Tag Archives: writing tips

Epistolary Writing by DG Kaye

Epistolary Writing by DG Kaye
Photo by Debby Hudson on Unsplash

Hi Wendy, thanks so much for inviting me over again to your blog. Today I want to talk about writing in Epistolary style. What is epistolary writing? As a nonfiction/memoir writer I’ve been exploring this form of writing for a book I’ve been drafting about grief. I am seriously considering presenting the book in this form.

Epistolary writing is a style that addresses the reader through a diary format (think Bridget Jones’ Diary) or in journal or letter format. In this era of digital life, epistolary writing can also include email and blog post entries, police reports, newspaper articles and transcripts. This style involves the writer speaking directly to another person, expressing the bond in a particular relationship through the content being written, which gives the reader an intimate peek into the writer’s private self and thoughts regarding the person she is writing to, and an inside scoop into that relationship between the writer and the character being spoken to. Journal and diary entries are more contemplative writings, but there is also the method of writing strictly in dialogue. Epistolary writing is in essence writing dialogue from one’s self. It is important that the writer let the reader know to whom they are writing to. Epistolary stories can involve one or more characters the writing conversation is being directed toward.

Often, in this form of writing, the focus is more on evoking emotion, more so than a dialogue driven story. Epistolary writing is also classified as a sort of confessional-like writing, also known as monophonic point of view, letters to one specific character. It is referred as ‘dialogic’ if two people are writing letters, or, ‘polyphonic’ with three or more characters writing and receiving the letters. It is ultimately, a first-person point of view that allows the reader to get inside the writer’s thoughts. It’s a correspondence between characters or to a character. This form is a different take from third person POV where the usual plots and characters are the driving force of the storyline. Instead, the reader gets to understand the character’s interactions through what is implied by the writer.

The word -Epistolary, is derived from the noun – Epistle, which is the Greek word meaning ‘letter’. This is an actual literary genre that pertains to letters written for delivering story through personal messages from the writer to her subject(s). This format can be used as context for a relationship, friendship or even a business relationship between the writer and receiver.

Because this method of writing is a person telling, it can be written in multiple tenses. For example, the writer might go back in time with an entry and bring it up to present to invite in some tension. In most stories in other points of view writing, they are written in the classic, ‘show more, tell less’. This could be challenging to write in epistolary form because there is no narrator building a scene. But description that paints a picture to the reader can still be done. The more ‘real’ a story feels to the reader, the more they will engage in the emotion. Epistolary stories can be written in both fiction or nonfiction.

In summation, epistolary writing should be authentic, engaging to draw the reader into the emotion of the story, and it should not include any explanations or backstory.

One famous known book written in epistolary form is:
The Diary of Anne Frank, where the young Anne wrote in her diary, Dear Kitty, through her hiding during most of WWII, and ultimately, her capture in the Holocaust.

Just a few more to mention of many more contemporary novels:
The Perks of Being a Wallflower by Stephen Chbosky, where his story is told through letters in this coming-of-age story.

Permission by SD Chrostowska, told in a one-way correspondence consisting of anonymous emails sent from the author to a famous (ghost writer) visual artist.

The Beatrice Letter (part of the Unfortunate Events series) by Lemony Snicket, written in notes and letters.

The Screwtape Letters, a satire, originally written in 1942 by C.S. Lewis written in letters by the demon Screwtape who writes letters to his novice demon nephew Wormwood, a government worker residing in hell, directing his nephew on how to best tempt humans to be led astray.

The Color Purple, Pulitzer Prize Winner by Alice Walker, writes to her sister and Dear God diary entries by the protagonist, Celie.

Most recently, The Martian, written by Andy Weir. His character Mark Watney logs in journal form about being stranded on Mars. (Played by Matt Damon in the movie version.)

In my own book on grief, I’m planning on writing as the widow I’ve become, writing to my beloved husband who has recently passed on.

I hope you enjoyed learning about this not so common form of writing style.

©DGKaye2022

Debby Gies is a Canadian non-fiction/memoir author who writes under the pen name of DG Kaye. She is born, raised, and resides in Toronto, Canada. DG Kaye writes about her life experiences, matters of the heart, and women’s issues, hoping to empower others.

She loves to tell stories that have lessons in them and hopes to empower others by sharing her own experiences. She writes raw and honest, hoping that others can relate and find that we always have a choice to move from a negative space to a positive. We need only the courage to take the leap.

Awards
christoff-fischer best non-fiction award – Have Bags, Will Travel
Gold Star Award cover art-words we carry from thebookdesigner.com
dgkayewriter.com/awards

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Claim Your Writing Place by Deanna Rasch

Photo from Deanna Rasch

Facebook reminded me this week of a trip four years ago. I had the rare and wonderful privilege of spending almost two weeks immersed in writing, steeped in the power that place can exert on creativity and identity.

I applied, in the final year of my MFA in Creative Writing program, to a writing residency in Ireland – a place I’d always dreamed of visiting. Except for the briefest of trips across the border into Mexico and Canada, I was a Gen X-er who’d never traveled outside the United States. I had a list in my pocket of places I’d visit and a current passport, should the opportunity (and funds) ever arise.

Likewise, the MFA was a goal I’d held close for, well, decades, if I’m honest. The program ended up opening the door, as well, to this dream of international travel. My gratitude for this has only grown in the past year, through all the isolation and restrictions.

It took almost two days to make that trip from Colorado to our final destination – an inn on the island off the coast of Ireland called Inis Oirr. It was a “planes, trains, and automobiles” kind of trip. Two planes, a bus, a small ferry boat, a horse drawn buggy (for our luggage), and a hike up a steep cobbled road from the docks, to be exact. The trip was like winding back the decades, one mode of transport at a time.

I’m remembering, as I write this, the crowded Galway park, full of locals enjoying the warmth of a relatively rare sunny day. Our cohort assembled to await the ferry, lying about on the greenest of grass (which is not a myth, by the way ; ) I fell asleep for a bit, exhausted from the travelling, feeling somehow safe in the midst of all that activity. Then came the crisp, refreshing wind in our faces as the ferry boat bumped its way over the rough open sea to the island. The thrill of seeing the island rise up out of the water ahead, crowned by a diadem with castle jewels. The fishy smell of the docks as we hopped off the swaying boat. The clop of horses’ hooves on the cobbles. The lilt of a warm greeting from the innkeeper in Gaelic. The savory smell of fresh seafood chowder for dinner, served with stories from fishermen playing pool nearby about the catch of the day.

Feel that sense of place? : )

I could add a few bumps along the way, to be sure. But I find myself recalling mostly sensations, memories that make me smile. Experience again those spacious moments. Walks by the sea. Sunsets so late at night. Lovely language and kind community. The writing the immersion opened in me.

Perhaps it’s in sharp contrast with feeling so confined much of the past year, between lockdowns and perpetual smoke and ash last summer from the fires here in Colorado. The feeling of loss all around – its own sense of place.

Ireland was an embodied experience of what I’d vicariously tasted as a teen, exploring the strange new worlds of science fiction and fantasy. Places that (as a young queer person who wouldn’t find acceptance for years to come) inspired feelings of hope and belonging in a wider world. Settings and societies that expanded my definitions and horizons beyond the messy, violent urban neighborhood I grew up in. Written by authors who knew how to create new potentialities by conveying a strong sense of place.

John Varley, for example, in his classic Gaia Trilogy, transported me to Titan, the being/world whose 12 distinct lands he personified on the page. Each place – and Gaia as a whole – acted as a foil for the astronauts stranded there (and those soon to follow) requiring characters to confront their limitations and biases. Allowing them to discover fuller identities (including sexual identities). To reach unexpected potentials beyond the limited selves they were on arrival. All through sustained interaction with a place far beyond their current experience.

Anne McCaffrey’s Dragonriders of Pern series pulled me into world where the dragons, themselves, were inextricably tied to the biology of a world inhabited by a people who were (in the original trilogy) beginning to question their ancestry. Their sense of place. Where individuals were questioning their identities as this evolution began. Where young people could empower themselves, be supported in putting hard situations behind them, and pursue their gifts. Could use them in service of surviving, thriving, and creating in this place. Responding to questions whose answers challenged every assumption they’d held about their connections with each other, the dragons, and Pern.

I’ve found myself rereading these and other authors with this talent in the past year. Reaching, almost obsessively, for that expanded sense of place, as my outer world shrank to the size of my apartment. For that spaciousness I’ve always found on the page. What I’m now enjoying, again, through the pictures of my time in Ireland. Revisiting that lived experience of revising, in a deeper way, my sense of place in the world. Seeing it reflected in my writing.

We can be of service, I believe, as writers, by reaching beyond the experience of place we know. Not by appropriating others’ stories, their unique sense of “place.” Rather, by reading those stories – real and fantastic. Stretching our own lived experiences, where we can. Cleaning out head junk that likes to whisper, “What you’ve known is the only place.”

Think of the impact we can have, dear writers, if we work at conveying, as best we can, insights we glean by taking deep dives into place. Imagining less limiting futures. Creating stories and worlds our readers want to visit – even revisit – that expand their own definitions, as others’ stories have for us. The hope and resilience we can help bring to a “place” that really needs it right now. ❤


D.M. Rasch is an author of LGBTQ+ speculative fiction (and an occasional poet) who lives in the Denver, CO area with 2 sister kittens who are pretty tough in the editing department. She holds an MFA in Creative Writing and balances being a working writer with her work as a Creative Coach, Mentor, and Editor (as Deanna M. Rasch) in her business, Itinerant Creative Content & Coaching LLC . Find her publications on the linked Amazon page and look forward to upcoming publications: a YA science fiction novel Freedom’s Cost, as well as the first in a series related to her story At the Movies, recently featured in Other Worlds Ink’s anthology, Fix the World: twelve sci-fi writers save the future.
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No Wasted Ink Writers Links

No Wasted Ink Writers Links


Welcome to another Monday of writer links from No Wasted Ink. This week I found many great articles on the writing process and about life as a writer. I hope you find them as interesting as I did. Enjoy!

Open Dyslexia From Both Press – Dyslexic-Friedly Books For Adults
The Fiction of Peace, the Fantasy of War
Future Worlds Prize for Fantasy and Science Fiction Writers of Colour Taking Entries
Spec-Fic-Fu: How to Make Aliens and Robots Fight Better
A Virtuous Cycle for Marketing Your Books
Pros and Cons of Using Present or Past Tense – What is the Effect on Your Reader?
Staying Connected with Other Writers
Ethics, Integrity & Trust for Writers
Five Tips for Using an Arbitrary Magic System
8 Stages in the Life Cycle of a Writer: From the Aha! Moment to Beyond the Grave.

No Wasted Ink Writers Links

No Wasted Ink Writers Links

After a short hiatus, the top ten writing link posts have returned to No Wasted Ink. This week I attempted to focus on writing tips, but there were too many recent obits to ignor. I wanted to call to attention Phyllis Eisenstein, one of my favorite fantasy authors who passed away recently. I am a graduate of the James Gunn Science Fiction Workshop and had the pleasure to hear Mr. Gunn explain his method of intuitive brainstorming that was one of the best lectures I’ve heard on the subject. RIP to both these fine authors.

Sync Scrivener With Android Devices For Writing On The Go


Before Home Video, Science-Fiction Fans Worked Harder to Keep Fandom Alive


7 Writing Lessons Learned in 2020


In a Writing Slump? Try a Little Exercise!


Navigating the Parallel but Uneven Ecosystems of Traditional Publishing and Self-Publishing


Phyllis Eisenstein (1946-2020)


In Memoriam – James Gunn


Introduction to the ATU Tale Types


Revision Search Patterns


On Using Humor in Fiction

World Building by Bill McCormick

World Building
Photo by Denys Nevozhai on Unsplash

Before we get into the meat of the subject I’m assuming you’ve read Strunk and White and learned grammar and studied Steven King’s On Writing and learned how to craft content. If not those specific tomes then I’ll presuppose you’ve read, and devoured, similar. It all comes down to this, world building isn’t where you start your journey as a writer. You need to have the basics well in place before you throw yourself off this mountain.

When you create the world your characters are going to live in it can be something simple, like Toledo, Ohio, or something amazing like the gas clouds of Orbius Prime. No matter which, you’ll need ground rules to get started.

  1. Let’s say you picked Toledo; you’ll need to mention the Mud Hens, the city’s devotion to sausages, the national museum of the great lakes, lunch at Grumpy’s and so on.
  2.  If you picked the gas clouds of Orbius Prime, then you need to let readers know about how light refracts in the gasses, what does , and does not, work as a means of propulsion, whether or not the beings living there are corporeal, and how communication is achieved. I would assume varying shades of illumination would work best, but you have options.

In other words, it’s not just a name you toss out it’s a place you bring to life. When the reader closes the book they should feel like they were there. Maybe even bought some souvenirs.

I have found that detailing the world I’ll be creating first, and then adding characters works best. I didn’t do that for my first novel and ended up having to go back and do so since there were glaring inconsistencies in locations and tone. I, literally, had a desiccated desert near a lake.

Before you ask, yes, that was a huge pain in the ass.

So, to save yourself the irritation, lay things out in a simple graph.

  1. Where: Name your place and then detail, at least, ten things which make this place unique.
  2. When: Based on a current reader’s perspective, is this something that happened before or after their existence. If it’s current, try and avoid pop culture references. Since they won’t be current when your book comes out they immediately place the story in the reader’s past.
  3. Tech: It’s well known that any tech sufficiently advanced enough would appear to be magic to a less developed society. The same holds true in writing. If you introduce the “multi phased Frombulator” you have to be clear as to what it does, why it exists, and be able to give a rudimentary idea of how it works. You need not get into the physics of the thing, unless you feel it’s required, but you do have to be able to make readers believe it could exist. Contrariwise, if you’re setting is medieval Europe, you can’t give the princess a Buick to make her life easier. The tech you add has to fit the rest of your universe.
  4. Consistency: Despite popular tropes, it is not the hobgoblin of little minds. Foolish consistency is. Now, whether you’re creating a magical fairy kingdom, interplanetary battles featuring alien warlords, or a whimsical a rom/com starring Satan, you need to set out the rules that guide your universe. And those rules need to apply to every character, and in every event. Remember, it’s not the suggestion of physics, those are laws for a reason. If your characters can violate them, you need a believable reason. This is less true in comic books where characters can fly unaided. Yet, even then, the rest of the universe follows basic physics leaving the flying people as outliers.

One easy out from all this, that lazy writers like to use, is to create a universe of gods. Since their characters are all gods they can do whatever they want. Unless you have multiple iterations of Yahweh, that won’t fly. And if you do, where’s the conflict? Even Satan doesn’t directly challenge God. In fact, in many interpretations, he’s fulfilling a function required by God. So, you’re back to needing some rules, and characters to live within them.

Another thing to look out for is accidentally creating multiple generations of morons. A wildly popular series of books, and a related TV show, have characters who, according to numerous plot points, have been at war, and fighting dragons, for eight thousand years. In that time the only weapons they have come up with are variants of a pointy stick. Some large, some small, some metal, some wood, but, at the end of the day, they’re all just pointy sticks. You would think that, given the fact there were constant airborne threats, someone might have given artificial flight a try. All of the needed materials are right there. And the inspiration is literally eating their livestock.

However, there was also an abundance of naked boobs, so that made up for a lot.

World building can be, and is to me, fun. There are lots of guides you can use to help they’re just not marketed as such. Books on mythologies will help you create believable powerful beings. Dungeons and Dragons is a great guide for your magical realm. NASA.gov has tons of free research online that will help you build realistic alien homes. And, if you want to bend some brains, don’t neglect the various conspiracy sites.

Once you have your feet firmly on the ground, let your imagination loose and see what it brings home.


Author Bill McCormackBILL McCORMICK is a critically acclaimed author of several novels, graphic novels, comic book series, and has appeared in numerous anthologies. He began writing professionally in 1986 for the Chicago Rocker Magazine in conjunction with his radio show on Z-95 (ABC-FM) and went on to write for several other magazines and blogs. He currently writes a twisted news & science blog at WorldNewsCenter.org. That provides source material for his weekly appearance on The Big Wakeup Call on WBIG 1280 AM (FOX! Sports). You can find out more about him at BillMcSciFi.com.

Splice by Bill McCormack