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Author Interview: Nils Odlund

Author Nils Ödlund is a Swedish writer, living in Ireland, who writes deep character driven stories set in an urban fantasy world. Please welcome him to No Wasted Ink.

Author Nils OdlundMy name is Nils Ödlund. I’m originally Swedish, but I’ve lived in Cork, Ireland for the past fourteen years. My day job is in customer support, and I spend most of my free time gaming, reading, or writing. I’m happily single, and tend to keep to myself, but even then, the isolation of the last year has worn on me. I try and keep active in various online writing communities, though – to have people to talk to and cut away from the day job for a bit.

When and why did you begin writing?

I started writing in 2011. Initially, I wanted to create a fantasy setting for a Pen & Paper RPG, but then a friend of mine suggested I write short-stories set in the world. I figured it’d be a good way to show off various aspects of the setting I’d created so I set to it, and then I never really stopped.

The short stories grew longer, and eventually they turned into novellas and novels. It’s been ages since I did any actual work on the setting, though.

When did you first consider yourself a writer?

I used to consider myself a gamer, and to a certain extent I still do. At some point, and I don’t quite remember when, I realized that I spent more time writing than I did playing games. That’s when.

Can you share a little about your current book with us?

My next book is called Nothing Left to Lose, and it’s the tenth book in the Lost Dogs series. Lost Dogs is the story of Roy van Waldenberger and Alene Moneya. Roy is a retired wrestler who’s on a journey to find the love of his life. Alene is an aspiring young journalist who decides she’s the one to tell Roy’s story.

Both Roy and Alene are therianthropes. Therianthropy is an affliction where the spirit of a predator takes up residence within the mind of a person. It makes the person stronger, faster, and tougher, but it also slowly turns them into an animal.

Much of the story focuses on Roy’s and Alene’s relationship with their respective inner beasts, and how it impacts their lives and their place in the world.

What inspired you to write this book?

Originally, I just wanted to show off the setting I created, and I needed an excuse for someone to go on a road-trip by train. It was just meant to be a series of short stories, but the stories grew, turned into novellas, and later novels.

The setting is still there, and it’s still important to the feel of the story, but it’s the characters who matter. I’m not going to say that they write the story, but getting to know them and figuring out who they are has definitely been a major inspiration outside of the original idea.

Do you have a specific writing style?

Can I say “blunt and evocative?” I try to avoid long flowery descriptions and instead focus on using words that trigger association and mental images. I believe that the imagination of the reader is a lot stronger than any words I can put on the page. I try to give them a framework that encourages them to fill out their own images, and to put part of themselves into the story.

Originally, I thought everyone was able to picture things in their mind, but then I learned of aphantasia, and how some people don’t have an inner eye that lets them see things. For a while, it troubled me, because my writing relies so heavily on the readers inner vision. I worried someone with aphantasia wouldn’t understand my books.

Eventually, I decided to keep doing what I’m doing. I’ve talked to people with aphantasia, and usually when descriptions get too long, they just skip or skim them. My descriptions are generally short, so I figured they’re easily skipped if they don’t make sense.

In addition to the above, I try to write in a plain and simple style. I’m not a native English speaker, and my command of the language (especially word flow) isn’t perfect. I try to be aware of this, and to limit myself to using only words I’m perfectly comfortable with. My hope is that this results in an easily readable and gently flowing prose, which does not trip up the reader.

How did you come up with the title of this book?

Lost Dogs, the series, was originally going to be called Werewolves On A Train, but I decided to skip that. It carries too many connotations and gives a somewhat silly impression.

Within the world of the story, “dog” is a derogatory term for therianthropes (except between themselves), and since the two main characters of the story are a bit lost, each in their own way, the name stuck.

Is there a message in your novel that you want readers to grasp?

There are plenty of messages. Some are rather blunt and on the nose, others are more subtle. One recurring theme is that the world doesn’t wait and giving up is not an option. Life isn’t fair, everyone makes mistakes, and there is no simple solution.

That doesn’t mean it’s all doom and gloom. Sometimes life is unfair in your favor.

What authors have most influenced your life? What about them do you find inspiring?

My largest influences are probably Tove Jansson and Neil Gaiman.

Tove Jansson is a Finnish author and the creator of the Moomintrolls. Her writing style is absolutely amazing, and she has an uncanny ability to infuse even her children’s books with nuggets of timeless wisdom.

Neil Gaiman has this way with storytelling and world building where the fantastic elements feel solid and grounded. It’s like they’re a natural part of the world and not something cool that the author wants to impress me with.

Who designed the cover of your book? Why did you select this illustrator?

I’m one of those writers who underestimated the importance of covers when they started out. I asked a local artist friend to do cover art for me. The art itself was great, but it didn’t work as a marketable cover for an indie fantasy book.

Eventually, I began tinkering with it, and discovered I could do acceptable covers myself. They’re not top-notch professional level, but they’re at a stage where I’m still not ashamed of them even if they’ve been around for a couple of years now.

Do you have any advice for other writers?

If you’re starting out. Seek other writers and learn from them. Ask for feedback, give feedback, and learn what feedback applies to your writing – because not all feedback is relevant feedback.

Also, don’t rush it. Writing is a long game.

Do you have anything specific that you want to say to your readers?

While this will be the last book in the Lost Dogs series, it will not be the end of Roy and Alene. Their story isn’t over.

Nils ÖdlundBook Cover
Cork, Ireland.


Last Fight of the Old Hound


Author Interview: Bonita Gutierrez and Camilla Ochlan

When I invited the writing team and  co-founders of Empyream Press how they would describe themselves.  Bonita and Camila  replied: We write urban fantasy on the brink.  Please welcome this dynamic duo to No Wasted Ink.

Hi, Wendy. Thank you for allowing us to share our work with your readers. We’re Bonita Gutierrez and Camilla Ochlan, co-founders of Empyrean Press.

We first met each other in college in a production of Three Penny Opera. And after college (ahem…many years later), we reconnected in Los Angeles. It was during this time that we really got to know each other. We discovered that we were kindred fangirls, sharing a love of Buffy the Vampire Slayer and Supernatural. Deeply layered characters, biting humor, and devastating consequences are our kind of storytelling. So naturally, we wanted to work together.

Flash forward eight years, and we’re knee-deep in our third book in The Werewolf Whisperer series (There are three novellas as well).

When and why did you begin writing?

Camilla: I’ve wanted to be a writer as long as I can remember.

When did you first consider yourself a writer?

Bonita: Though I always had stories in my head, I never thought about writing as a career. I was always more interested in acting. On stage, in front of the camera, that’s where my heart resided. It wasn’t until my screenwriter husband encouraged me to write my own scripts and get my own work out into the world that I entertained the idea of becoming a writer. But I don’t think I actually considered myself a writer until midway through writing our second novel, The Alpha & Omega: Book 2 of The Werewolf Whisperer. I knew we had an exciting story, and the fact that I’d helped breathe life into it, made me realize that I was actually good at this writing thing. That’s when I started calling myself an author.

Can you share a little about your current book with us?

Under our Empyrean Press banner, we are finishing the third main novel in our Werewolf Whisperer series — BLOOD & BONES. We’re damn excited about this story.

Our girls Lucy and Xochi have been on quite a ride. BLOOD & BONES brings this part of their journey to a shocking conclusion. Lots of devastating consequences. But Lucy and Xochi’s story is far from over. They still have a lot of roads to travel. Be on the lookout for BLOOD & BONES in the late fall.

What inspired you to write this book?

Bonita: Camilla’s inspiration for THE WEREWOLF WHISPERER came on the set of her short film, Dog Breath. The story forming in her head involved a “werewolf apocalypse” and a cop whose special knack for training dogs turns into a bizarre knack for commanding werewolves. I thought it was an awesome idea.

Originally, THE WEREWOLF WHISPERER was conceived as a web series. We even wrote the first thirteen episodes of season one. We had every intention of shooting the series, but as the Werewolf Whisperer world grew, so did the budget. As is often the case in show biz, our imaginations had exceeded our means. But we didn’t let that get in our way. We had a story to tell, so we got to work translating the web series into a novel series.

Do you have a specific writing style?

Since our background is in theater, film and television, our writing leans toward the cinematic — visual and action-packed. We are both very interested in exploring the inner journeys of our main characters, unwinding psychology, letting them grow.

How did you come up with the title of this book?

Camilla: THE WEREWOLF WHISPERER just popped into my head. It was as if it had always been.

Is there a message in your novel that you want readers to grasp?

Evolve or die.

But really, we just want to tell a good story. So, when we hear things like this from readers: “non-stop, action packed”, “a thrill ride”, “unexpected, not your typical werewolf story”, “destined to be a classic”, “really cinematic” — we feel like we’ve done our job.

Are experiences in this book based on someone you know, or events in your own life?

Bonita: There’s something of both of us in all our books. That being said, Xochitl Magaña is mostly based on me. I’m a person of mixed race, and that informs a big part Xochi’s character. So, peppering the story with a bit of my life experience was a no-brainer.

What authors have most influenced your life? What about them do you find inspiring?

Bonita: Writers of all mediums (film, television, comics, books) have influenced me at one point or another. I’m especially drawn to writers who create deeply flawed characters. I love anti-heroes. Humans are imperfect creatures. It’s what makes us interesting.

If you had to choose, is there a writer would you consider a mentor? Why?

Camilla: Ray Bradbury. His poetry hits me right in the heart. His stories are unforgettable.

Who designed the cover of your book? Why did you select this illustrator?

Our covers are designed by Christian Bentulan of Covers by Christian. For marketing purposes, we needed our covers to say “Urban Fantasy,” and an author friend of ours recommended Christian to us. But our title page’s art was designed by Bonita’s cousin, Richard “Rico” Rodriguez. The concept mashes the work of Frank Frazetta with DaVinci’s Vitruvian Man. We call it our “Vitruvian Wolf.”

Do you have any advice for other writers?

Bonita: Write and keep writing until you finish the story. It doesn’t matter if it’s good or not. Writing is re-writing and re-writing and re-writing.

Do you have anything specific that you want to say to your readers?

We work to push our storytelling to a deeper level, more real, more psychological. We see greater possibilities in the urban fantasy genre – beyond the expected and comfortable.
We want our books to shred the usual tropes and leave them huddled in the corner crying for mommy.

Camilla Ochlan & Bonita GutierrezWerewolf Whisperer
Los Angeles, California


Cover Artist: Christian Bentulan
Publisher:  Empyrean Press






Author Interview: Chico Kidd

I’d like to extend a warm welcome to Chico for consenting to be interviewed here on No Wasted Ink. As you can see, Chico has quite a catalog of titles to her name with many more to come on the horizon. I hope you enjoy her interview as much as I did.

Author Chico KiddI am Chico Kidd, author and artist, whose ghost and dark fantasy tales have been published in the UK, the US, Canada, Australia and Europe. Over the last few years I’ve been busy with a sequence of novels and stories featuring Luís da Silva, ship’s captain and reluctant demon-hunter. Demon Weather, the first novel in the series, has recently been published by Booktrope; the Portuguese-language rights have been bought by Lisbon-based Saída de Emergência. The next three novels, The Werewolf of Lisbon, Resurrection, and Sinned Against, are complete; a fifth is in progress. The Mammoth Book of Best New Horror 13 and Dark Terrors 6 featured three short stories between them. Others have appeared in Supernatural Tales, Acquainted with the Night, Poe’s Progeny, and elsewhere.

My first novel, The Printer’s Devil, came out in 1996 from Baen and was reprinted last year by Booktrope. It’s a tale in the classic English Ghost Story tradition of M.R. James, as were most of the stories in my first hardback anthology Summoning Knells (2000). I also write in collaboration with Australian author Rick Kennett, and our collection of Carnacki the Ghost-Finder stories No. 472 Cheyne Walk was published in 2002 (both Ash-Tree Press).

When and why did you begin writing?

I have been writing for as long as I can remember— by age 10 I was telling people that I wanted to be a writer when I grew up. Luckily everything I wrote prior to 1979 has vanished into the mists of time. Why, is also easy. I loved reading. I devoured books like a starving book-eating creature. I wanted more books like the ones I loved to read, and spent hours thinking up titles and storylines and designing the covers for them. The earliest thing I recall writing was one set in Narnia, and I also worked my apprenticeship by writing stories in imitation of authors as diverse as Dick Francis, P.G. Wodehouse and Tolkien. There are now many, many more influences on my writing!

When did you first consider yourself a writer?

Since 1979, when my first published story, An Incident in the City, appeared in the first issue of Rosemary Pardoe’s long-running Ghosts & Scholars series. I’ve had writing jobs ever since I graduated, from greeting-card verses to advertising, but don’t really think that counts. For quite a long time, I wrote only ghost stories, mostly in the tradition of M.R. James. They found modest homes in anthologies and in small press, to which I contributed seven collections of my own: Change & Decay, In & Out Of The Belfry, Bell Music, Bells Rung Backwards, Wraiths & Ringers, and Ghosts, Scholars, Campanologists & Others. Nearly all these stories went into Summoning Knells. And then I got writer’s block, which was completely horrible. And it was cured by Captain da Silva, who barged into a story from heaven knows where and took over my writing life.

Can you share a little about your current book with us?

Although Demon Weather is the first novel to feature the intrepid Captain, chronologically it is the 14th of the Da Silva Tales. The preceding stories do not need to be read to make sense of the novel! (Although I think readers might find it fun to find out more about some of the characters’ backstories.)
Luís da Silva is the captain of a barque, the Isabella, in the days when sail is in its long decline and steamships have more or less taken over the seas. He is rather more well acquainted with the night than he wants to be, but the powers that be have different ideas. (These are not the sort of powers that be that make prophecies and steer people towards destinies, but rather the kind that say to themselves “This fellow would be good at doing certain kinds of stuff, so let’s give him a nudge in the right direction,” or even just “Let’s give him some abilities that will make his life suck”.) As Riley Finn once said to Buffy, “It turns out I suddenly find myself needing to know the plural of apocalypse.” And he also has a rather shady past, which in this case comes back to bite him in the shape of a not-at-all-nice sorcerer out for revenge.

Luckily the Captain has allies in the form of a Scooby Gang which includes a werewolf, a man who can fiddle with time, an English antiquarian, a bad-tempered witch and an almost-corporeal ghost, not to mention his very resourceful wife, Emilia, and a young son and daughter who are sometimes more hindrance than help.

What inspired you to write this book?

Well, as I mentioned, I’d had a bad case of writer’s block, but once the dam broke I found myself writing like crazy. I was averaging around 10,000 words a week for a while. And so I zipped though a ton of stories that were like episodes from a series, before coming face to face with an idea that was a lot more complicated and needed the length of a novel to do it justice. I wrote the thing in three months!

Inspiration covers a lot more than that, however. I am inspired by boats and the sea, by the way Joss Whedon blends horror and comedy, by inventing characters and exploring milieus, by the city of Lisbon, by folklore and legend and the sheer fun of writing.

Do you have a specific writing style?

I do, and Rick Kennett has dubbed it “Weird Noir”. It’s Chandleresque, basically, when the Captain is doing the narration. I use a mixture of tenses in the first-person bits, because it’s a mixture of his memories, his thoughts, his actions, and it all makes it more immediate: he’s telling you the story, but it’s happening now in his mind. But I also tell the story from multiple points of view, and try to get personality across by variations in style. I sometimes make use of a version of José Saramago’s style (not many full stops, bit stream-of-consciousness-y). Harris the werewolf’s thoughts are a big part of his personality. There are a few bits of omniscient-narrator stuff where I need to describe something outside of everyone’s experience. It’s all kind of a mixture, I think it’s quite cinematic, with jump-cuts and voice-overs and zooming out and in.

How did you come up with the title of this book?

That’s kind of interesting. I’m usually good with titles, and they often come before I write the story— sometimes a title actually triggers the story. But it wasn’t till about halfway through Demon Weather that I settled on that title. It was called Hunting Souls up to then.

Are experiences in this book based on someone you know, or events in your own life?

Whoa, no! I don’t believe in ghosts. I don’t count demon-slayers, werewolves or even ship’s captains among my acquaintances. Much of the Captain comes from me, I guess, in terms of philosophy at least. But I don’t agree with that old truism “Write about what you know”. If everyone did that, there would be no fantasy or SF at all!

What authors have most influenced your life?

My life? No. My style, most certainly. But I love certain authors without wanting to use anything of theirs: Terry Pratchett, for instance, Ursula Le Guin, Elizabeth Moon, John Connolly. I suppose I have to say that Joss Whedon is the single most obvious influence on the DaSilvaverse, with my diverse gang of supernatural-evil battlers and the mix of action, horror, humor and characters you care about (I hope!) But I am a magpie, I pick up shiny things from all over the place, books, movies, TV, tradition, history, art, my own travels…

If you had to choose, is there a writer would you consider a mentor?

No, I can’t say that there is. I am terrible at following examples, instructions or rules, I don’t idolize any writers, although I do admire a good many. My real-life heroes are people like Aung San Suu Kyi and the late war correspondent Marie Colvin.

Who designed the cover of your book? Why did you select this illustrator?

*coughs modestly* I did it myself. One of the first things I do when I have a character who I know will be with me for a while is draw their face. It’s a shortcut to getting inside their skin, until I get used to them.

Do you have any advice for other writers?

Write what you enjoy. Get inside the skins of your characters. Never stop writing, and don’t be afraid to run with the story.

Do you have anything specific that you want to say to your readers?

Welcome to my world— I hope you enjoy the ride!

Demon Weather Book CoverChico Kidd
London, England

Chico Kidd’s ghost stories have been published in the US, the UK, Canada, Australia and continental Europe. Chico was born in Nottingham, England, and now lives, writes and paints near London.

Demon Weather is published by Booktrope.