage by the Dark Powers of the world.

Jim is mentored by the wizard Silvanus Carolinus in magic and is aided on his quest by humans such as Dafydd Ap Hywel the welsh longbowman, Sir Brian Neville-Smythe a Knight Errant and the dire wolf Aragh who can speak and is quite abrasive. Several dragons come to his aid in the final battle, believing he is their friend Gorbash, such as the mere-dragon Secoh and Gorbash’s grand-uncle Smrgol.

In the end, Sir James Eckert has to make a final decision. Does he remain in this alternate world of magic or return to our world and live the life of an underpaid junior academic?

The Dragon and the George was one of those novels that has simply stuck with me down through the years. I first read it back as a kid when it was newly published in 1976. I fell in love with the story and it became one of my favorite books. It was the first novel I had read of Gordon R. Dickson’s, but it certainly was not the last. I did not read many of the follow ups because during the 1990s when they were written, I was busy in college and didn’t realize that they had been published, but they are all on my must read list. What I like about Dickson’s work is the humorous characters and situations he puts into his novels, but also the underlying since of personal responsibility that all his protagonists seem to have. Some may consider his work “dated”, but the wry humor and comic situations still stand the test of time. His work is a great example of classic science fiction romance.

    You can find The Dragon and the George online at most major booksellers.

    The Dragon and the George was made into an animated movie called “Flight of Dragons” (1982).




The Dragon and the George Book CoverThe Dragon and the George (1976, Nelson Doubleday) British Fantasy Award
The Dragon Knight (1990, Tor Books)
The Dragon on the Border (1992, Berkley Pub Group)
The Dragon at War (1992, Ace Hardcover)
The Dragon, the Earl, and the Troll (1994, Ace Books)
The Dragon and the Djinn (1995, Ace Hardcover)
The Dragon and the Gnarly King (1997, Tor Books)
The Dragon in Lyonesse (1998, Tor Books)
The Dragon and the Fair Maid of Kent (2000, Tor Books)

Author Interview: Tracy Angelina Evans

I met Tracy via a writing group on facebook where we discussion the little details of marketing our books and the joys and frustrations of being an author. I’m happy to add a fellow science fiction writer to the list of authors being interviewed here on No Wasted Ink. I hope you’ll enjoy her interview as much as I have.

Author Tracy Angelina EvansMy name is Tracy Angelina Evans. I use the full name because many know me as Tracy, but some know me as Angelina. It’s a long, convoluted story. Besides writing, my greatest love is music and, to me, the two are really inextricably linked. My main character Cadmus Pariah, for example, was spontaneously born out of a song called ‘Deeply Lined Up’ by a band called Shriekback. Ever since I can remember, I’ve been one to have “causes.” If I am fond of something, I will do my best to persuade any and all that they should, too. My family have long contended that I should have been an Evangelical preacher because of this trait.

When and why did you begin writing?

I began writing during my first grade in school, mainly to cope with loneliness and with the bullying I endured beginning then. It was an escape into a better world for me.

When did you first consider yourself a writer?

In the early 80s, when I transitioned from writing animal-based stories, to stories revolving around human beings. My fascination was with science fiction and fantasy, and that is what I began to focus on myself.

Can you share a little about your current book with us?

The third book, of the trilogy known as ‘The Vampire Relics,’ focuses on the third and last relic to be found and utilized in an attempt to redeem those Vampires who want to return to mortality and earn a place in what many would call Heaven. That book is finished and is being edited as we speak.

The book I’m writing now, deals with the remaining Vampires on Earth, including Cadmus Pariah, who has now been raised in power to the title of Plenipotentiary of the New Hive. It centers on his struggle to recapture the emotions abused out of him for decades, and what he does to each individual who brings out said emotion. The working title for the book is called The Harming Tree, which is an actual musical instrument created by Barry Andrews, who gave me permission to use the name.

What inspired you to write this book?

I have always had a love affair with Vampires, and began to properly study their lore in the late 80s. It fascinates me that so many different cultures hold the same myths and legends about a supposedly mythical creature. My aim was to bring that together and kind of explain their genesis by way of much older teachers, often called the Elfs or Elves. The development of Cadmus Pariah and why he does what he does was a major motivator for me as well.

Do you have a specific writing style?

A friend of mine quipped that I was a Method Writer, because I delve into each character as I write them. Sometimes that can be extremely painful, considering the fates of Cadmus and Faust the Confessor. Some would call it Purple Prose, but I prefer Poetic Prose. The noun-verb-noun style that Hemingway inspired, has always left me wanting. Russell Hoban outshines many modern writers because of his love of the word. His passing was a loss to us all.

How did you come up with the title of this book?

Each book is the name of one of the three relics; thus, the Chalice, the Blood Crown, and the Augury of Gideon.

Is there a message in your novel that you want readers to grasp?

That there is a world unseen that roils around us, that is much older than we are, and is responsible for who we are today.

Are experiences in this book based on someone you know, or events in your own life?

I tend to anchor some characters to real life people. I don’t know of any writer who doesn’t, but I know plenty who deny they do. Cadmus, for instance, if very heavily anchored to Barry Andrews. He know this, of course, and I think he’s a bit perplexed to have such a vicious entity be his “demon child.” They’re nothing alike really, so please don’t judge Barry by the dastardly deeds of Cadmus Pariah.

What authors have most influenced your life?

JRR Tolkien, Clive Barker, and Russell Hoban (schizophrenia anyone?)

If you had to choose, is there a writer would you consider a mentor?

I would give my left eye to be mentored by Clive Barker. He isn’t a mere writer, but a world creator. He paints his realms, then writes about them. I find that fascinating and I admit that I do covet his abilities.

Who designed the cover of your book? Why did you select this illustrator?

Stacey Lucas drew the cover of ‘The Chalice’ simply because she was the absolute best at committing Cadmus to paper. For the ‘Blood Crown.,’ I wanted a bigger scope and to offer the reader a hint of both Cadmus and Orphaeus. Amanda Cook, an artist in Los Angeles, was responsible for that cover. She will also being doing the cover for ‘The Augury of Gideon.’

Do you have any advice for other writers?

Write what brings you the most joy, even if that joy inspires a level of discomfort. Listen to your characters; they have a lot more to say than you give them credit for. They will often write it for you, if you only give them the chance.

Do you have anything specific that you want to say to your readers?

Despite some of more extreme scenes in the books, I hope the overall essence of ‘The Vampire Relics’ gives you Good Dreams.

The Chalice Book CoverTracy Angelina Evans
Duncan, South Carolina

I try to interpret the myth that has intrinsically created our society, a myth that never died, we just choose to no longer see it or acknowledge it.

Publisher: Fey Publishing
Illustrators:
Stacey Lucas and Amanda Cook

BUY AT AMAZON

Book Review: Fahrenheit 451

Book Name: Fahrenheit 451
Author: Ray Bradbury
First Published: 1953

Ray Bradbury was an American fantasy, science fiction, and mystery fiction writer. He was known for his dystopian novel Fahrenheit 451 and for the science fiction and horror stories gathered together in The Martian Chronicles and The Illustrated Man. Many of Bradbury’s works have been adapted into television and films and he has left his stamp on the science fiction and fantasy genres as one of the masters other authors set their own standards by.

Bradbury was born in the mid-west, but his family moved back and forth between Waukegan, Illinios and Tucson, Arizona for most of his formative years. When Bradbury was fourteen, his family settled in Los Angeles, California and he remained in the Southern California area for much of his life. Bradbury was a reader and writer throughout his youth. He claimed that he was inspired by Edgar Rice Burroughs and his John Carter of Mars series and even wrote a fanfiction based on those tales at the age of twelve. However, he cited H.G. Wells and Jules Verne as his biggest science fiction influences, followed by Robert A. Heinlein, Arthur C. Clarke, Theodore Sturgeon, and A. E. van Vogt. As Bradbury matured, he drew more from the style and works of Alexander Pope and poet John Donne. When later asked about the lyrical nature of his prose, Bradbury replied that it came, “From reading so much poetry every day of my life. My favorite writers have been those who’ve said things well.” He also has said, “If you’re reluctant to weep, you won’t live a full and complete life.”

Bradbury did not go to college and instead took a job selling newspapers once he graduated from high school. He said of this time, “Libraries raised me. I don’t believe in colleges and universities. I believe in libraries because most students don’t have any money. When I graduated from high school, it was during the Depression and we had no money. I couldn’t go to college, so I went to the library three days a week for 10 years.” In fact, Bradbury wrote Fahrenheit 451 at the UCLA’s Powell Library where he rented a typewriter in one of their study rooms. The rental rate for completing the entire novel was around $9.80 since the rental of the manual typewriter was ten cents per half hour.

Ray Bradbury lived at home until the age of twenty-seven when he married his sweetheart, Marguerite McClure. They had four children together. He was an active member of Los Angeles Science Fiction Society where he made his first connections in the writing community of Los Angeles. From these connections, he began to meet publishers and gained a following for his work that now spans the globe. Bradbury is credited with writing 27 novels and over 600 short stories. More than eight million copies of his works, published in over 36 languages, have been sold around the world.

In his later years, Ray Bradbury became a well sought out speaker at literary events in the Southern California area. He never obtained a driver’s license and did not enjoy travel. It was well known on the speaker circuit, if you wanted Ray Bradbury to speak at your event, you had best arrange to have a driver come and get him. I regret that I did not take the opportunity to meet Mr. Bradbury in person before he passed away in December of 2011. He was a favorite on the literary speaker’s circuit in Southern California and I personally know many writers that consider him to be an inspiration and mentor, in fact, my own writing society meets in a public library room dedicated to his name. Mr. Bradbury’s burial place is in Los Angeles with a headstone that reads “Author of Fahrenheit 451”. This one novel was his favorite and the one that he was likely the most proud of.

Fahrenheit 451 is a novel that has many layers. On the surface, it is the story of Guy Montag. He is a fireman, but instead of putting out fires, his job is to seek out books, which are forbidden due to his society’s views as their being the source of all unhappiness and discord, and burn them to cinders. One day on the job, he picks up a book and instead of burning it, it reads it. His life is transformed. Now, instead of being a normal part of his society, he is a dissent who wishes to protect and preserve these ideas and words from the past until a new generation may come to pass that will appreciate these pearls of wisdom hidden in books. He discovers a group of people that have memorized the books of the ages and repeat them orally in order to preserve the words in a way that their society can not destroy.

However, is this really what this classic novel is all about? Is it all censorship and book burning? Bradbury predicted a future where people wore radios that plugged their ears to the world around them so that they would focus on the world of media only. A concept that is a precursor to iPods and smartphones where the world of social media becomes as important to us as the physical world outside. In the novel, walls of televisions soothed the souls of people that only wanted to be happy and not look too closely at what was happening around them. They did not think for themselves, but rather based their views on what was fed to them by their media. With our giant HD television sets and giant computer monitors, it could be a mirror of how people perceive the world of today. The burning of books by Fireman Montag almost seems a throw away plot to the theme that is placed under the fast paced action of this story.

Bradbury always claimed that this was not a book about censorship, which the burning of books suggests, but rather a social commentary about what happens when society presses in and takes away individual freedom and thought. In the world of Guy Montag books were ultimately banned because they made people feel “bad” or insulted some minority group. Individual expression or original thinking was not encouraged. I sometimes can see in my mind Ray Bradbury typing away at the public library as he writes this book. He was a child who could not afford to go to college, to be molded by society. He was an independent thinker who took his views from the tomes that surrounded him in his library setting. I can understand his love of books and the value of treasuring what went on in the past in the way that it was preserved by previous generations and taking from it ideas to change our own futures. To allow the quiet of a book speak to you in ways that social media can not.

Fahenheit 451 Book CoverFahrenheit 451 is not in the public domain, so you will need to purchase it at your local bookstore or online. It is frequently found at your local library to borrow for free. When the publishing rights for Fahrenheit 451 came up for renewal in December 2011, just before Bradbury’s death, he allowed that the work could be published as an ebook provided that the publisher, Simon & Schuster, would allow the novel to be digitally downloaded by any library patron. The title remains the only book in the Simon & Schuster catalog where this is possible.